Cosimo Galluzzi

shark vs the universe

Andulka
trying on a metaphor
KIROKAZE
Peter Solarz
d e v o n

Product Placement
sheepfilms
PUT YOUR BEARD IN MY MOUTH
Not today Justin

η₯ζ₯ / Permanent Vacation
wallacepolsom


JBB: An Artblog!

JVL

pixel skylines
Keni

ellievsbear

Love Begins

seen from Malaysia

seen from China

seen from United Kingdom
seen from United States

seen from Bangladesh

seen from United Kingdom

seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from Peru
seen from Armenia
seen from United States
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seen from United Kingdom

seen from Israel
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@jasper-borealis

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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city animals
wolf caught a jack rabbit
gus the single werewolf dad
jersey devil blabs

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
gus the single werewolf dad
Parsnip the librarianβs light character redesign
given the current climate this pride especially i feel i must mention that i love my trans friends, i stand with trans people in the fight against transphobic legislation and those who would enforce it, and this blog is not a good place for you to be if you do not vibe with that
tadc finale no context spoilers
TADC: The Last Act is really good if you actually care about the story instead of whatever headcanons you've decided to base your whole personality around

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
i want her to be free
Digital circus' biggest problem is that it was written to be a niche show aimed at weird analytical queers with actual media literacy and it accidentally blew tf up and hit the mainstream and a bunch of people who have never had a second thought about anything got into it
following people who are into wrestling is just like "holy shit johnny appleseed just hit burner hurtzog (evil artfilm director-themed wrestler) with the Prostate Puncher 5000! can't fucking stand that guy!" like all day long
2 separate reports of me haunting the yaoi omegaverse rave have hit my inbox. I approve of this 1000% and would kill for video evidence π
@stringyworm @lierforhire
My elderly French neighbours are convinced that my partner is known Canadian comedian Mae Martin. I see them in the hallway and they're like βsaw your partner on that magazine cover :)β βheard theyβre producing a movie oooh we got famous people in the building :)β and I'm like GUYS i have told you before that MY WIFE IS NOT KNOWN CANADIAN COMEDIAN MAE MARTIN!!!! This is the greatest interaction I've ever had in my life!!!!!
This is driving me a new type of insane

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
It's interesting to think about the intersection of these two facts:
Films reflect the time period in which they were made.
Our most popular films right now are all reboots, sequels, and reused IPs.
On one hand, you could make the case that our generation is being deprived of its place on cultural timeline, because (as far as the mainstream goes) all we're being given is rehashed ideas from other time periods. Seems rather boring to analyze.
But on the other hand, I think future film historians will find that this era is culturally fascinating. Not because of the "nostalgia bait" itself, but because it represents the emergence of independent cinema and streaming.
When TV was invented, people could watch filmed media at home. You no longer had to go to a theatre just to watch cartoons or comedies.
So the studios responded with a wave of epics in the 1950s. They said "Okay, you can get Dick Van Dyke at home, but you can't get Ben-Hur." Television couldn't compete with the budget, big name stars, or visual tech that film studios could offer. They were financially incentivized to blow your socks off with visuals and big name stars.
But with the emergence of streaming and independent film, that's no longer the case. A-listers are happy to take TV roles, and TV offers Hollywood-level visuals. You don't need to mess with the theatre system at all. It's easier than ever to make good-looking movies and share them with the masses with no major studio backing.
So what's the one thing that studios still have going for them? What's the one thing that Disney can give you that an independent filmmaker can't? Yoda. The Little Mermaid. Iron Man. Fucking brands. That's all they have, so that's all they sell.
We aren't being sold reboot after reboot because it's what the people want to see, or because our current culture is somehow more boring and lifeless than ever before. It's because it's the last stranglehold that these soulless studios have over the industry. They will shove your own childhood down your throat because their domination over previous generations is the one thing they have left to sell to this one.
the return of the lesborca