Landscape Stories

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Emanuele Tortora - I Due Silenzi

LS BOOKS

Peter Piller - Von Erde schöner

landscapestories.net

Today, with google earth on every device, seeing the world from above has become a part of everyday life. Still, back in the 1980s it was a novelty to see your own home from a bird’s-eye view and people would buy such pictures and enjoy the change of perspective on their own home.

This is how the archive that Peter Piller used for the publication Von Erde schöner [Prettier from Earth] came to be: 12.000 photographs taken between 1979 and 1983 and sold from door to door by a cunning businessman. They show the bleak, conventional, often generic and sometimes overly personalized houses of German homeowners. Working with this massive collection of aerial shots, a task Piller described as a journey into his own past, he selected 300 pictures, sorting them by similarities, thereby creating a slight storyline throughout the book.

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Peter Piller - Von Erde schöner

LS BOOKS

Adam Broomberg & Oliver Chanarin - Scarti

landscapestories.net

Ghetto, Broomberg and Chanarin’s first collaboration with Trolley, was published ten years ago. It saw the then creative editors and principal photographers of Colors Magazine document 12 contemporary gated communities, from a maximum-security prison in South Africa to a psychiatric hospital in Cuba. Photographed entirely on large format colour negative, Ghetto took three years to produce and over time has became a popular classic within photo book history. It is now out of print. Scarti di avviamento is the technical term for the paper that is fed through the printing press to clean the drums of ink between print runs. This by-product is usually destroyed once the book is printed. But in this case the scarti – Italian for scraps - were saved and safely stored away by publisher Gigi Giannuzzi. Following his untimely death in December 2012 this box was discovered. In these scraps the layering of the original images from Ghetto appear almost purposeful. The twice-printed sheets reveal uncanny and often beautiful combinations, both compositionally and contextually. In one the arm of a South African prisoner drops casually into the scene of young Tanzanian refugees perched in a tree, whilst in another an American octogenarian from ‘Leisure World’ retirement home sits almost perfectly atop the knee of a Kurdish lorry driver. These scraps would normally have been swept up and discarded from the factory floor. But in this elegant little book they are elevated to original and fascinating works in their own right; a pure and beautiful accident in the world of bookmaking. Yet in truth they are nothing but a series of little accidents.