Jeanette LeBlanc

you find it romantic, still. the light in your apartment scraping up the wall in a slow yellow ripple. her fingerprints on the mirror. the spider in the bathtub you google the name of. a quesadilla you manage to perfectly cut.

the unwitnessed and private beauty of the mundane. she stands over the stove and makes you a perfect salsa with peppers from her garden; only the two of you will get to share it. you have finally managed to organize one of your closets. the art supply you need is not only in stock - it's buy-one get-one.

you are delighted to find the cord you need in the first place you start looking - you thank your past self for a moment; and then that moment opens up. when you were a kid, you almost didn't get here. you were terrified of the possibility of an endless and terrible numb; a life made grey and vapid, a spirit made dull. how close you came to that precipice. how often it still calls to you; violent and unresting.

and yet here you are, and old now; older than you ever anticipated - just a normal adult. you are managing to stay somewhat on top of the dishes. today it smells like fall. your dog made friends with another dog. you had a nice conversation with a stranger; you got your grocery shopping done. the tiny liminal moments of your life; apple cider donuts and jazz music and humming along. and here you are, thanking your past self.

this is not a burden. i think maybe "burden" and "love" might be oppositional, the way sometimes "love" and "hate" are not opposites. a burden is a dragging. i love you because you brought me to the water, and it is the horizon of your heart. i love you because of your nervous pacing around the edges of the rabbit hole.

often you are right. some songs on that album remind me of the spark in your eyes. the book was really thought-provoking.

more i just want to understand enough that you can talk to me. that you can explain, in depth, why it matters that wheat has shallow roots. i love you, even platonically - your love of this thing leaks into me. i watch you, cautious and dancing, the shy desire for you to smear the colors of this thing into my life, too.

they are your colors, though. of course i want them here, in the marginalia of my life. you matter to me. i want them to crowd the little moments of my day. i want your fingerprints scattered throughout the rooms of my heart.

one time i spent about six months reading and researching a particular author, just so i could talk to one of my friends about him. i never got the chance. she betrayed me, broke my trust, and sided with her abusive ex-boyfriend. standing in the sodden floodplain of what she left over, some bitter part of me asked - isn't that tragic? you have all this knowledge and nothing to do with it.

Portrait of Fryderyk in Shifting Light, Richard Siken

i haven't seen the L word and i was raised catholic. my earliest experiences with queer relationships were through harrowing conversations and hushed questions and blood on the ground. i didn't like boys soon enough. what, are you gay? asked to a 6th grader, almost like a demand.

when she is asleep next to me and i can feel the dreams run up and down her body, i pretend we are both somewhere in the stars. i like to picture a future full of fruit trees, and writing him poetry. sometimes she wakes up, has a whole conversation with me, goes back to sleep, and utterly forgets that we ever even spoke. she is always kind to me, even in that liminal half-there ghost. i like the croaked, raw way her voice sounds in the very-early morning, the way she always seems surprised i'm still here, and home.

on the internet, there are a lot of people who would be annoyed by both of us, and how labels must be pruned into orchids. a box has to hold and define the insides. people must be organized.

we went on a date last night, and the host said, oh, table for 2 nice ladies? neither of us are ladies, but also we are very much 2 nice ladies. i have been wearing her sweater nonstop. he has frequently been forced into wearing my taylor swift official merch quarter-zip because i was worried about him catching a chill, and you simply cannot be cool in an official taylor swift quarter-zip. do not worry: they listen to better music than i do, and their voice sounds like leaves falling.

i wear the skirts and makeup and i am better with spackle and know how to drive stick. recently someone commented on my work - you're just a man trying to reappropriate lesbian spaces. sometimes i feel like she is a clementine to me, and sometimes i feel like he is a german shepherd and sometimes i feel they are a bird. i like watching his hands over a guitar. can i write this poem, even? how can you be a lesbian if you're sometimes with a man? or you are the man?

how can i, huh. you know, our first date lasted 3 days. we'd been flirting for over a year before i finally asked her out. i'd already written her into poetry. she'd already written me into songs.

last night, in the late night, when they woke up again, confused about where they were, they said - oh, thank god. this is your arm. there's just something so precious to me about the specifics, the denotation that the arm was (thank god!) mine. i really liked that definition. i liked the obvious relief because i understand it.

For years I have seen dead animals on the highway   and grieved for them only to realize they are   not dead animals they are t shirts   or bits of blown tire and I have found   myself with this excess of grief   I have made with no object to let   it spill over and I have not known   where to put it or keep it and then today   I thought I know I can give it to you

Close your eyes. A lover is standing too close to focus on. Leave me blurry and fall toward me with your entire body. Lie under the covers, pretending to sleep, while I’m in the other room. Imagine my legs crossed, my hair combed, the shine of my boots in the slatted light. I’m thinking My plant, his chair, the ashtray that we bought together. I’m thinking This is where we live. When we were little we made houses out of cardboard boxes. We can do anything. It’s not because our hearts are large, they’re not, it’s what we struggle with. The attempt to say Come over. Bring your friends. It’s a potluck, I’m making pork chops, I’m making those long noodles you love so much. My dragonfly, my black-eyed fire, the knives in the kitchen are singing for blood, but we are at the crossroads, my little outlaw, and this is the map of my heart, the landscape after cruelty which is, of course, a garden, which is a tenderness, which is a room, a lover saying Hold me tight, it’s getting cold. We have not touched the stars, nor are we forgiven, which brings us back to the hero’s shoulders and a gentleness that comes, not from the absence of violence, but despite the abundance of it. The lawn is drowned, the sky on fire, the gold light falling backward through the glass of every room. I’ll give you my heart to make a place for it to happen, evidence of a love that transcends hunger. Is that too much to expect? That I would name the stars for you? That I would take you there? The splash of my tongue melting you like a sugar cube? We’ve read the back of the book, we know what’s going to happen. The fields burned, the land destroyed, the lovers left broken in the brown dirt. And then it’s gone. Makes you sad. All your friends are gone. Goodbye Goodbye. No more tears. I would like to meet you all in Heaven. But there’s a litany of dreams that happens somewhere in the middle. Moonlight spilling on the bathroom floor. A page of the book where we transcend the story of our lives, past the taco stands and record stores. Moonlight making crosses on your body, and me putting my mouth on every one. We have been very brave, we have wanted to know the worst, wanted the curtain to be lifted from our eyes. The dream going on with all of us in it. Penciling in the bighearted slob. Penciling in his outstretched arms. Our Father who art in Heaven. Our Father who art buried in the yard. Someone is digging your grave right now. Someone is drawing a bath to wash you clean, he said, so think of the wind, so happy, so warm. It’s a fairy tale, the story underneath the story, sliding down the polished halls, lightning here and gone. We make these ridiculous idols so we can pray to what’s behind them, but what happens after we get up the ladder? Do we simply stare at what is horrible and forgive it? Here is the river, and here is the box, and here are the monsters we put in the box to test our strength against. Here is the cake, and here is the fork, and here’s the desire to put it inside us, and then the question behind every question: What happens next? The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for you to love me. If this isn’t the kingdom then I don’t know what is. So how would you catalog it? Dawn in the fields? Snow and dirty rain? Light brought in in buckets? I was trying to describe the kingdom, but the letters kept smudging as I wrote them: the hunter’s heart, the hunter’s mouth, the trees and the trees and the spaces between the trees, swimming in gold. The words frozen. The creatures frozen. The plum sauce leaking out of the bag. Explaining will get us nowhere. I was away, I don’t know where, lying on the floor, pretending I was dead. I wanted to hurt you but the victory is that I could not stomach it. We have swallowed him up, they said. It’s beautiful, it really is. I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube… We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.