the warrior of light as a game-breaking force of violence
there's a moment, relatively early in dawntrail, that establishes succinctly how out of place the warrior of light (as the savior of eorzea and main character of four successive final fantasy game plots) is in what is essentially the story of fresh new final fantasy protagonist wuk lamat. and it sets up quite nicely how the framework of fantasy video game conflict pulls the warrior of light forever towards violence as the expansion goes on.
spoilers through 7.0 follow
consider wuk lamat's kidnapping and rescue. bakool ja ja holds his blade to wuk lamat's throat, taunting you. his lackeys line up against your party in neat little ranks suspiciously reminiscent of a classic final fantasy encounter screen.
and it simply does not matter to the warrior of light. you stride right through their combat setup because you are beyond that by now. the warrior of light has absolutely no respect for the "we are about to do ATB combat" lineup. the camera even jumps the line for you in one continuous rotating shot, crossing the axis of action as though to emphasize through the disruption of visual convention how far outside the game's boundaries you are.
this is how far you are above the problems of dawntrail's first half. you cannot even be bound by the normal rules of cinematography and video game combat. everyone else here lined up for a good old-fashioned scrap and the warrior of light said haha nope actually. i'm going to stroll through here like a god of war astride this tiny battlefield. your henchmen cannot even raise a hand to me. i don't even have to engage in violence directly anymore. my mere presence is enough.
in fact, not only can bakool ja ja's henchmen not raise a hand to you, he's not even worthy of your direct intervention. he kidnaps wuk lamat and steals her keystones and frees valigarmanda and kidnaps hunmu rruk and none of it warrants the warrior of light so much as raising a finger. he's wuk lamat's recurring villain, that's not your problem. you're just here to take in the scenery.
zoraal ja spends his whole life aspiring to be thought of as his father's equal and a worthy successor to the dawnservant as the "resilient son." all it takes for gulool ja ja to acknowledge you as a warrior on his level is like a five minute sparring match. the acknowledgement from gulool ja ja that zoraal ja hungered for his whole life and would eventually go full cyborg supervillain to get via regicide is something the warrior of light receives casually in a throwaway line after their level 93 solo duty on the way to more important plot conversations.
it really seems for a second, in the first half of dawntrail, like you are strong enough and the problems simple enough for this to be a clean and easy adventure. bakool ja ja? power of friendship'd. mamook? successfully reintegrated, no worries about the crimes against humanity. rite of succession? handily won. nothing can stop you. even duty finder queue times have been conquered: you can do all your duties with trusts now.
all of which only makes it better when the second half has sphene ask you and wuk lamat directly: could your strength have been enough to save alexandria? could you have found a different way?
i know some people get very annoyed we don't intervene in the gulool ja ja fight. now personally i think if you see arthur and mordred squaring up it's rude to intervene, but beyond that, it simply wouldn't have mattered. by the time zoraal ja's forces arrived in tuliyollal, alexandria and tural were already on a collision course and doomed to conflict. your hands alone could never have averted this conflict. sphene was always bound to do what she did—and certainly a gulool ja ja without his reason would not be any more inclined to peace than wuk lamat and koana were.
there's a great little moment just before living memory where estinien, champion at reading the room, is like "okay so if thancred and i stay here that frees up you up, aibou, to do what you do best and save the world and have epic fights. woo!!!" and immediately afterwards you basically have to apologize to alisaie because part of the sort of unspoken premise of this whole trip in the first place was that you were, finally, not going to plunge into mortal peril to save the world. you were finally going to take it easy. you were finally done with that. and she has to sort of ruefully be like nah it's fine bro. i was trying to get you to take it easy and not do insane risky world-saving violence. but y'know these things (interdimensional invasions) happen.
by the time you reach the very last trial, all pretense that the warrior of light could have ever been beyond these problems has vanished. you were, very emphatically, not strong enough to hold onto all that was dear without sacrifice. gulool ja ja and otis and cahciua died. yyasulani was irreversibly changed, physically colonized and culturally decimated by another dimension. you systematically shut down each part of living memory, and all its friendly, charming, loving ghosts, with your own hands. with your own clicks.
not even the vaunted strength of the warrior of light is enough to overcome sphene's inexorable logic of conflict. and so, in the end, she plucks you out of the crowd and says, explicitly for reasons of your strength, that you are going to have to do a boss fight now. you are going to have to kill her and you are going to have to do it in a proper 8-on-1 trial, and she forces you to affirmatively state that you understand you're going to kill her.
did you think you were above it all? did you think you could get away from here with your weapon undrawn, with your hands clean? that for you and you alone the logic of conflict comes undone? wrong. wrong. wrong.
your strength cannot redeem you, says sphene. your friends cannot make these sacrifices for you. if you would play the hero then you must play the hero. no half-measures.
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why does this have 32k notes? it’s just a picture of a knife in a ranch bottle, is there some unspoken joke that 32 thousand people share? what is going on here, i dont get it. it’s just a fucking picture of a knife in a ranch bottle. is there some spiritual connection people have to this picture? is there some ominous and mystical reasoning that this has 32 thousand notes? do people reblog this because it makes them look like some indie blogger? or is there just something funny to this? someone please explain
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We often treat commenting and kudosing as transactional, but I’d like to propose a different perspective.
A fandom is like a community garden; the plants and trees are fanworks, the paths and benches are structures like ao3 and kinkmemes and themed weeks or months. Comments, and kudos? Those are fertiliser. You don’t necessarily see them at work, but they make the trees grow stronger and the flowers bloom brighter. When you comment on a fic or piece of fanart, you are nourishing our shared garden and helping to make the soil fertile for future works.
I want commenters to feel proud of that contribution. Whether you turn up with a wheelbarrow of the stuff to tip on your favourite flowerbed or just drop a heart emoji in the donations box, you are helping to make the soil richer, the garden more beautiful.
And you know what? Sometimes you need to just sit in the garden without feeling obliged to do anything to maintain it. That’s okay. It’s your garden too! As an author, I don’t want people coming to my stories with a sense of obligation; I want them to be able to enjoy them and be restored by them. If they don’t have the energy to comment right now, that’s okay.
But a comment isn’t the price of an entry ticket to someone else’s garden; it’s an investment in your garden, in your community. You won’t always see it bear fruit, won’t always know what part of the whole it helped grow. But you can know what you put in, and feel proud of being part of the team nourishing and maintaining this wonderful space we all share.
And whatever you do, please—don’t litter, or tell other people they’re enjoying the garden wrong.
Little miss Esme Wolfe back after being locked in my closet for almost 5 years. I wanted to tweak her design a lil but as I replay Wayhaven. Bonus doodle from my wife who helped me figure out her face ❤️
did your parents *"pre-screen" the media you interacted with when you were a kid/before legal adult age where you are?
yes, always AND they did parental guidance talks about it
yes, always but there was no parental guidance involved
sometimes, with parental guidance talks
sometimes, no parental guidance talks
not usually, but occasionally (WITH parental guidance)
not usually, but occasionally (WITHOUT parental guidance)
they never pre-screened but there were other rules (elaborate?)
my parents fully didn't give a shit about what media i engaged with
see results
Voting ended onDec 16, 2025
*by "pre-screening", i typically mean any sort of behavior that exists on a spectrum of "actually watching/playing/reading the thing before you played it" to "doing any sort of research on it before letting you watch it".
feel free to share your experiences in the tags or replies or whatever!
admittedly, i am a little obsessed with like 65% of the tags on this post so far basically saying "my parents didn't pre-screen things but they [describes behavior that DEFINITELY qualifies as pre-screening]". i kinda hope maybe this post and others like it wake some people up to the fact that yes, even YOUR parents were controlling what perspectives and ideas you were and were not being allowed to access.
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give a woman some guy and she'll be entertained for a day. teach a woman how to put some guy in situations and she'll be entertained for the rest of her life.
Tagged by @roguelioness to describe myself in ten pictures from my phone, I don't actually keep photos on my phone so I went to my desktop that houses my immense archive of random crap that I've saved forever and ever instead!
I always get overly nervous about tagging people, throw down if you want to!!
“ikr i only use it for-“ whatever you use chatgpt for is also embarrassing. you do not need the plagiarism machine that lies and evaporates water for anything actually
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