I am not my rosy self

Richard, how was your year?

Pushkin, St. Petersburg, 1989. Photos by Inge Morath.

Alicia Vikander for US Marie Claire April 2018 by Thomas Whiteside

this show’s dialogue is iconic

films without faces: After the Storm (2016, dir. Hirokazu Kore-eda)

I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you’ve made a mark on the world if you just get through it, and a few people remember your name. Then you’ve left a mark. You don’t have to bend the whole world. I think it’s better to just enjoy it. Pay your dues, and just enjoy it. If you shoot an arrow and it goes real high, hooray for you. PARIS IS BURNING (1990) dir. Jennie Livingston

Tessa Thompson in Sorry To Bother You (2018) dir. Boots Riley

Sunset Boulevard, Billy Wilder, 1950.

Love Streams, John Cassavetes, 1984

Been missing Sufjan’s face lately? Don’t worry, you can see him here lending some piano to Angelo De Augustine’s “Time” recorded live at Reservoir Studios.

I just want to sit and stare at nothing and silently scream for the rest of time.

Jameela Jamil photographed by Christopher Parsons

So when the ep released there was a very strong thunderstorm happening at the time. so i tried to recreate that religious experience

— Neil Gaiman

Carey Mulligan photographed for The Sunday Times Style | October 2018