Ports of Call: Q3-Q4 2016
Airports I passed through July - December.
ATL
AMS
AUS
BOS
DCA
DFW
DXB
EWR
HAM
JFK
LGA
LHR
LIT
NRT
PVG
RIC
SAO
SEA
SIN
SJU
Mike Driver
Acquired Stardust
d e v o n

I'd rather be in outer space 🛸
Keni
YOU ARE THE REASON
Game of Thrones Daily
art blog(derogatory)

祝日 / Permanent Vacation

⁂

★
Today's Document
Alisa U Zemlji Chuda
Cosimo Galluzzi

❣ Chile in a Photography ❣
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year

ellievsbear
Peter Solarz

seen from Morocco
seen from United States
seen from Romania
seen from Poland
seen from United States

seen from Thailand
seen from United States
seen from Türkiye

seen from United States

seen from Canada
seen from Ireland

seen from United Kingdom
seen from United States
seen from Brazil
seen from United States

seen from United Kingdom

seen from Malaysia

seen from Germany

seen from Türkiye
seen from T1
@jasonashlock
Ports of Call: Q3-Q4 2016
Airports I passed through July - December.
ATL
AMS
AUS
BOS
DCA
DFW
DXB
EWR
HAM
JFK
LGA
LHR
LIT
NRT
PVG
RIC
SAO
SEA
SIN
SJU

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Ports of Call: Q2 2016
Airports I passed through in April, May, June.
ATL
CLT
DFW
DUB
EWR
HAM
IAD
JFK
LGA
LHR
TPA
PHX
Ports of Call: Q1 2016
Airports I passed through in January, February and March.
ATL
AUS
BOS
BWI
DFW
DTW
HAM
ITH
LGA
LGW
LHR
MSP
PHX
RDU
VCE
VIE
Ports of Call: Q4 2015
Airports I passed through in October, November and December.
ATL
BOS
CLT
DFW
JFK
LAX
LGA
MSP
ORD
PHX
RIC
SLC
SFO
Ports of Call: Q3 2015
The airports I passed through in July, August and September:
ATL
BOS
BCN
DTW
GSO
HEL
IAD
IST
LGA
MAD
MCO
MSP
PHL
RIC
SEA

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Un-invent the Bookstore
As an extension of one of my keynotes, I run an exercise for audiences called Reinvent the Bookshop. An interactive innovation activity, the session prompts teams at tables to tackle a daunting challenge: how do you recreate one of the West’s most-loved and most rapidly-declining third spaces? Under intense constraints, with cultural and economic trends aligned against it, how can the bookstore be saved?
It’s a fun exercise, and inevitably results in dozens of fantastic and inspiring ideas that prove the exercise’s point about non-linear thinking applied to traditional constructs. (I regularly lament that Barnes & Noble leadership are never in the room to hear what real readers would like in a bookstore). But during a recent trip to Los Angeles, I stumbled into The Last Bookstore, which upended my thinking:
What if the bookstore doesn’t need reinventing? What if it needs un-inventing?
The Last Bookstore is a veritable temple to books. 10,000 square feet, most of it covered in print, ink, glue, string, board – it’s elemental bookishness. From concrete floor to soaring ceiling, the interior world of the Last Bookstore is only books upon books. Book sculptures float above the interior. Upstairs, a winding labyrinth reveals stacks of volumes. Book tunnels. Book prisons. Book walls and floors and windows.
The premise is compelling and the site’s success begs a larger question: Is the bookstore’s precipitous decline due to its failure to innovate, or its failure to remember?
Drifting so far afield from its original intent, becoming a space packed with games and trinkets, toys and treats, electronics and distractions, the bookstore may very well have faltered because it failed to remember its distinctive virtue in an age of distraction: singular devotion to the tactile, the analog, the offline. To the thing-ness of books.
Scroll down for more pictures of The Last Bookstore. While you review, consider: what essential virtues of your work are in danger of being disregarded for the promise of the new – and how can you reclaim them?
Keep reading
Walk the Line
Spent Thursday with friends at The Line Hotel in Los Angeles. Smack dab in the heart of Koreatown, the hotel is a spirited renovation of a 1964 Hilton, and the original bare concrete pillars now add an industrial vintage detail to the airy modern lobby. The entire place is funk + elegance. Partner Poketo’s pop-up is in the lobby. Roy Choi’s flamboyant eatery Pot camps in the corner. Commissary – a cafe in a greenhouse – hovers on the second floor terrace beside the pool. And via a secret entrance in the back there’s Break Room 86, the Houston brothers’ most recent nightclub experiment, which you have to visit to understand (but we’ll mention that the liquor cabinet behind the bar is on hydraulics and lowers to the floor to create a stage – and that’s only the beginning of the venue’s surprises.) In short, this is the place you stay when next in LA.
What Audience-First Publishing Looks Like
Demand-driven products. Short print runs. Distribution through owned channels. And personal style.
For the last year I've been building a publishing unit for The Frontier Project, working within brands and organizations to build publishing capacity. The idea is a simple but attractive one: if you've got an audience, it takes only an infusion of narrative intelligence and publishing workflow to get quality products to whatever market you've defined. Sometimes that audience is employees: interactive on-boarding manuals, narrative-rich company histories and vision-mapping, story-driven sales training manuals. Other times it's B2B relationships: multimedia catalogs for, say, OEM partners, or franchisees or affiliates. Sometimes it's a client base: thought leadership content that elevates the authority of, say, a law firm or architecture group or consultancy. This month, we're leveraging that process in support of Frontier itself, by publishing the first volume in the Cartography Series, a library of short-form print and digital books published on topics our clients have expressed interest in, and on subjects our audiences respond well to. The Cartography of Negotiation by Scott Wayne is an instance of audience-first publishing:
Topic is driven by what means a lot to our clients (Negotiation support).
Format is chosen by what works best for their lifestyle (15,000 words, 90-minute read, print and digital).
Visual style is determined by what equips them best (interactive tools throughout book; lots of white space and room for reflection).
Distribution channels are selected by what most easily reaches them (keynotes, conferences, workshops, engagements, organizational buys).
Design and voice matched to what our audiences respond to (candid, wry, unorthodox).
And print run matches early demand (5000 out of the gate).
That's not traditional publishing. It's smarter. If you're interested in the model we're using, what it might mean for others, or how it might help your own venture, reach out. And if you negotiate in any context -- battling for a lower price on an automobile, seeking a raise at work, looking to persuade a new business partner -- try out the book and let me know what you think. Whether you find it revolutionary or rubbish, I'd like to know. Thanks for reading.
Letter from Seoul: the digital book marketplace we've always wanted?
I spent the last two weeks in January darting about the streets and underways of Seoul, shaping and then executing a client immersion aimed at experiencing emerging retail technology in the most wired (and wireless) city in the world. (You can read more about my work and discoveries over at Frontier Dispatches.)
The digital book marketplace has grown 200% in four years in South Korea, and it's just getting started. And despite significant shrinkage of the number of bookstores in the country, judging by the size of the bookshops and matching size of the crowds filling them, the brick-and-mortar shops are still a meaningful part of the literary landscape. Perhaps more than they are in the U.S. at the moment.
What's worth watching:
What might happen to a digital book marketplace when its given a chance to ride on ubiquitous broadband, delivered with remarkable speed, supported by an infrastructure that's enviably consistent? The US certainly doesn't know.
How might that digital marketplace create a mutuality with the physical marketplace when it's given a chance to grow in an environment surfeit with QR codes that are wildly popular, in which NFC technology is native to all devices, and book marketers are already digital? Again, the US wasn't given a chance to find out.
What might we witness when a pop-culture movement as strongly branded as K-Pop creates, markets and exports its own intellectual property globally on the back of a homegrown market that's more digitally savvy than ours?
It will be fun to witness the answers materialize. Amazon's already leapt from observer to participant. During my visit to the Samsung hub in Gangnam to talk display technology, the team I met with was abuzz with the news: the day before Amazon had just leased a prime space around the corner.
Evaporating eBooks
1000 James Patterson fans. Given 24 hours to read an advance digital copy of his new book. One day later,the books self-destruct, disappearing from Kindles and iPads forever.
The same technology that enables Patterson to pull off a gimmick enables some of our more innovative clients to drive engagement during pre-determined windows, and protect intellectual property from escaping their control.
For trade shows or seminars, pitch meetings or client tours, and even for employee training, evaporating ebooks offer companies an opportunity to deliver exclusive digital content to targeted audiences — and then take it back whenever they want. Now you see it; Now you don’t. Beats the pants off a password-protected PDF.
Sophisticated technology. Straight out of a spy novel and straight into your organization’s marketing toolkit. Want to try it? Let us know.

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72 hours in Scotland
Heathrow Revivals Lounge for clean showers, free yogurt and muesli. Virgin Little Red for quick hop to Edinburgh. Sixt for cheap rental.
Fonab Castle for lux lodging and fine dining. Pre-dinner lounge provides access to wine cellar where you can pick your bottle for dinner, order your meal while finishing cocktails, and arrive downstairs at your leisure while your meal's prepared. Views across Loch Faskally to the mountains pairs equally well with late dinner or early breakfast. Bonus: whisky list is predictably vast, made accessible by informed staff.
Highland distilleries: Go off-road. Turn away from the A-9 four-lane in favor of darting through Pitlochry and catching the A-924 to the A-93 (In Scotland, the more digits, the narrower the road). Climb the Cairngorms. Admire the sheep in the snow. Avoid the grouse. Spot the castles (Balmoral and Braemar). Gasp at valley views.
Glenlivet. Glennfiddich. Balvenie. Macallan. Cragganmore. All await you when you manage your way down the topside of the mountain range. Eat at The Malt Barn.
Dalwhinnie and Famous Grouse en route back to Edinburgh, as well as Stirling Castle, defended still by Robert the Bruce.
Sheraton Edinburgh looks straight up to the fortress castle of the city, straight down onto St Cuthbert's, and leads directly into the Old Town. Walk Johnston Terrace and peer over Grassmarket. Hit Old Town Bookshop. Dinner at The Witchery. Buy as many little bottles as your checked bag will hold at the Scotch Whiskey Experience. (If there in December, scratch above and walk to Prince Street Gardens, wander Christmas market, stare at Scott Monument, and hit everything else on walk back.)
Weekend in Georgetown
Wine (and bruschetta flight) at Eno. Tapas (incl coconut-habanero brussels) at Bandelero. Shopping at AllSaints and Bonobos guideshop in Cady’s alley. Bookstore-ogling at Bridge Street.
Rosetta's touchdown
Today, for the first time in human history, the European Space Agency landed a robot on a two-and-a-half mile wide piece of icy rock in outer space. New Scientist magazine used Creatavist to tell the story of the Rosetta mission's harrowing ten year journey, which includes a liveblog of the tense final moments before touchdown.
A $100,000 whale of a story...
Former New York Times Executive Editor Jill Abramson partnering with Steven Brill to launch a new startup devoted to longform journalism / shortform books.
Writers will be paid advances around $100,000 to produce stories that will be longer than long magazine articles but shorter than books, she said. There will be “one perfect whale of a story” each month and it will be available by subscription.
It turned out that librarians do not scale well.
"The human expert versus algorithm debate is as old as computers themselves. It comes up in endless variations. But recommending a novel I’ll spend hours reading and thinking about is a way more personal than suggesting which shoes I might buy. This is why Mikel believes BookMatch touched a nerve. “It’s something we already knew--that there’s a lot in book recommendations that can’t be artificially generated,” she says. “Why you may like a particular book and why someone else likes the same book may be for totally different reasons.”
FastCoExist on a remarkable innovation: personal recommendations by librarians.

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Treating the author's text as a base layer for hosting the reader's own explorations.
Bret VIctor explores why active readers are what every author and publisher should crave, and asks, "How do we make existing documents explorable? How can active readers ask questions and question assumptions while reading normal text?"
Four years old and still stimulating. If you click through, be prepared to rethink some assumptions. H/t to Adam Hyde for resurfacing.
Why an Innovation Firm Goes to an Old-Fashioned Book Fair
Beer swilling and book selling are the two most common reasons to go to Frankfurt in October. And good reasons both. But we’re headed there for another reason: business innovation. Here’s why.