Sarah Michelle Gellar, Nylon Magazine, 2000
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Mike Driver
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Sarah Michelle Gellar, Nylon Magazine, 2000

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Lolita Lempicka Spring 1997
Olga Kurylenko
There's nothing sadder than a puppet without a ghost, especially the kind with red blood running through them.
Ghost in the Shell (1995) dir. Mamoru Oshii
Addams Family Values (1993) dir. Barry Sonnenfeld

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Lovers 2007
Private collection
The emphasis on the Church’s complicity is striking, too, because it includes an element many viewers might not have picked up on: Sister Silva (Sonia Braga), the older nun who reveals long gray hair at the end, is actually Margaret’s mother. She is the woman who we are told in a flashback volunteered to be ravaged by a jackal-headed demon, and who at the end still has no compunction about having her daughter (and granddaughter for that matter) burned alive in the bowels of a church.
“This was something that we were okay with if people [didn’t get],” Stevenson told us, “but it would be wonderful if they did: Sister Silva is her mother. So Sister Silva’s role in the whole conspiracy is that she’s the one who volunteered to do all of this. It was something that was in our heads.” - [X]

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Mermaid at Hampton Court (by ukjohn)
Swann in Love / Un amour de Swann (1984) | Dir. Volker Schlöndorff
Joseph Marie Thomas Lambeaux - The Lovers
A LOVE THAT WASN’T BUILT FOR HUMANS;

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National Commercial Bank, in Jeddah, Saudi Arabia. Designed by SOM, completed in 1983.
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THE OTHERS (2001) dir. Alejandro Amenábar