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this song but itâs v!owen and v!louis OR v!owen and v!legs cuz it most definitely works for both ships and uhh TRIGGER WARNING
âLove hang herself
With the bedsheets in her cell
Threw myself on fires for you
Ten good reasons to stay alive
Ten good reasons that I canât findâ
Both Louis and Legs doom themselves, to some extent, in their own deaths. Louis stays in a town as discontent and suspicion grows. He LITERALLY threw himself on fire for Owen. But in the end, his love for Owen wasnât enough to break his own morals to fight back. Legs, on the other hand, quite literally killed himself with a third party. The third line instead refers for the humans in town, who he died for.
âOh, give me a reason to be beautiful
So sick in his body so sick in his soul
Oh, give me one reason to be beautiful
Oh and everything I amâ
The first line of the chorus is about Louis. The sick and lowly lumberjack finds somebody, somebody, and itâs beautiful and a reason to move forward. The second is about his vampirism, and his personhood. Heâs ill as a human, and then heâs turned and (especially in his case) has to deal with this curse. But more than that, his grief makes him a twisted person. Heâs cruel and mean and sick in the soul. The third line is that continued search for Louis, post massacre, where he can truly find no reason to move on. In his horrible, beautiful suffering.
âLove hates you
I lived my life in ruins for you
And for all your secrets kept
I squashed the blossom and the blossoms deadâ
After his crash out, Owen vows to become Louisâ teeth and claws. Even though he knew that Louis was nonviolent, he still carries out violence in his name. In Legundoâs case, it describes the episode 6 divorce. Owen continuously makes decisions that harm the humans, despite caring about at least one of them. But Legs, who was supposed to be trusted about Louis, squished their blossoming relationship by utilizing his name. So the attachments gone, and Owen makes sure itâs dead.
âMiles and miles of perfect skin
I swear, I said, I fit right in
I fit right in your perfect skin
I cannot breatheâ
Owen fails to become the person he dreamed about being with Louis after his death, and Louisâ legacy suffocates him. These lyrics also work for The Constant Bloodletting Struggle (TM) of trying to get the other to flip sides. You could fit in, you could be perfect. And your path is your undoing.
âOh and everything I am will be bought and sold
Oh and everything I am will turn hard and cold.â
The first line is about the promise for a better life. Both Louis and Legs promise Owen the idea of happiness, through either vampirism or trying to be a better person. And that idea is planted in Owenâs head, itâs believed. But Louis dies, and so does that happy life. And Legs breaks his trust, so why bother with redemption?
âAnd they say in the end
Youâll get bitter just like them
And they steal your heart away
When the fire goes out you better learn to fake
Itâs better to rise the fade awayâ
OKOK STAY WITH ME this verse is about how Owenâs behavior evolved and grows cruel to be no better than the townsfolk that killed Louis. They hurt him and he sours, he grows violent. And then he proceeds to lie to himself about this fact until he dies. Also works beautifully with bloodletting. Legs gets turned and gets so close to becoming the man he once was, but chooses to give up instead. Lose the leg, yadayadayada.
âHey, you were right
Named a star for your eyes
Did you freeze did you weep
Turn to gold baby, sleep
Hey, honey mine
I was there all the timeâ
With all the ways Owen puts Louis/Legs on a pedestal, he never really tried to follow their preachings (albeit, Louis never spoke once, but we can assume he valued kindness, open mindedness, and nonviolence). So when they see each other in the afterlife, heaven or hell, he freezes, cries maybe. But Louis never left. Legs didnât give up on him until the bitter end.
âAnd I weep at your feet
And it rains and rainsâ
Apologizing to Louis does nothing. Heâs dragged to hell anyways. (Same w Legs. He can apologies all he wants in hell, but it wonât bring Louis back :) )
Uhhhh hope youâve enjoyed the rant @venusplantt lmk what you think, Iâd love to see your thoughts if youâre willing to share them :3
You've explained everything so well that my mind is having such a hard time coming up with anything you've not said, actually. Although I will try!!!
I'm... Where has this song been hiding in my life!? It's so beautiful. My dear your music taste is immaculte!
Now the song talks about death and killing oneself a lot and (kinda) openly so... trigger warning!
I think this song is very Owen, Louis and Legundo at the same time.
We start the song with these lyrics:
"Love hangs herself/ With the bedsheets in her cell/ Threw myself on fires for you/10 good reasons to stay alive/10 good reasons that I can't find"
I feel like these specific lyrics read as either the massacre of Oakhurst by the hands of Owen "Love hangs herself with the bedsheets in her cell" is Louis letting the town kill him and not fighting to be alive. "Threw myself on fires for you" feels like Owen trying to save Louis. He would burn himself alive, destroy everything around him, and throw himself into the flames if it meant protecting the one person he loved. "10 good reasons to stay alive / 10 good reasons that I can't find" feels like those reasons were always Louis. They were Owen's reason to keep going, his reason to exist, his reason to believe there was still something good left in the world. But once Louis was gone, those reasons disappeared with him.
The next set of lyrics are:
"Oh, give me a reason to be beautiful/So sick in his body so sick in his soul/Oh, give me one reason to be beautiful/Oh, and everything I am"
I feel like this continues with Owen. It's almost like he is begging some cruel god he doesn't believe in to give him a reason to be beautiful, a reason to believe he can be more than what he has become.
He is sick in his own body and sick in his soul. He is searching for one reason, just one, to feel normal again. To feel like he is still capable of being loved, of being something other than a monster.
"Love hates you/I live my life in ruins for you/ And for all your secrets kept/I squashed the blossom and the blossom's dead"
"Love hates you" feels like what Owen believes about love itself. He finally found love, something he had never truly had before, only for it to be violently ripped away from him.
He is living his life in ruins for Louis. He became the teeth and claws that Louis never asked him to be, but Owen did it because he loved him. He destroyed himself and everything around him because protecting Louis became the only thing he knew how to do.
"For all your secrets kept / I squashed the blossom and the blossom's dead" could represent Owen keeping the secrets between him and Louis, especially Louis being a vampire, by destroying the very thing that could expose them: Oakhurst itself. The "blossom" could represent the town, something that was once alive and growing, but was crushed under the weight of their secrets.
I also really love how you used "I squashed the blossom and the blossom's dead" for Legundo as well. It fits him in a different way: Legundo is the one who squashes the blossoming feelings between himself and Owen by using Louis's name and everything that comes with it.
At the same time, I think Owen himself had been trying to squash those feelings from the beginning. He couldn't allow himself to love Legundo because, in his mind, he could only ever love Louis. Even the possibility of something new had to be destroyed because he was still holding onto what he had lost.
I really love the next set of lyrics and their parallels:
"Oh, and everything I am/Miles and miles of perfect skin/I swear I do, I fit right in/My love burns through everything"
With this, it feels like Owen is trying to live the life Louis wanted for him.
Louis wanted Owen to be normal. To be loved. To experience life instead of just surviving it. He wanted to teach Owen how to exist beyond violence and fear.
So Owen promises him that he will fit in. That he will become what Louis always wanted him to be.
However...
"I cannot breathe/Miles and miles of perfect sin/I swear, I said, I fit right in/I fit right in your perfect skin/I cannot breathe"
Owen cannot breathe.
The idea of existing without Louis is suffocating. He can try to become what Louis wanted, but he knows he can never truly fit in with humans, not after what they did to him, not after what they did to Louis.
But these lyrics can also apply to Legundo.
Legundo will fit in, but not as the soldier who killed thousands of innocents. He wants to be seen as the doctor who saved hundreds of lives. He wants to believe he can become someone better.
But the weight of those deaths follows him everywhere. He feels like anyone who looks at him can see the blood on his hands, not the blood from healing people, but the blood from the lives he took.
And these lyrics can even apply to Louis.
Louis wanted to be good. He wanted to be normal. He wanted to escape that cult-like life and build something with someone he loved.
He wanted a life where he could finally belong.
But he never did. He couldn't fit in, and eventually, they found out.
"Hey, baby, take it all the way down/Hey, baby, taste me anyway/Oh, you were born/So pretty oh, summer babe/We'll never know/And fading like a rose/Give me a reason to be beautiful"
For me, this part feels like Louis and Owen's relationship distilled into a few lines. It feels like Louis saying, "Baby, taste me anyway. Love me anyway. Take all of me, even the parts that are broken and ugly." Thereâs something so intimate about it, the idea of loving someone completely, even when theyâre afraid they arenât worth loving.
The lyrics "you were born, so pretty... we'll never know / and fading like a rose" especially make me think of Louis turning Owen into a vampire, but never getting the chance to see who Owen would become afterward. Louis gave him this second life, but he died before he could see what that life would look like, before he could see the person Owen would grow into.
Iâm having such a hard time putting all my thoughts into words, but I genuinely love this song, and I especially love your interpretations of it. It fits them so incredibly well: the tragedy, the love, the grief, everything. Ugh, thank you, my dear, for introducing me to this absolute masterpiece.
YAY Iâm happy I could introduce you to a new song!
Some of this made me so so ill. âHe destroyed himself and everything around him because protecting Louis was the only thing he knew how to do.â So you want me dead.
Absolutely adore your perspective on this song for them :3
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so badly do i want apo to be apollo and owen to be artemis because like â their deities are siblings. and theyâve had beef in literally every pow server. ITD BE SO FREAKING FUNNY AND ANGSTY
i love you gothic literature. i love you gothic romance. i love you vampires and blood. i love you ghosts and phantoms. i love you unsettling themes. i love you fangs in the neck. i love you religious imagery. i love you manors and crypts. i love you cemeteries and haunts. i love you doomed narratives. i love you rot and decay. i love you centuries-long yearning. i love you all consuming love. i love you hunger as desire. i love you monstrous intimacy. i love you cynicism of the human experience. i love you monsters unaware of their horrors until confronted with them.
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this song but itâs v!owen and v!louis OR v!owen and v!legs cuz it most definitely works for both ships and uhh TRIGGER WARNING
âLove hang herself
With the bedsheets in her cell
Threw myself on fires for you
Ten good reasons to stay alive
Ten good reasons that I canât findâ
Both Louis and Legs doom themselves, to some extent, in their own deaths. Louis stays in a town as discontent and suspicion grows. He LITERALLY threw himself on fire for Owen. But in the end, his love for Owen wasnât enough to break his own morals to fight back. Legs, on the other hand, quite literally killed himself with a third party. The third line instead refers for the humans in town, who he died for.
âOh, give me a reason to be beautiful
So sick in his body so sick in his soul
Oh, give me one reason to be beautiful
Oh and everything I amâ
The first line of the chorus is about Louis. The sick and lowly lumberjack finds somebody, somebody, and itâs beautiful and a reason to move forward. The second is about his vampirism, and his personhood. Heâs ill as a human, and then heâs turned and (especially in his case) has to deal with this curse. But more than that, his grief makes him a twisted person. Heâs cruel and mean and sick in the soul. The third line is that continued search for Louis, post massacre, where he can truly find no reason to move on. In his horrible, beautiful suffering.
âLove hates you
I lived my life in ruins for you
And for all your secrets kept
I squashed the blossom and the blossoms deadâ
After his crash out, Owen vows to become Louisâ teeth and claws. Even though he knew that Louis was nonviolent, he still carries out violence in his name. In Legundoâs case, it describes the episode 6 divorce. Owen continuously makes decisions that harm the humans, despite caring about at least one of them. But Legs, who was supposed to be trusted about Louis, squished their blossoming relationship by utilizing his name. So the attachments gone, and Owen makes sure itâs dead.
âMiles and miles of perfect skin
I swear, I said, I fit right in
I fit right in your perfect skin
I cannot breatheâ
Owen fails to become the person he dreamed about being with Louis after his death, and Louisâ legacy suffocates him. These lyrics also work for The Constant Bloodletting Struggle (TM) of trying to get the other to flip sides. You could fit in, you could be perfect. And your path is your undoing.
âOh and everything I am will be bought and sold
Oh and everything I am will turn hard and cold.â
The first line is about the promise for a better life. Both Louis and Legs promise Owen the idea of happiness, through either vampirism or trying to be a better person. And that idea is planted in Owenâs head, itâs believed. But Louis dies, and so does that happy life. And Legs breaks his trust, so why bother with redemption?
âAnd they say in the end
Youâll get bitter just like them
And they steal your heart away
When the fire goes out you better learn to fake
Itâs better to rise the fade awayâ
OKOK STAY WITH ME this verse is about how Owenâs behavior evolved and grows cruel to be no better than the townsfolk that killed Louis. They hurt him and he sours, he grows violent. And then he proceeds to lie to himself about this fact until he dies. Also works beautifully with bloodletting. Legs gets turned and gets so close to becoming the man he once was, but chooses to give up instead. Lose the leg, yadayadayada.
âHey, you were right
Named a star for your eyes
Did you freeze did you weep
Turn to gold baby, sleep
Hey, honey mine
I was there all the timeâ
With all the ways Owen puts Louis/Legs on a pedestal, he never really tried to follow their preachings (albeit, Louis never spoke once, but we can assume he valued kindness, open mindedness, and nonviolence). So when they see each other in the afterlife, heaven or hell, he freezes, cries maybe. But Louis never left. Legs didnât give up on him until the bitter end.
âAnd I weep at your feet
And it rains and rainsâ
Apologizing to Louis does nothing. Heâs dragged to hell anyways. (Same w Legs. He can apologies all he wants in hell, but it wonât bring Louis back :) )
Uhhhh hope youâve enjoyed the rant @venusplantt lmk what you think, Iâd love to see your thoughts if youâre willing to share them :3
AU where thralling someone causes them to act as whatever you want most out of them, instead of just whatever you command. And obviously, OBVIOUSLY Scott tells Owen to thrall Legundo, using the lie that it could make turning him easier, when really he just wants to stir the pot.
Owen only really wants Legundo to be Louis.
So after blood is traded, Legs begins to act exactly as Owen remembers Louis. Gentle. Soft. He doesnât raise his voice. He invites Owen to his house, and they share tea.
Owenâs mind is constantly whirring between i) Legundo found out more about Louis and is doing this to mock me, ii) Louis is possessing Legundo, and iii) Legundo is the living reincarnation of Louis.
But eventually, Owen asks to turn Legundo again. And he says yes, of course, I would love to live eternally with you, my dove. And when heâs turned, the thrall is gone. And heâs just the Doc again.
This would also affect Apo and Martyn. Under the tavern, Martyn would listen to her. Try to understand. After that point, he would be there for her. Heâd put more effort into being a better friend. Heâd make sure she gets listened to when nobody else in town believes her. Or at least heâd try, all up until the bitter end.
AU where thralling someone causes them to act as whatever you want most out of them, instead of just whatever you command. And obviously, OBVIOUSLY Scott tells Owen to thrall Legundo, using the lie that it could make turning him easier, when really he just wants to stir the pot.
Owen only really wants Legundo to be Louis.
So after blood is traded, Legs begins to act exactly as Owen remembers Louis. Gentle. Soft. He doesnât raise his voice. He invites Owen to his house, and they share tea.
Owenâs mind is constantly whirring between i) Legundo found out more about Louis and is doing this to mock me, ii) Louis is possessing Legundo, and iii) Legundo is the living reincarnation of Louis.
But eventually, Owen asks to turn Legundo again. And he says yes, of course, I would love to live eternally with you, my dove. And when heâs turned, the thrall is gone. And heâs just the Doc again.
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Hot take, but this is not a boundary. A boundary is âIf you post pro-shipping messages in my discord, twitch chat, or YouTube comments, or if you tag me on my socials with ship content, you will be instantly blocked.â
âYou cannot ship my characters, even if you use the proper tags and do it in exclusively fandom spacesâ is not a boundary, it is a threat
I think content creators have gotten very comfortable in fandom spaces. If you donât want to see something on your feed, block the tags. If you donât want to read a ship on AO3, block the tag. If you donât want people to ship your characters where you are expected to beâsuch as your discord or Twitch chatâyou can make that a boundary.
If you canât handle how fandom-specific spaces are handling creating things, then get out. Itâs that simple. Just donât engage with it. These spaces are not for the creators. These spaces are not for them to police.
ZombieCleo said it best:
đŹ 21  đ 680  â¤ď¸ 1376 ¡ How to avoid shipping problems ¡ 1) Make sure shipping fics are appropriately labelled.
2) Ignore things with those
We have been generous and gracious in welcoming you into our spaces, Pyro and Maddie, but it is up to you to handle your mental health. We canât do it for you. If itâs an issue, block the tags and leave. It is not our jobs to make sure everything you can possibly ever find if you dig enough is good for you. Stop digging.
I hate how harsh this comes off, and I know a lot of people are going to disagree with me, but if you feel confused and upset by this âboundary setting,â then you arenât wrong to feel this way. You cannot control what other people do, only how you react to it. Block the tags, block the social media pages, ban people from your twitch chat and discord. Thatâs what you can do as a creator. This is insane overreach, and Iâm honestly just so tired of it all.
To v!Owen, vampirism isnât teeth and claws and unquenchable thirst. It wasnât just the last parting gift that Louis gave him, his blessing and curse.
It was his grief.
Waking up, alone and confused (Louis had promised he would be there, why wasnât he?) and the smell of ash on the air. His entire world was destroyed, his promise of a happy forever torn away from him. So what does he do? He utilizes his grief (vampirism!) to grow claws and cut down the people whoâve hurt him so.
So when Legundo comes along, promising a new life, to be cured of his fangs and hunger, he lashes out. Because this gift (it had to be a gift, it had to) was all he had left. So take that grief and give it sharp edges, make it a weapon towards the people who have tried to help you move forward. (He also does this with Shelby. She was scared, and she lied, but he took that and used it to justify his own pain towards getting attached to anyone other than Louis, and pushes her away.)
And when Abolish offers redemption, maybe it was a little tempting. But you couldnât take his grief away from him, because dear gods, it was all he had. It was better to die grasping onto his own pain than let it go, for to do that would be to let Louis go, and that would never happen.