We live in a world where the funeral matters more than the dead, the wedding more than love and the physical rather than the intellect. We live in the container culture, which despises the content.
Eduardo Galeano
Cosimo Galluzzi
RMH
dirt enthusiast
will byers stan first human second
Jules of Nature
"I'm Dorothy Gale from Kansas"
art blog(derogatory)
we're not kids anymore.

shark vs the universe

@theartofmadeline
PUT YOUR BEARD IN MY MOUTH

blake kathryn

JVL

Discoholic 🪩
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
i don't do bad sauce passes
🪼
todays bird
Three Goblin Art
seen from Romania

seen from Türkiye
seen from United States
seen from United Kingdom
seen from Germany
seen from Italy
seen from United States

seen from Türkiye
seen from Türkiye

seen from Canada
seen from Malaysia
seen from Germany
seen from Poland

seen from United States

seen from United States
seen from United States
seen from Austria
seen from United States

seen from United States
seen from United States
@keatsweat
We live in a world where the funeral matters more than the dead, the wedding more than love and the physical rather than the intellect. We live in the container culture, which despises the content.
Eduardo Galeano

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ALIEN Franchise (1979-2024) + Protagonist
Metro Station "Marienplatz" in Munich. Philipp Klinger
Console buttons from Star Trek: The Original Series (1966-69)
the brothers Area

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All kinds of spring Herbs and Grasses - Paula von Goeschen-Rösler , 1917.
German , 1875-1941
Gouache in lime green, dark green, and brown, black pencil, silhouetted and mounted on Japanese paper, 34.9 x 38.9 cm.
KAREL APPEL
Ohne Titel, 1958.
Mixed media
Ketterer and Kunst
“Last night I photographed a Barn Owl hovering above prey at a local farm where I have been baiting them for some time, I did attempt this last winter but failed due to the lens misting, still a work in progress” ~ Roy Rimmer
Yakov Khomich
From the series "Girl in the blue dress", 2024
Oil on canvas.
@syrenki

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“How’s life?”
Me:
sunbath by tyler keeton robbins, 2021, acrylic on linen 24 × 18 in
amir khusrow (1253–1325 CE)
This is back on my dash! And listen, I love to see Amir Khusrau getting appreciation, but this translation ignores a lot. The original rhymes! And scans! And does playful things with register! And conveys a tone of affectionate banter between the two speakers, not least because it has them both addressing each other as sakhi (translated above as “girl”) in the last two lines. I think taking some liberties with line order is worth it to preserve more of the rest—and I think there’s a better translation of sakhi. And so:
He only visits once a year, I splurge big on him when he’s here, His kisses make my tastebuds tango. Who, bitch, your man? Nah, bitch, a mango.
Hana Lock
Diedrick Brackens - romance and logistics 2023

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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‘The Cup is a Cloud’ by Diedrick Brackens, 2018. Silhouettes weave stories in purple twilight.
Diedrick Brackens, grief has no gills, (cotton and acrylic yarn), 2020 [SFMOMA, San Francisco, CA. © Diedrick Brackens]