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The theme of the thirteenth Object Head Zine is “Villains”. 3 days left to apply!

Let's celebrate the bad guys this time around, let the horrors win, and have the darkness claim the day. This year's zine wants you to imagine what if the baddies got their way and show off how cool being villains can be.

This book will feature 29 people I’ve selected, plus 31 open slots available to the public for a total of 60 participants! This year’s zine is a PAID OPPORTUNITY of $115 USD per page (an increase from previous years!). Participants will be paid as soon as they complete their piece  (give or take a week for PayPal to transfer funds). There will be a pre-order sale to cover the costs of printing and shipping.

The 29 pre-selected participants are:

Potentialforart | Corviday | Louise Kay Uy | Cosmicloak | jeong | theHoleyness | Nighto | Blacklimes | Sarah Skrutskie | Iris | Juliette GMM López | Cacoethic + Lenalis | Caitlin Ono | Inktrashing | Ribboneels | TK Pinkerton | nauma | Nikru | JOU | Kosse | PigDemonArt | CHRISQI | June Flores | BunnyangelArt | K_Duffles | Rainboopz | Solaire | Dr.Jingles

The guidelines are as follows:

Illustration-quality works in either digital or traditional mediums. Both colour and b/w acceptable; background required. *BG can be as simple as a pattern or colour block!

6”x9”, 300 DPI illustrations with a 1/8th inch bleed (FINAL DIMENSIONS SHOULD BE 6.25” x 9.25”) Works must be in CMYK, and in a vertical format only.

At least one (1) work in progress picture should be sent in with your final illustration.

For consistency’s sake, keep faces to a minimum (You can have eye(s) or you can have mouth(s) but don’t have both in a humanoid arrangement.)

Original characters only (yours or your friends’).

You can include humans or other creatures, as long as there’s a 1:1   object head to non-object head/human ratio.

This book is for all ages. PG-13 content at the most! Cartoon violence and blood are acceptable, but realistic gore is NOT. Use your common sense. If you’re unsure, run the idea by me.

Protagonists can be included in the composition but we want to make sure the villain is the main focus.

Completed illustrations must be sent as a flattened psd or tiff file

TO APPLY, FILL OUT THE GOOGLE FORM HERE

There are only 10 slots for comics available due to page count space so if you apply for a comic space, and you are selected, you may not be picked for comics but instead illustration!

If you have any questions about the zine, feel free to send an email to objectheadzine(@)hotmail(.)com. I’ll do my best to reply promptly. If you haven’t received a response from me, please feel free to send it again. There are a few essential questions answered over at the FAQ. There is also a Twitter account for the zine for frequent updates and WIPs of the book!

The theme of the thirteenth Object Head Zine is “Villains”. 2 weeks left to apply!

Let's celebrate the bad guys this time around, let the horrors win, and have the darkness claim the day. This year's zine wants you to imagine what if the baddies got their way and show off how cool being villains can be.

This book will feature 29 people I’ve selected, plus 31 open slots available to the public for a total of 60 participants! This year’s zine is a PAID OPPORTUNITY of $115 USD per page (an increase from previous years!). Participants will be paid as soon as they complete their piece  (give or take a week for PayPal to transfer funds). There will be a pre-order sale to cover the costs of printing and shipping.

The 29 pre-selected participants are:

Potentialforart | Corviday | Louise Kay Uy | Cosmicloak | jeong | theHoleyness | Nighto | Blacklimes | Sarah Skrutskie | Iris | Juliette GMM López | Cacoethic + Lenalis | Caitlin Ono | Inktrashing | Ribboneels | TK Pinkerton | nauma | Nikru | JOU | Kosse | PigDemonArt | CHRISQI | June Flores | BunnyangelArt | K_Duffles | Rainboopz | Solaire | Dr.Jingles

The guidelines are as follows:

Illustration-quality works in either digital or traditional mediums. Both colour and b/w acceptable; background required. *BG can be as simple as a pattern or colour block!

6”x9”, 300 DPI illustrations with a 1/8th inch bleed (FINAL DIMENSIONS SHOULD BE 6.25” x 9.25”) Works must be in CMYK, and in a vertical format only.

At least one (1) work in progress picture should be sent in with your final illustration.

For consistency’s sake, keep faces to a minimum (You can have eye(s) or you can have mouth(s) but don’t have both in a humanoid arrangement.)

Original characters only (yours or your friends’).

You can include humans or other creatures, as long as there’s a 1:1   object head to non-object head/human ratio.

This book is for all ages. PG-13 content at the most! Cartoon violence and blood are acceptable, but realistic gore is NOT. Use your common sense. If you’re unsure, run the idea by me.

Protagonists can be included in the composition but we want to make sure the villain is the main focus.

Completed illustrations must be sent as a flattened psd or tiff file

TO APPLY, FILL OUT THE GOOGLE FORM HERE

There are only 10 slots for comics available due to page count space so if you apply for a comic space, and you are selected, you may not be picked for comics but instead illustration!

If you have any questions about the zine, feel free to send an email to objectheadzine(@)hotmail(.)com. I’ll do my best to reply promptly. If you haven’t received a response from me, please feel free to send it again. There are a few essential questions answered over at the FAQ. There is also a Twitter account for the zine for frequent updates and WIPs of the book!

Now, as to how it works and the specific implementations of the dogshiticity, here is what I have observed from initial experimentation:

OP will get notified of all reblogs, so far as initial testing has gone. This includes tagged reblogs, commented reblogs, and uncommented-untagged "silent" reblogs. This also continues to include reblogs-of-reblogs. The only place OP will be able to see this is in their activity feed, because there is no longer any single location to see all notes/ reblogs on a post. Nobody else will be able to see ALL reblogs.

OP will get notified of any replies directly to their original post. So if you chatter in the notes of the original, OP will see that.

OP will get notified of any likes directly to their original post.

OP will NOT get notified of any likes to commented subsequent reblogs, as those now form a "new" post. Anyone wishing to leave a like should click the like button on OP's section of a reblogged post, otherwise OP will not know.

OP will NOT get notified of any discussion in the notes on comment-reblogs, as those are discussions on a "new" post.

OP will NOT be able to find any specific reblog chain, because for OP the notes on their post will only ever show the direct-from-OP reblogs and never any subsequent ones.

OP will NOT be able to find anything in their notes, and the Activity Feed is not a reliable place to be able to go hunting for other people's previous reblogs.

OP will NOT be able to turn off reblogging on a post, so there is no way to keep a post contained if it takes off in a way you don't want it to.

Every chain effectively becomes a complete silo, unconnected to any other reblog and only barely connected to the original post.

We will NOT be able to scroll through the notes of a post and look for funny tags or interesting comments, because the notes are now wildly fragmented and there is no central reference point. So it will not be possible to look through the notes and see if a hundred other people have already said that thing you were about to say.

OP will NOT be able to do anything to stop a harassment campaign that fills their activity feed, but also will not be able to find any of it in the notes of their post unless the harassers reblog directly from OP every time. This is a feature which will absolutely be used to harass people.

It is also VERY unhelpful that we don't have language to easily disambiguate "comments" (as in, a reblog that someone added something to, thus creating a new post) and "comments" (non-reblgo chatter that happens in the notes). Not that we can reliably see either of those any more.

So! Now you and I are armed with this valuable knowledge about how the new system works, please go to tumblr's feedback form and explain why this is a series of bad problems that you would like them to stop doing.

Here's my recent original post (doomed to perform poorly in this post-update mess, but that's not even the point), the note/reblog count is literally broken and not showing a huge chunk of the notes, but they call this a feature.

just got this email from support:

PLEASE PLEASE LEAVE A COMMENT ON THE POST THROUGH THIS LINK!! it links directly to @changes reblog of the original post so hopefully they'll hear us out!!

if you need a template feel free to copy/paste this or any other alternation circulating on tumblr!

Please stop the new notes rollout. It's gonna kill fandoms. Original creators and artists will stop posting if we don't get the credit we deserve and instead goes to rebloggers. There is a reason why we are here and not on Twitter. We are already struggling to reach people and this is just gonna make it worse. Fandoms are already starving for engagement and this rollout will drown smaller accounts. I urge you to reconsider.

“WHAT THE FUCK STAY AWAY FROM THE ROCKS.”

Close second is Gonzos. Which is just…unhinged

Editorials.  Olympic Fencer Nzingha Prescod for The Imagista.

V.E. Schwab's advice for creating memorable characters - works for both protagonists and villains

It also ties neatly into the simplest version of the formula for getting people emotionally engaged with your characters: or how to build the moment in which your character starts moving from their initial state to the state in which they'll start changing their own lives.

First, you figure out the one important thing the character believes that they're wrong about. There's usually a core misperception that they haven't examined. Once they're forced to engage with it, it'll start to change everything about their perception of the world they're inhabiting and/or the people in it.

Then, as V.E. says, you identify the character's great desire and their great fear: the thing that character wants more than anything, and the thing or situation that terrifies them, and that they'll go to any lengths to avoid.

And having identified these two objects or situations, you build a situation in which the two forces will be in close, direct opposition to one another... then drop the character down in between them, and squeeze. Those two opposing forces become the jaws of a vise... and you crank the vise more and more tightly closed until the character has no choice but to acknowledge those opposing forces, and start (even in a small way) to deal with the pressure being exerted and push their way through.

This does not have to be, initially, a great climactic moment. In fact, it works better if it's not. It's more effective if your character has a brief low-intensity brush with these conditions-in-conflict early on. That way, when your big resolution scene comes along about two-thirds or three-quarters of the way along through the story arc, you'll have set up a resonance between that earlier hint or intimation of what's to come, and the really big blowoff. Your readers will recognize the resonance—the throb of tension between the two occurrences, like the vibration of a plucked string—and will find satisfaction both in the true resolution having been partially telegraphed earlier, and in how it's now being experienced and resolved in full.

This approach also allows you to set up more minor resonances between the realization of the conflict and its final resolution. These can serve to bind the structure of the work more closely together: to make it look (and be) less like a series of loosely strung-together plot events, and more like a unified whole, in which ripples of story business flow backwards and forwards, interpenetrating and influencing one another, and hinting at the big one to come.

But none of this can happen until the paired and opposing what-do-they-most-desire, what-do-they-most-fear axes have been defined. So that's a subject it's smart to spend some while thinking about (and for all your characters, not just the major ones), to be sure you're getting it right.

Me: “Don’t say it.”

My Brain:

you are a head taller than emet-selch

even max height male au'ra pcs can't fucking measure up to your esitmated 7'3" ~ 7'4". the only people that can be taller are max height maleroe and so few people do max height

join the honorable cause of Tall Women