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LS 22 | Outer Spaces                  Â
Maria Gruzdeva - Direction Space
www.landscapestories.net

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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âThere are a lot of things that make a good photograph. You have to think about texture and gesture and composition, and all the things that painting has in it. Technology doesnât change the way photography is. It just â it makes it available to more people, which means thereâs going to be much, much more really terrible pictures taken or pictures that are totally dependent on subject, which is all right.
If you were there when the Hindenburg caught on fire, and you took a picture of it, thatâs a great photograph. But youâre not a great photographer, because you canât repeat that in everyday things.â
Ken Van Sickle, in an interview with PBS
Nan Goldin - The Hug (1980)
Gerd Ludwig
Nakayama Hiromitsu

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Talking in Driveway, 1986 â Larry Sultan
âAt times when youâre taking photographs you realise that youâre hooked on composition and youâre no longer really aware of what it is youâre seeing. Composition can quickly become narcissistic: you fancy yourself as an artist. The pictures you take in that frame of mind are often completely empty, precisely because theyâre too perfect. Composition is not only a problem every time you take or enlarge a photo, itâs also a product of your attitude as you look at something and the mood you are in.â
Wim Wenders, from Written in the West
Vinca nude in lampshade, 1997
Photography by Corinne Day; From May the Circle Remain Unbroken, 2013
A young Menudo fan in Tompkins Square Park, Alphabet City, New York, 1983, photograph by Arlene Gottfried. Â Â Â Â Â Â Â Â Â Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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â Alex Ward on Tierney Gearon for The Heavy Collective.
â Alex Ward on Tierney Gearon for The Heavy Collective.
What does it feel like to inhabit a human body, to have your own children, to take amusement at the present whilst seeing links to the past, to contemplate the history of women and men and family, to expose the stark morality of symbols versus the lottery of paradoxes in the people you love? The answer of course doesnât exist in words, not really. Itâs all a question of personal experience, but how easily others relate to the evidence of your experience might have something to do with the strength of Tierney Gearonâs photography.
Based in Los Angeles, Gearon did not start out with the traditional background in art school or college. A career first in front of the lens as a model, and then behind it as a fashion photographer for many years prepared Gearon to take on her own journey and create something around her true ambition - not to be famous in the fashion world or an art scene, but to be a mother. That she found critical and popular recognition through depicting her feelings about that desire seems a practical extension of her resume.
Gearonâs âI Am A Cameraâ, 'Motherhoodâ and 'Explosureâ series are all autobiographical in nature and include family members, friends and self portraits. Whilst not 'set upâ exactly, there are elements of playing with an outcome in each and Gearon sometimes gives her subjects props to play with or uses double exposure to create new meanings or questions. One photograph in 'Explosureâ layers a bull with its four legs bound over that of a nude man in the foetal position. The similarity in form and colour might evoke thoughts of a connection between the human and the animal condition, both seen vulnerable in the one image. Alongside these two troubled beings, a baby boy walks free and naked, ignorant of the brutish struggle to come.
Paolo Morales
My father reading the newspaper, 1985 Larry Sultan
Iâm still bummed I missed the retrospective last year in LA.Â
Š Thomas DemandÂ

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Harry Culy
Basement interior, Vaucluse, Sydney, 2015.
Float Copper opens at Gallery 295 in Vancouver this Friday, January 8th. If youâre in the area, stop by the reception at 295 E 2nd Ave (alley entrance) from 7-9pm. Â