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Sartre's reflections on his childhood friend Paul Nizan.

My mom’s 20 year old fortune

Phyllis Christopher, Dark Room: San Francisco Sex and Protest, 1988-2003

Simone Weil, ‘Contradiction’, in Gravity and Grace (1947).

Portrait de la Jeune Fille en Feu (2019) || 아무것도 하고 싶지 않아 / Summer Strike (2022) || Aftersun (2022) || Atonement (2007) || Moonlight (2016) || 정년이 / Jeongnyeon: The Star is Born (2024) || Reservation Dogs (2021-2023) || Sense8 (2015-2018) || Y Tu Mamá También (2001) || I May Destroy You (2020)

“I’ve often thought of a female Christ. David told me there’s one in a church in Montreal. Mostly the world can’t take it. Because of people’s feelings about the delicacy of women and also because of what a meaningless display female suffering simply is. If you belittle us in school, treat us like slaves at home and finally, if you get a woman alone in bed just tell her she’s all wrong, no matter what sex you are… or maybe you just grab one on the street and fuck her real fast– in an alley, or in her own bed. I mean if that’s the way it usually goes for this girl what would be the point in seeing her half nude and nailed up? Where’s the contradiction? could that drive the culture for 2,000 years? No way. Female suffering must be hidden, or nothing can work. It’s a man’s world and a girl on a cross would be like seeing a dead animal in a trap. We like to eat them, or see them stuffed, we even like to wear them, but watch them suffer? Hear them wail? The complaining lines were expunged from Florence Nightingale’s book.” - Eileen Myles, Cool for You

Simone Weil, Gravity and Grace

Byung-Chul Han, The Disappearance of Rituals

Paul Klee, The Path into the Blue, 1934.

Roni Horn

Susan Sontag

carved bluestone, ~12"x11"