*PSA - Long post warning*
Man, no lieā¦Iāve really been mulling over how I was going to type this out that would appeal to folks scrolling through their timelines for weeks. And Iāve figured that the best way to do that would be to compose what Iām thinking/feeling right now concisely. Unfortunately, itās just not going to be something I am able to do. So while I appreciate you reading this far, youāve been warned should you continue.
The Leftovers is a sequel to another project that I worked on called The Funnies. It was spearheaded by one of my closest friends, James (also known as, Bone). The Funnies was a culmination of both of our works that were written over a decade ago, sewn together, and highlighted James and myself as artists. It connected musical composition and spoken word. In our opinionsā¦it was unique.
Before I continue, I must also emphasize that James and I are not the only two involved in the making of The Funnies or The Leftovers. So many folks played part in them for no other benefit than to be a part of expression. And should The Funnies or The Leftovers be listened only once, that notion itself is a victory for us.
The Funnies left off with the character I created standing at the top of a volcano, hence the inspiration behind the album art cover for The Leftovers (shout out Kojau). The Leftovers was inspired by two major things:
a.) An excess catalog of work that was in consideration for The Funnies that never made it
Itās nerve racking putting yourself out there and without my friends and family supporting me on this, it doesnāt exist. Setting that aside, Iām putting inside this ramble, that I am proud of myself. Because I am. And also for future reference on those tougher days.
If youāre still here, I would like to elaborate just a little bit moreā¦
The Leftovers is purposeful in its design. Itās chronology has been discussed at length, and so from the intro of Impoverished War Machine to the outro of I Write, it is intentional how they sequent one another. With that, I do believe the individual pieces can stand alone, but are better served collectively (like a pin collection). Those last parentheses wonāt make sense to the most of you, unless you take a dive inside that volcano with me. Then Iād have no other choice than to Call It like it is, state a welcome, and then askā¦Where Have You Been?
Now that youāve left behind your Intimidation to Jump, Where Are You Now? Where Do You Go when youāve lost The Idea Of Me? I type this as tonightās version of Night Thoughts and I am so thrilled to Mash Up these song titles as I take a deep breath of Oxygen and exhale. I figured after I couldnāt put the words together originally, eventually Iād find The Right Way. I knew that once I started, it would roll together like A B C and it would showcase again me being me Unapologetically. Iām steady running now, like Two Knobs and a Faucet.
Today I turn 31 years old. It is my birthday and Iāll admit that itās the ugliest feeling birthday Iāve felt yet. I know thatās a feeling which will subside. In the interim, I am choosing to focus on my next Smoothie Sip, and not be bogged down in negativity like a sailor walking The Plank.
I am so grateful for what writing has given my life. And while the vulnerability of this project is evident, being able to share with you a piece of my passion is both a blessing and an honor.
Lastly, (and I swear I am done after this) I would like to leave you with the mission statement for The Leftovers, as I truly feel it encapsulates the album in a shortened version of what is written above:
The Leftovers is a project inspired by spoken word, music, and friendship. The album is a unique interpretation of slam poetry and meshes with it, the love of music. It is captivating, playful, and thought provoking. Its design is geared towards the premise of embracing vulnerability and showcasing artistry. The Leftovers will take the listener to a place of reflection and enlightenment driven by its rhyming and word play. It highlights the art of writing and touches on aspects of expression, mental health, politics and more.
Inspired by a passion of words, The Leftovers (as already mentioned) is the sequel to another project called The Funnies. While similar in design, The Leftovers is my first ever fully spoken word album that truly embodies myself as a writer.
āā¦but even in my uniqueness, it means nothing, unless it reaches someoneā¦and teaches themā¦somethingā¦or breaches a curiosity. I hope I can be inspiring for those who are tiring from the beat down of this crazy society.ā
Spotify - https://open.spotify.com/album/31kzYT00XSU74Q0quHOsZx?si=5wlZxGpkTJ6UPdVnSXGlPg
Apple Music - https://music.apple.com/us/album/the-leftovers/1728930211
YouTube Music - https://music.youtube.com/playlist?list=OLAK5uy_mQGXZqAuqFFrx8uTBnmryBm0_y5ET3R5w&si=diM1dAqinak8FZe4
Distrokid - https://distrokid.com/hyperfollow/jdav3/the-leftovers?fbclid=PAAaYZQ2K1X81V6Zco3hM8_ywdyo7QGUJUOT-C8E4y7AOgLTu8eQKHrmiLhRE_aem_ARIv9F3Eyu9tEjMzdhzZXBDDN-QmP3MpQwijMM9oZZvswaxYo2v44018mRnWtQ_zK-g