i hope he has the best bday back at home đđ
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@jackderpumpkinking
i hope he has the best bday back at home đđ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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How Queer people type
⢠several spelling errors
⢠CAPS LOCK
⢠LGKDSJNANEIFJR
⢠??!!?!?!?!!
⢠???
â˘Swearing like a motherfucking salior
⢠a superfluous amount of âbroâ
That moment when you realize rebecca sugar put ruby in a dress and saphire in a suit to make it absolutely clear that they are a wlw relationship and to also subvert the ârolesâ of a queer relationship that more masc women can want to wear a dress and more femme women can want to wear suits
when you realize you almost killed your
FUCKING
child
omfg, Steven

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Amethyst knows and she ships it.
Blue Diamond: Able to remember the fusion that was formed by a Ruby and a Sapphire during an otherwise uneventful court meeting over five thousand years ago
Yellow Diamond: Canât be bothered to remember a Gem who facetimed her and insulted her to her face like at most a couple months ago
me, every sunday until the next hiatus:
Lock and Key Part 1
the au is a soulmark au and youâre born with a mark that either is an outline or a fill of a shape and itâs the same color as your soulmate and normally itâs on the same body part as your partner, but klance is a rare case

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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thereâs a cute sailor who comes in the morning
âDo I look like I eat bugs?!â
I love this frog so much I drew a comic of it.
Anderson Cooper saving a boy in Haiti during a shooting. A slab of concrete was dropped of the boys head.
Anderson fucking Cooper, everyone.Â
Some journalists like to be strictly observers. they donât intervene, they donât participate. they just document what they see, even if what they see is terrible. But the way I see it, journalists donât exist in a vacuum. They are human beings, living and working in a very human environment. And that humanity is essential in relating to their stories. When you lose your humanity, you lose any kind of journalistic integrity you have left.Â
#nevernotreblog
this is the guy who found out one of his ancestors was killed by one of his slaves and was like âhe had it comingâ
Every now and then I run across this post, and every time I do, I feel the need to say something, especially since @flowers-without-reason felt the need to speak on behalf of a massive career field that he/she is not part of.
Itâs really easy as a bystander to pass judgment on how/why journalists do things. I will not presume to speak on behalf of all journalists, but I was one and I can explain the âstrictly observerâ thing from at least one perspective.
You see, any time you are not actively observing - ie, taking photos/videos/recording observations - you are missing the story. When you miss the story, you miss the opportunity to tell the story.Â
Since we live in the digital age, itâs easy to forget that 1) we didnât always have the ability to record, transmit, and view information across the globe instantaneously, and 2) not everyone has access to that utility now.Â
In 1992, James Nachtwey took this photo:
Because he took this photo (among the other equally horrifying and heartbreaking images he brought back from Somalia) and it was published to a large Western audience in the New York Times, The Red Cross received the largest influx of donor aid since WWII, and they were able to save 1.5 million people. Representatives from The Red Cross have directly cited the Nachtwey photos as inspiring that flood of help.Â
These photos helped save more than a million lives.Â
It is easy as a bystander - someone who isnât a journalist, who probably hasnât been in a war or famine zone - to make sweeping judgments about what journalists should or shouldnât be doing.
Like this photo from the Sudan by Kevin Carter:
Hundreds of people contacted the paper questioning whether the little girl had survived to which the paper responded through an unusual editorâs note saying that the girl garnered enough strength to walk away from the vulture but her ultimate fate was not known. It was a rule for the journalists in Sudan not to touch victims of the famine, to avoid the risk of transmitting diseases. Carter though came under a lot of criticism for not assisting the girl. The St. Petersburg Times wrote this about him: âThe man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene.â
He chased the vulture away after taking this photo. Note that journalists in the Sudan were not supposed to touch the famine victims to avoid the risk of transmitting disease.Â
Youâll be pleased to know he committed suicide in 1994, shortly after winning a Pulitzer for this photo, leaving behind a note that talked about the horrors he saw and photographed.Â
âI am depressed ⌠without phone ⌠money for rent ⌠money for child support ⌠money for debts ⌠money!!! ⌠I am haunted by the vivid memories of killings and corpses and anger and pain ⌠of starving or wounded children, of trigger-happy madmen, often police, of killer executionersâŚI have gone to join Ken if I am that lucky.â
Now that we just blissfully assume everyone has both a smartphone and access to unrestricted internet, I guess itâs safe to feel critical of the people still putting themselves in the trenches to tell these stories.
These people told stories, and they are continuing to tell stories, that need to be told. We talk about silencing and rewriting history, then criticize the people trying to document it.Â
When people talk about immigration and refugees, you can show them this picture of the actual human beings sent to their deaths when we turned away the St Louis:
If you want to talk about the violent militarization of law enforcement, you can show someone this photo from the Kent State shootings:
Or maybe the horrific futility of war:
Or maybe the impossible way we connect with each other:
Or you want to showcase dignity:
And bravery:
I wonât disagree that âwhen you lose your humanity, you lose your journalistic integrity,â but I will disagree that intervention is a key component to maintaining journalistic integrity.Â
Journalistic integrity is telling an authentic story.Â
The social justice corner of Tumblr often discusses what one person can do to make a difference in the world, yet posts like this get 700,000+ reblogs crapping all over one of those things a single person can do to make a difference.Â
Net neutrality in the US is on the chopping block and states are debating the ethics of lying in history text books. Iâd dare say that the journalists who are out there documenting the world as it exists are doing a job that is as important today as it was in WWII when a single photo from Iwo Jima helped turn the tide of the Pacific campaign.Â
Weâre in a time and place where filming police officers in public is an arrestable offense. So yeah, documenting is an act of intervention and resistance. Itâs you saying, âI am not going to let anything stop me from telling the truth.â

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anyways heres my contribution to the strawberry chihuahua