That special time in a young woman’s life when intense preoccupation with wolves turns to poorly repressed pyromania.
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@kafkova
That special time in a young woman’s life when intense preoccupation with wolves turns to poorly repressed pyromania.

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animals have a concept of power apparently
let’s go girls! *is snatched and carried off by harpies*
“As a woman I have no country. As a woman I want no country.” —Virginia Woolf, Three Guineas
“I was made for another planet altogether.” —Simone de Beauvoir, The Woman Destroyed
“(I-woman, escapee)” —Hélène Cixous, The Laugh of the Medusa

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Théâtre du Mouvement – Catherine et l'armoire, 1985
Women Who Built Yugoslavia
The 20th century was time of rapid and profound changes in the Balkans, often most apparent in the urbanization process, which started to accelerate in the interwar period and reached its peak during the time of Yugoslavia. Architects and urbanists vital to this development were often women.
Belgrade Airport by Atelier LIK after the opening (1962). | Photo via exyuaviation
Even though the importance of their work is unquestionable, they often stay unknown to citizens of the cities they envisioned and built only several decades ago. With today’s women presence and influence in built environment it is important to learn more about the pioneers who paved the road to recognition of women’s ability by creating works of lasting value and staying committed to solidarity, cooperation and mutual support in the process.
The following list is only a glimpse of a broad, but still under-researched field. All of the architects presented here have been subjects of recent studies aiming to shed new light on the architectural history by introducing its female creators to the wider public. Do you know what buildings on your block have been envisioned and built by women?
The Second Girls High School in Belgrade, designed by Milica Krstić was built in 1933. | Photo via Beogradsko nasledje
Milica Krstić (1887–1964) rose through the ranks of architectural scene in the Kingdom of Yugoslavia during the interwar period. Granddaughter of a duke, she was able to get the best education Belgrade could offer. In 1915 she started working for the Architectural department of the Ministry of Construction, the most important architectural office in the country at the time.
The hall of the Boys High School. | Photo via Centre for Architecture Belgrade
Her monumental buildings Command of Gendarmerie, The First Boys High School, The Second Girls High School are Belgrade’s treasured heritage of the interwar era. She was a diligent civil servant, who won multiple state medals for her outstanding work and a member of The Circle of Serbian Sisters and The Yugoslav Women’s League for Peace and Freedom, aware of the need to promote and uphold the contributions of women in architecture.
Atelier LIK (from left to right) Dušanka Menegelo Aćimović, Vesna Matičević, Sofija Nenadović and Nadežda Filipon Trbojević talk to a reporter at the opening of Belgrade Airport in 1962 | Photo via Women in Architecture
More women entered the profession after the WWII, among them were Sofija Nenadović and Vesna Matičević, both born in 1928 and still living in Belgrade today. They are two (out of five) founding members of Atelier LIK, an architecture practice established in Belgrade and active from 1957 until the early 1990s.
Atelier LIK Team (from left to right) Sofija Nenadović, Dušanka Menegelo, Nada Filipon, Vlajko Ivković. | Photo via Women in Architecture
Atelier LIK was well known for the mastery in designing airport complexes (Belgrade, Dubrovnik, Osijek, Podgorica), but also famous as a female collective in a profession dominated by men. All of atelier’s members made important contributions to development of the architectural and planning thought in socialist Yugoslavia, but also led by example to show how architectural design and construction is definitely women’s work too.
Belgrade Airport in the late 1960s.| Photo via exyuaviation
Ada Felice-Rošić (1922–2013) and Nada Šilović (1924–2009) were two Croatian architects, who got the task of rebuilding the city of Rijeka after the war. Fresh out of university they started working at Rijeka Institute for Construction and Design at the end of the 1940s and have collaborated in creating one of the first new residential and commercial buildings designed for working class families in line with modernist principles. Both of them went on to have long and prosperous careers, and their works still shape the skyline of Rijeka and several other Croatian cities.
Ada Felice-Rošić at the building site, explaining the details of the design for Korzo department store in Rijeka (1968). | Photo via Rijeka City Museum (2013)
Learning about these women today is possible thanks to the vital work of dedicated researchers, such as Milena Zindović and Lidija Butković Mićin, who preserve, expand and share this important knowledge. More of us should join their endeavor. Female forces that shaped our world should not stay invisible – the least we can do is tell their stories.
—
Pioneer Architects XIV by Sonja Dragović
half girl half asleep
the joy of yentl/joan of arc/mulan is like. who cant relate. like that meme with the clenched fists and one of them says transmascs one says lesbians and the other one says women who modelled their sense of self and cultural taste off of men and their fathers because they couldn’t find anything by or about women that expressed their experience of personhood
Czech animated film, THE HOBBIT (1966).

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that’s just called being Jewish
The Mirror [Зеркало] (1975, dir. Andrei Tarkovsky)
🔴🔴🔴 self portrait as a magician Aleksandra Czudżak
Loy Allen Bowlin: The Original Rhinestone Cowboy.
Bowlin was an outsider artist who decorated his home and himself, including his dentures, in rhinestones. After his death in 1995, his home was nearly demolished, but was saved at the last minute and put in an art center in Wisconsin.
Here’s a great bio of The Original Rhinestone Cowboy.
you construct intricate rituals to touch the felt of other muppets…..

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Plaisir d’amour en Iran (Agnès Varda, 1976)