Anne Sexton, from a poem titled "Now," featured in The Complete Poems of Anne Sexton

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YOU ARE THE REASON


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Anne Sexton, from a poem titled "Now," featured in The Complete Poems of Anne Sexton

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In fact, aside from you and my desire to be with you, there’s only one thing that’s really clear in my mind: a longing for the sea, the sky, the sun. As for the rest, it’s better to leave it for later, and I’ve decided not to think about it except to find one or two ways of relaxing somewhere this summer.
Maria Casarès to Albert Camus, Mon Cher Amour, May 1, 1950 [#295]
before morning
a/n: it’s 3 a.m., i should be asleep, but speyside came on and suddenly i was thinking about suguru. maybe it’s because i watched hidden inventory yesterday and reopened wounds that were healing just fine. maybe it’s because 16-17 year old geto suguru was genuinely trying his best and i’m unfortunately weak to that. and those stupid bangs stayed perfect through every terrible life choice he ever made 😭 anyway, i think what hurts most is that it’s a love so real it survived everything except reality itself. or maybe it’s grief. but then again, grief looks a lot like love from a distance.
song inspo: s p e y s i d e - bon iver
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the knock comes just after midnight. three sharp taps, a pause, then two more. a rhythm you haven’t heard in years and somehow recognise immediately. when you open the door, suguru looks exhausted, rain clinging to the loose strands of black hair framing his face, one hand pressed against his side where blood seeps through his fingers. his expression softens when he sees you. not relieved. not surprised. as though some part of him had always known you would answer. “you shouldn’t be here,” you say. the words sound weaker than they should. a faint smile tugs at the corner of his mouth. and yet… later, he’s sitting on your apartment floor while you kneel beside him with a first-aid kit, peeling back blood-soaked fabric and cleaning a wound just deep enough to hurt, just deep enough to leave a scar. the rain taps against the windows. your hands move from memory. his eyes never leave your face. “you don’t have to do this.” a tired laugh escapes you. “you’re bleeding on my floor.” his smile appears briefly, then fades. because that’s not what he meant. both of you know it.
the silence stretches, crowded with ghosts. you smooth fresh gauze over the wound, careful and gentle, the way you always were with him. for some reason, that seems to hurt him more than the injury itself. “you haven’t changed,” he says, almost a whisper. you secure the bandage. “neither have you.” the lie settles between you immediately. neither of you acknowledges it. when you finally look up, his eyes are soft and that is the worst part. if he looked cruel, perhaps you could hate him. instead, he looks like suguru geto. the boy you loved. the boy you lost. the boy sitting right in front of you. “you know,” he says after a while, “i used to think you’d come with me.” the confession lands like snowfall. like a knife. you stare at the bandages in your lap. “i know.” his laugh is quiet. almost embarrassed. “that was unfair of me.” years ago, there were still things left to save. now there is only honesty. “yeah,” you whisper. something in his expression loosens. not relief. acceptance. and when he leaves before morning, the wound at his side neatly bandaged, you stand at the door long after the sound of his footsteps disappears, wondering if this is what mourning is supposed to feel like: loving someone who is still alive enough to break your heart.

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松の木にねこさんが登っていました。
“It takes time to live. Like any work of art, life needs to be thought about.”
— Albert Camus, A Happy Death
baby blue playing in the background while gojo satoru smiles at everyone but only saves the gentlest version of himself for you.
so stupid :’)

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ultimate male fictional characters i fell in love with // a thread 51/?
51. Kyo Sohma (Fruits Basket 2019-2021)
Oscar Isaac’s Criterion Closet Picks
“No use trying to pin me down: I simply slip away and won’t allow it, no label will stick.”
— Clarice Lispector, Água Viva

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yuji refuses to hide behind technical innocence. he chooses accountability anyway, even when the law itself would likely absolve him.
this is morally heavy stuff, the kind that shakes the ground you stand on. and somehow, count me out by kendrick lamar captures the exact emotional atmosphere of this episode. the guilt, the reckoning, the refusal to run from what’s been done. ❤️🩹
yuji is such a beautiful boy 🥺
Kedi (2016), dir. Ceyda Torun