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let's talk about Bridgerton tea, my ask is open
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Love Begins
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Bull's head rhyton, Minoan, 1600-1500 BC
from The Heraklion Museum, Crete
Code of Hammurabi: The Most Influential Law Code of the Ancient World
Hammurabiâs code was instituted throughout the land, unifying the people under law instead of only by conquest. Unlike the Akkadian Empire, which had found it necessary to position handpicked officials to administrate their conquered cities, Hammurabi controlled his empire through law. In the prologue to his code, he not only makes clear that these are divine laws but that he had only the peopleâs best interests at heart.
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â Code of Hammurabi: The Most Influential Law Code of the Ancient World
Corvus monedula, part 3.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Fertile Crescent: A Modern Term For An Ancient Region
Known as the âcradle of Civilization,â the Fertile Crescent is regarded as the birthplace of agriculture, urbanization, writing, trade, science, history, and organized religion. The region has long been recognized for its vital contributions to world culture stemming from the civilizations of ancient Mesopotamia, Egypt, and the Levant, which included the Sumerians, Babylonians, Assyrians, Egyptians, and Phoenicians, all of whom were responsible for the development of civilization.
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â Fertile Crescent: A Modern Term For An Ancient Region
Lullaby for a Son of Shulgi: A Single Moment Preserved in Time
Lullaby for a Son of Shulgi is a Sumerian cradlesong from the reign of Shulgi of Ur (2094 to circa 2046 BCE) written for one of his sons. Shulgi had three wives and six consorts who gave birth to 18 sons and 13 daughters whose names are known (there may have been more), and this piece could have been addressed to any one of the male children. The lullaby preserves a single moment in which the boy is being sung to sleep by his mother, who loves him and wishes only the best for him, just like any mother and her child today; and there they remain, in that moment, unchanged and unchanging after over 4,000 years.
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â Lullaby for a Son of Shulgi: A Single Moment Preserved in Time
Corvus monedula, part 1.
I saw it best to chop this storyline into a few segments, four or five posts in total. And yes, it was inspired by real events. Take care, peeps!
Shulgi and Ninlilâs Barge: A Poem Celebrating a Divine Event
Shulgi and Ninlilâs Barge is a Sumerian poem dated to the reign of Shulgi of Ur (2094 - circa 2046 BCE) celebrating the caulking of the barge of the goddess Ninlil, consort of the sky god Enlil, and the banquet held in the coupleâs honor by Shulgi, who is then blessed by Ninlil with the promise of a prosperous reign.
The title is a modern designation, as is the case with many works of Mesopotamian literature, and the original, if a title was given, has been lost. The poem commemorates the historical event, in the eighth year of Shulgiâs reign, given in his inscriptions as the âYear in which Ninlilâs barge was caulkedâ and describes the barge, the river journey to the sacred site of Tummal, just below the city of Nippur (also known as Nibru), the nighttime banquet, and return to Nippur the next morning.
Nippur was a sacred city, chiefly associated with the cult of Enlil and, by association, Ninlil. By the time of Shulgiâs reign, the city had become an important pilgrimage site, as had nearby Tummal. The kings of the Ur III Period (circa 2112 - circa 2004 BCE), including Shulgi, claimed their authority derived from Enlil and Ninlil, and so observances honoring the divine couple were of special importance. Shulgiâs father, Ur-Nammu (reign circa 2112-2094 BCE), understood the political significance of honoring the gods to win the goodwill of the people, and Shulgi continued his policies, as would his successors, especially concerning religious festivals.
The poem (also known as Shulgi R) was discovered in the ruins of Nippur in the mid-19th century and was most likely among the many used in the scribal schools of the city. The work only exists in a damaged form, the cuneiform tablet is fractured in places, but still conveys the importance of the event while vividly depicting travel by boat on the Tigris and Euphrates rivers in ancient Mesopotamia. The work is frequently anthologized in the present day and remains a favorite among Mesopotamian literary works.
Shulgi of Ur
Shulgi of Ur was the second king of the Ur III Dynasty founded by Ur-Nammu, and the Ur III Period is often referenced as the Sumerian Renaissance, as some scholars claim it saw the rebirth of Sumerian art and culture following the Gutian Period (circa 2141 - circa 2050 BCE) when the region was occupied by foreign invaders.
The Gutians, according to later Sumerian scribes, toppled the Akkadian Empire (2350/2334 - 2154 BCE), which had conquered the Sumerian city-states, and the Ur III kings then revived the pre-Akkadian Sumerian culture (though this interpretation has been challenged by some scholars). Shulgi of Ur, according to his inscriptions, was mainly responsible for this revival.
Ur-Nammu died in battle with the Gutians in 2094 BCE, and, afterwards, Shulgi took up the cause, driving the invaders from Sumer and avenging his fatherâs death. He then initiated policies to improve the infrastructure, boost trade and the economy, and encourage literacy through the establishment of more scribal schools throughout his kingdom.
He either maintained or issued the famous Code of Ur-Nammu, his fatherâs law code, and is thought to be the first to establish roadside inns with landscaped gardens while also standardizing weights and measures, time, and the calendar to unify the cities throughout his territory.
An important aspect of this unity, he seems to have realized, was portraying himself to the people as Ur-Nammu had done: as a father figure who would serve as a role model in every respect and, notably, in regard to religious piety. Shulgi is best known for his famous run from Nippur to Ur (a distance of 100 miles/160.9 km) to officiate at Urâs religious festival, and then running back from Ur to Nippur to perform the same function there, covering a distance of 200 miles (321.8 km) on foot in a single day, an event commemorated in A Praise Poem of Shulgi.
As his authority as king was claimed to derive from Enlil and Ninlil, he paid special attention to their city of Nippur, and, in the eighth year of his reign, had the barge of Ninlil outfitted and caulked for river travel and honored her and Enlil with a trip downriver, a banquet, and a return to their home in the temple at Nippur. Scholar Jeremy Black comments:
Just as the gods lived in houses (temples) and were fed and provided with furniture and clothes, so some of them also had ceremonial barges on which their statues were transported for festivals. In this case, Shulgi has a barge built for the goddess Ninlil, and has her and other deities transported on an overnight trip to a location near Nippur where a banquet is held. Such splendid ceremonial progresses were a feature of the cultic life of the Third Dynasty of Ur and, to a lesser extent, of its successor dynasties. (113)
Shulgiâs show of respect for the gods was continued by his younger son (or, according to some scholars, grandson), Shu-Sin (reign circa 2037 - circa 2028 BCE), who also had a barge constructed in honor of Ninlil and performed the same ritual in the eighth year of his reign. These ritual acts were observed, not only to pay homage to the gods but also as a means of uniting the people in religious belief â as all Mesopotamian religious festivals were designed to do â as the monarch was clearly sending the message that if he, with all his responsibilities, could take the time to properly honor the gods, his subjects could certainly do the same.
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â Shulgi and Ninlilâs Barge: A Poem Celebrating a Divine Event
People claiming to be Christians while ignoring virtually every aspect of Christâs teachings in the New Testament. If this wasnât enough, they are following a false prophet who is the antithesis of Jesus. Sheep supporting the wolf.

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Werewolf, Frankenstein & Ghost Rider Commission by Mike Ploog (undated) Source
Whereâd he learn that?