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@junk-junk-junction

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電気グルーヴ ✖️ Roland 「JD-800/990」 (1994年11月)
細野晴臣
『ヤング・ギター』 (新興楽譜出版社 / 現・シンコー・ミュージック) 1975年7月号 / No.7
Records in the back, clockwise (the ones I can make out)
Enzo Stualti with Spin O' Lama Orchestra & Chorus - A Tribute to Mario Lanza
Fred & Adele Astaire - Lady Be Good Bolero (?)
Professor Longhair - New Orleans Piano
Groucho Marx - An Evening with Groucho
VA - Dance Party Swingin' Mood
VA - Like Are Red Hot (A 1960 Funk/Soul/Blues Compilation)
山下達郎 「DOWN TOWN」
@大阪フェスティバルホール (2008年12月27日)
桂木文 ✖️ 撮影:渡辺達生
『ひとりぼっちのコンチェルト』 (ワニブックス) 1982年11月15日初版

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画:志村貴子 ✖️ 『放浪息子』 第119話 「夢見る女の子」
『放浪息子』 単行本 ⑭ (KADOKAWA / エンターブレイン) 2012年5月25日初版
西田ひかる
「置き手紙」 ✖️ 画:林静一(1981)
『林静一の世界 - 女の情いを彩る怪しい風景』 月刊 『詩とメルヘン』 2月臨時増刊(サンリオ)1983年2月28日初版
『Modern Beauty 2008 Calendar』 (パルコ出版)2007年10月初版
画:林静一

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キース・エマーソン ✖️ KORG 「Polysix」 Synthesizer (1981年11月)
Released in 1976, the KORG 770 was a monophonic synthesizer whose limitations in functionality and sound design were offset by its distinctive design and highly individual sound, earning it a lasting reputation among vintage synth enthusiasts. Its retro yet striking ring modulator is especially notable, capable of producing bizarre and otherworldly tones, while the external input allows for a wide range of experimental sound processing. Bass, string, and lead sounds are all surprisingly usable, and features such as fast envelopes, auto-bend, and LFO retriggering were considered uncommonly advanced for the time. Although undeniably limited compared to later synthesizers, those very imperfections are part of what gives the KORG 770 its enduring charm.
It's a SONY 「SLV-7」 (1988年7月)

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新垣結衣 ✖️ 『Sh15uya / シブヤフィフティーン』 テレビ朝日系・2005年1月10日 - 3月28日 / 月曜深夜3:12 - 3:42放送
当時17歳の新垣結衣、特撮ヒロインとしてのドラマデビュー作
麻生久美子 ✖️ つぐみ 『贅沢な骨』 (朝日出版社) 2001年8月7日初版 撮影:永瀬正敏
『贅沢な骨』 (日・2001) 監督:行定勲 脚本:行定勲/益子昌一 出演:麻生久美子/つぐみ/永瀬正敏