I watch the Swedish Julkalendern for the plot.
The plot:
Not today Justin
occasionally subtle
TVSTRANGERTHINGS
Three Goblin Art
styofa doing anything
One Nice Bug Per Day
Monterey Bay Aquarium

Janaina Medeiros

JVL
2025 on Tumblr: Trends That Defined the Year
Jules of Nature
Cosmic Funnies
Sade Olutola
i don't do bad sauce passes

Origami Around
$LAYYYTER
Sweet Seals For You, Always

JBB: An Artblog!
Alisa U Zemlji Chuda
noise dept.
seen from United States
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@jimalver
I watch the Swedish Julkalendern for the plot.
The plot:

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är det inte lite tumblr sexy man varning på bildsköne bengtsson eller är det bara jag??
Hello again, I’m tabling at VanCAF in Vancouver this weekend now! Still got a bunch of prints and new books in stock - & here’s the process for making the cover of Kochab book 2!
Here’s the book 1 cover process! Just a reminder that I’ll be tabling at TCAF(280) this weekend, selling a bunch of prints and these new books ✨

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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bring her back
The Great Male Renunciation- when the fops turned into dandies
going back in time to reverse the course of history
One you cannot miss! Comics premier fantasy author returns with a stunning new work: 'Sacred Bodies' by the brilliant @sticksandsharks: 'In a sacrament to strengthen the bonds between two villages, a Garaang Ba’It is wed to a human woman. Tolpan and Dualayim each have their own apprehensions about being chosen for this vow, but soon find that they share more understanding of each other than they could have known.'
This comic will be released digitally in October as part of ShortBox Comics Fair, an online-only event that will see the release of over 140+ new, original comics from artists around the world!
Preview pages for Sacred Bodies!
Did @sildesalaten's DTIYS challenge!
What’s your thoughts on Delicious in Dungeons Character Designs?
Ryoko Kui is the best to ever do it.
To expand on this a little bit: Ryoko Kui takes the tools of character design seriously, and uses them with forethought and consideration to set her characters apart, give them personality and specificity, and thinks very carefully about what each piece of design communicates and how it interacts with all the other design in her story.
Body shape, face shape, noses, eyes, brows, hair, proportion, fashion, ears, posture, roundness and angularity, broadness and slenderness, posture... Kui clearly thinks about ALL of it, and incorporates all of it.
And this is part of what gives her story such a profound sense of taking place within a world, a whole world inhabited by thousands of people each of whom are as full and unique and distinct as every other one. You look at a group of her characters and none of them feel like Copy Pasted NPC Placeholder #3457, they each feel as though there is a life there, an individuality, even if they are never actually deeply explored in the story.
Compare and contrast with something like Genshin Impact's style of character design:
Now, I don't bring this up just to sh** on Genshin - its character design style is adapted very effectively to the kind of story and world it is trying to build, which is to say a gacha story where every part of a character is formulated towards the singular goal of appeal. It's a world inhabited by nothing but main characters, essentially, and it is a laser-focused power fantasy structured around constantly pursuing the high of maximum damage numbers pumped out by maximally cool and badass battle moves executed with maximal grace by physically perfect avatars who provide the player with maximal aesthetic pleasure.
But because of that, its character design style is under severe pressure to regress to the mean - i.e. skinny bodies, young bodies, beauty ideals, and a minimal amount of physical difference. This style of character design tends to focus all of its effort in colorful, detailed and attention-grabbing fashion and hair styles, and generally avoids "alienating" design features like, well, literally anything that could be conceptualized by anyone as "ugly." Big strong noses, for example, or larger ears, or wrinkles, scarring, skin folds and so on. Fatness functionally does not exist in Genshin Impact's character roster for this reason, and it's part of the reason why the franchise struggles so notably to design characters of color - the concept of "beauty" is deeply bound up in systemic biases of class, race, gender and nationalism, and since Genshin's character design ethos is "make every character as broadly beautiful as possible" it has to keep hitting the same limited set of beats over and over and over again, and it reinforces the biases it inherits with its inability to step outside of them.
So Genshin Impact characters have a tendency, for me at least, to all kinda blur together into a brightly colored cavalcade of lowest-common-denominator ambulatory clothing racks, characters whose bodies exist for the primary purpose of transporting a highly elaborate costume around.
Kui by contrast very very actively seeks out elements of physical difference, and incorporates them into her design process - she seems to delight in inventing as many nose shapes as possible, as many different kinds of eyes as she can think of, and the result is that she has a character roster which is recognizable even if you change or remove very important parts of their basic design.
Where Genshin Impact (and that style of character design) would severely struggle to make characters recognizable without their costumes, because the characters in large part are their costumes, Kui's design style makes characters extremely recognizable not only in and out of costume, but even if the fundamental nature of their bodies change across species, and it makes her characters of the same race and species eminently recognizable from one another, even while sharing many physical traits and aesthetic features.
anyway tl;dr Ryoko Kui is the best to ever do it.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What is the Medicine Seller?
The subjectivity of Mononoke is a large part of what makes the series unique. But, one of the biggest mysteries that the show leaves unanswered is what exactly the Medicine Seller is supposed to be. From his weird powers, traits, and appearance to the fact that he clearly doesn’t age, it’s an understatement to say that this isn’t a normal guy. All kinds of theories have been floating around about the Medicine Seller’s true identity, that he’s a onmyōji, a god, or some kind of benevolent mononoke.
However, for my money, looking at all the evidence combined from the show and Japanese mythology, I’ve concluded that the Medicine Seller is most likely a kitsune.
Now, I feel like most anime viewers have at least a cursory idea what a kitsune is, but just to recap: “Kitsune” (狐) is the Japanese word for fox. Traditional Japanese folk beliefs attributed all sorts of mysterious powers to foxes, including shapeshifting, creating illusions, and warding off evil spirits. Taking cues from ancient Chinese lore about fox spirits, kitsune have captured the imagination of Japanese artists and storytellers for centuries and continue to do so in the present day.
I’m far from the first person to come up with the “Medicine Seller is a fox” theory. It’s the only theory cited on the admittedly bare-bones Mononoke Wiki, and numerous commentators and Tropers have speculated that our favorite flamboyant exorcist might be a fox in disguise. So, allow me to take some time to display all the compiled evidence as to why I think this is the most plausible theory.
Keep reading
MONONOKE: KARAKASA ‘モノノ怪 唐傘’ dir. Kenji Nakamura
Mononoke The Movie #2
Official Trailer
noppera-bō
Pretty

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According to the DVD/Bluray artworks, his hair is realllllly long. And I can't find scanlations for those anywhere.
I want to have some fanarts of the new medicine seller.
Mononoke: Karakasa
Official Trailer
Website