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@jaccuseatoryarts
Sun, Mercury in Virgo

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Evening folks! Iâm looking to open Emergency Commissions to help with day to day costs at the Jemini house.
Iâm currently between jobs due to mental health struggles and thatâs causing a bit of a strain on our household. So if youâd ever wanted art, nowâs the time! <3 The turn around on these pieces is about 2 days typically. Iâm in full contact during the process and allow up to two changes before final coloring! Iâm easy to work with and really love the process.
TL:DR; Iâm out of work currently and bills are stacking up- get art from me! <3
If you canât get art right now, I totally understand! Reblogging and sharing this post is going to be just as helpful! I love all of you and appreciate your attention!
Please contact me for an art commission here on tumblr or at [email protected]!
The signs as season 8 making zero sense:
Aries: Bronn casually walking up to Winterfell to have a small talk with Tyrion and Jaime, then proceeding to not show up until the end of e6.
Taurus: âwhat do dragons eat anyway?â âwhatever they wantâ bitch wat.
Gemini: Sansa betraying Jon the moment she could?
Cancer: literally 3 full minutes of Jon just riding a dragon.
Leo: Bran ending up as king when the only true heir is Gendry who was RIGHT THERE.
Virgo: The Long Night lasting ,like, 4 hours.
Libra: Arya not getting the ending she deserved (ahem Gendry ahem)
Scorpio: Daenerys turning mad in the span of 1.3 episodes.
Sagittarius: Jaime leaving brienne in order to die with Cersie, without even being the one to kill her.
Capricorn: Tyrion being a dumbass for 6 episodes straight.
Aquarius: Edmure Tully thinking heâs still relevant.
Pisces: the unsullied going to Naath even though people who arenât from Naath canât survive there, because of all of the poisonous butterflies in there!!!!!!!!
one of my favorite (read: least favorite) things about how people treat cleopatra is sheâs so often called a slut or is only ever portrayed as being this incredibly sexy, often scantily-clad seductress, when in actuality 1. while some ancient sources describe her as somewhat pretty, it generally seems that what was attractive about her was her intellect, charm, and voice, and the sources that refer to her as extremely sexy/slutty are specifically out to condem her, 2. she was a brilliant politician who chose her affairs as a way of securing power for her country and not just so she could have a bunch of sex (which shouldnât be an issue anyway), and 3. one of the men she had an affair with was mark antony, ancient roman super slut supreme, a man known for his love of sex and tendency to wear extremely short tunics for the sake of showing off his sexy legs/probably also his dick
iâm not saying thereâs anything wrong with portraying cleopatra as beautiful or even sexy, because she clearly had allure. all iâm saying is that, if your cleopatra is wearing less clothing than your mark antony, thereâs probably a problem in your depiction of them
sheâs such a goofball

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The Clans as Family Members
Assamite: the psycho little cousin Brujah: beer dad who always wants to play ball Followers of Set: the cool uncle who always gets a chastising look from any normal adult. Gangrel: the insane grandma who has five squirrels as pets Giovanni: the old-ass great grandfather whoâs always disgruntled about the local youths Lasombra: the rude-ass sister whoâs low-key a hoe Malkavian: the old-ass great-grandma with funny stories Nosferatu: the kindhearted dog who loves you unconditionally Ravnos: the cousin thatâs been in prison since forever Toreador: eccentric mother-in-law who always dresses up and brings imported liquor Tremere: wine mom with designer bags under her eyes Tzimisce: vodka aunt; always embarrasses everyone with various scandals Ventrue: enraged grandfather who canât believe this family is his legacy
The Clans as Salem quotes:
Ventrue:
Toreador:
Tremere:
Gangrel:
Malkavian:
Nosferatu:
Brujah:
Game of Thrones AU where everything is exactly the same, but the Stark family has never left winterfell
Cat: This massage says, that Stannis has declared himself king, too. Thatâs the fourth person now.
Robb: Thats so cool! Can I be âKing of the Northâ? One more wouldnât hurt, right?
Ned: Shut up and eat your bacon.
âŚ
Robb: We got a raven that Renley got killed by a smoke monster.
Sansa: Are you sure this is not one of Aryas pranks again?
Jon: âŚor Theons like when he sent a message that Bran and Rickon died in a fire, even though they sat at this very table at that moment?
âŚ
Cat: Apparently someone poisend Jeoffrey at his wedding.
Ned: My money is on Petyr Bealish.
Cat: Why?
Ned: I donât like him.
âŚ
Cat: This note says that Tywin Lennister got killed by his dwarf-son while he sat on the toilet.
Ned: See kids, thats why we make sure weâre an acually well working family. Thank the old and the new gods that weâre far away from those crazy people.
i never thought the world would turn to stone
Daenerys Targaryen is reborn in Volantis, and the Lord of Light has a plan for her still. post-s8 fix-it drabble.
She awoke with the taste of blood and ash in her mouth, and the words death had stolen from her:
âHow could you?â
They stuck in her throat, and for one terrible moment, she thought she might choke on them. Pain burned in her breast, and she finally gasped aloud, gagging on the words.
As if surfacing from a terrible dream, Dany lurched upward. Her vision was dim, faint at the edges. Disoriented, she cried out again, an animal, guttural shriek born of anguish and fear. But steady hands found her, bracing her shoulders.
âYouâre all right.â
The melodic words were spoken in High Valyrian. A kind, feminine voice. Missandei, she thought, briefly, foolishly, before she remembered. She remembered now, all of it, every last terrible moment, every crime done by their hands, and her own.
But maybe that had been the dream. Maybe everything that had followed had only been a dream, and now she was awaking from that endless nightmareâ
âItâs a shock, at first. I know,â the voice assured her. âBut soon you will be as you were, my queen.â
My queen. Bewildered, Dany followed the voice, looking to the woman at her side who still cradled Dany as if she were a mere babe. The mysterious woman had piercing green eyes and wore flowing robes of red. She smelled of oils and incense. She smelled of Essos.
She smelled of home.
âWhatâŚâ What happened? But Dany already knew. The cut of Jonâs dagger still stung, and the blood was thick in her throat. Wild-eyed, Dany lowered her gaze. She was naked, her blue veins stark against her milky-pale skin, except for the bright red gash at her left breast.
The mark of his betrayal.
The tang of blood sharpened on her tongue, sick inching up her throat. Dany began to tremble all over, involuntary convulsions of her body until her teeth chattered loudly. âC-cold,â she whispered, growing lightheaded.
The woman moved from her side only to return with a blanket, cocooning Dany in the thick material. Still, Dany shook, the shock coursing through her veins as it sank in.
Jon had killed her. Heâd called her his queen, heâd kissed her, and then heâd sunk his blade into her heart.
Heâd cried as heâd held her. As if sheâd been the one to betray him. As if it had been her hand, her blade, his heart.
There had been nothing after that. Nothingâand the clanging echo of his betrayal.
Stomach churning, Dany twisted out of the womanâs arms and retched. Blood and bile splattered down the side of the stone pillar she sat atop. Once the cramps in her belly eased, she turned back to the woman. Her limbs still quivered, though not as violently now.
âIâm dead,â she croaked in the womanâs tongue.
The woman shook her head. âYou were. But no longer.â
âHowâŚ?â
âYour dragon brought you to us.â
Drogon. Dany stared at her, uncomprehending. âBrought me where? Who are you?â
The woman smiled faintly. âMy name is Kinvara. I am a servant of Râhllor. You were brought across the Narrow Sea to the red temple in Volantis. And you are here because the Lord of Light made it so.â
Râhllor. Dany understood now. Melisandre, the Red Woman, sheâd done the same for Jon once; heâd finally confessed his shame to Dany one night on that fateful journey north.
The prince who was promised, the Red Woman had declared in the halls of Dragonstone all those moons ago. The princess, Missandei had quietly asserted instead.
âWhy?â Dany demanded, lips stiff, teeth clenched. What was the point? âThe Others are gone. The Long Night is over. Your god doesnât need me now.â No one needs me now.
She thought she might be sick again, but Kinvara cupped her cheek, brushing wisps of hair back from her face. âIt is true. The Great Other has been defeated, and we rejoice in the lordâs light.â Kinvaraâs face darkened. âBut now, there is another.â
The wound on her breast burned, and Dany sneered. âJon Snow.â
âNo,â Kinvara said sharply, surprising her. âThe pretender known as Brandon Stark. They call him the Three-Eyed Raven.â
Dany didnât understand. âBranâŚBut heâs barely a man grownâŚâ
An eerie light danced in the priestessâ eyes. âHe is much more than that. He wears your crown, and he grows stronger every day. This time, we face a threat greater than even the Others.â She grabbed Danyâs face again, painfully, tipping her chin up. âAnd we need you now, more than ever, my queen.â
âWhy? Why me?â she asked, her confusion giving way to despair. She squeezed her eyes shut, as if she could turn away from the horrors sheâd seen. The atrocities she had committed. âI failed. I failed everyone. I failed myself. I hurt people. I killed people. Iââ
âYou are fire made flesh, and you cannot be extinguished,â Kinvara intoned. Dany opened her eyes again, and the red priestess smiled at her. âYou, Daenerys Stormborn, were meant to cleanse this world of those who would destroy it.â
So like, this scene was cut from the show due to budget cuts right? Coz this is canon.

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Got some âmoodyâ blending practice your ya
A quick update on recent art stuffs, on the left we have the first in a long list of pieces Iâve been itching to do and now that game of thrones is over I can actually do lol. On the right we have a character concept for an ongoing table top game đ
Sansa of House Stark. First of her name. The Red Wolf. The Lady of Winterfell. Protector of the North and the First Men. Queen in the North.Â
They can live in my new world, or they can die in their old one.
Nathalie Emmanuel The Edit by Net-A-Porter (May 2019)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Some "in progress" concept pieces for an upcoming Table Top đđ
Like the thing about Loki in Norse mythology is thereâs like 8000 myths about Loki just being chaotically mischievous and the other gods are like lol oh that scamp, no matter how disastrous his schemes are, their reaction is still pretty much always âhaha oh thatâs just Loki.â
EXCEPT for basicallyâŚ.one myth. Where Lokiâs instrumental in the death of Baldur and the gods are all WHOA TOO FUCKING FAR DUDE and send him to Hel to be tormented for all eternity, leading to his ultimate escape/release in Ragnarok to end all things and lead the army of the damned and his monstrous children to pretty muchâŚeat all the gods, destroy Asgard, and burn the World Tree all to the ground so it can all start over.
Hereâs the thing though. Norse mythology spanned centuries. The tales of Loki as the mischievous trickster god were told for centuries.
However, for most of that time, the myths were told as part of oral traditions passed down generation to generation, until they were finally compiled in manuscript form in the 13th century, roughly. This is when pretty much all the sagas, as Norse myth compilations were called, are considered to have been written down for the first time, and so they included thousands of stories that had been told over hundreds of years.
They were also regional, though there was a lot of overlap, given that the Vikings traveled widely and regularly across the various parts of Scandinavia. Still, different parts of Scandinavia had their own sagas. Norway had different sagas than Denmark who had different sagas than Iceland, etc. Even though all of them featured primarily the same figures, they each had their own unique stories featuring the gods. However, very rarely did they have radically different takes on those gods.
Now whatâs significant about the fact that pretty much every saga we have, where these myths were all finally written down and preserved, is from the 13th centuryâŚ.
Is that pretty much all of Scandinavia had converted to Christianity by the early 12th century, with active worship of the Norse gods being scattered and mostly underground from that point on.
Why is this significant?
Because it means every Norse myth we have a written recording of was not written by people who still actively worshiped those gods. Nor were they intended to be read as such at the time.Â
They were written down by Christian scholars who wrote them AS stories. They were intended as collections of their regionsâ cultural histories, but not by or for people who still actively believed in these stories or the figures they featured. They werenât likeâŚ.TRYING to be super accurate, is the thing. The scholars who wrote these sagas were writing down the stories that had been passed down for generations, but through the lens of people who saw them as stories their ancestors once believed, not ones that pertained to their own current worldview.
And they were writing these sagas for an audience of people who similarly believed as they believed.
Which means that inevitably, some things got âadjustedâ to fit the current world view, the zeitgeist of the scholars writing down the stories and that of the people who would read or have the stories read to them from thereon. Because again, they werenât aiming for being 100% faithful to the tales as theyâd been told to them. They were just treating them as stories. And what do you do when the story youâre writing down has elements that donât make that much sense to you because they were born of and aimed a worldview that doesnât match yours?
Well, if youâre the Christian scholars writing the Norse sagas, you âtweakâ those elements until they make a story that fits your worldview.
So remember how I said the various sagas were regional and had a lot of overlap but some stories were distinct to some regions and didnât show up elsewhere?
Yeah, Ragnarok is one of those.
Thousands of sagas encompassing centuries of Norse mythology and oral traditions were written down all over the various regions of Scandinavia in the 13th century.
Ragnarok only showed up in one.
The most famous, granted, but still. Everything weâre told in Norse myths about the death of Baldur and Lokiâs role in it, leading to his punishment and torment in Hel and his ultimate release and bringing forth the armies of Hel to slay the gods and end the world?
Comes from the Prose Edda and the later Poetic Edda, from Iceland.
Which had primarily converted to Christianity as far back as 1000.
Now, the Vikings? Were actually surprisingly not a big doom and gloom people. Pretty much every assumption of them as such comes from how synonymous we regard Ragnarok with their culture.
It is after all, the ultimate Judgment Day myth, isnât it? Right up there with Christianityâs Book of Revelations. An apocalyptic end of the world scenario, a war between heaven and hell, where everything is destroyed so that the world can basically start fresh with a clean slate. Nothing old âdeservesâ to survive, pretty much the only way for a world free of sin and evil to arise is from the ashes of the old, after everything has been cleansed with fire.
Now contrast this âmythâ with pretty much every other Norse myth thatâs survived. Larger than life tales of grand adventures, noble quests, gods walking among mortals in disguise and heroes fighting giants and stealing from dragons.
Where the closest thing the Norse pantheon has to a devil figure is Loki, the god of mischiefâŚ.not even evil, but MISCHIEF, because a far more accurate representation of the Vikingsâ world view is that sometimes shit happens, because Loki the god of chaos likes to make a mess of things. And what do you do when that happens? If youâre the Vikings, you basically just shrug, go âwell, thatâs Lokiâ for you, and drink some more mead.
Loki isnât vilified in a single myth until Ragnarok, because the Vikings didnât hate him. And they certainly didnât fear him. They LAUGHED at him. In nine out of ten myths, Loki ends up the subject of ridicule himself, as he has the tables turned on him or outsmarts himself
Until Ragnarok.
Which, granted, could very well be another Norse myth that was passed down generation to generation in Iceland, land of frequent volcanic eruptions and likely inspiration for Musplheim, the land of the fire giants.
BUT. Which could equally likely, and far more plausibly given the overall context of Norse mythology, simply be a story the scholar who wrote the Prose Edda made up to âfinish offâ his saga of the world according to the Vikings, from beginning to end.
An ending his Christian audience of the times would understand and identify with a lot better than they would understand the concept of a devil-figure that existed to be LAUGHED at, to show how little the Vikings feared some mythical figure with the power to lie and deceive themâŚ.the complete opposite of the way Christians feared Satan.
Basically putâŚ.Ragnarok, for all that we think of it as the ultimate Norse mythâŚ.DOES NOT MAKE SENSE in the context of almost EVERY single other Norse myth AND in the context of how Norse society viewed the world and their place in it, or their gods and their relationship with them.
Same with Lokiâs depiction in Ragnarok.
What both Ragnarok and Lokiâs role in Ragnarok DO make sense in the context of, however, is in a bastardization of Christianityâs own doomsday tales of a Judgment Day, stylized to fit the trappings of Norse mythology and feature their gods instead of Christian figures.
With Loki recast in the role of the Devil, as he was the closest fit they could find to that.
And with Baldur, god of light (a Norse god who is at best a footnote in Norse myths other than Ragnarok, and certainly was never the major pantheon figure heâs assumed to be), recast in the role of the Christ figure. Whose death starts the ball rolling for Judgment Day and who is destined to return for it, to triumph over Loki/Satan and preside over the new, purified world once itâs reborn from the ashes of the old one.
Anyway, tl;dr, donât believe the hype, Ragnarokâs probably not even an actual Norse myth but the invention of Christian writers who were like lol this would make for a great Book of Revelations fanfic AU, and Loki was almost certainly never regarded by actual Vikings as some evil, malicious world-destroyer who would lead armies of the dead at Armageddon whoops I mean Ragnarok.
tl;dr of the tl;dr Lokiâs not actually evil and more on how Christians bastardize things.
Wow, fascinating! Thank you for this very informative post @bigskydreaming đ
I donât know how accurate all of this is, but I would like to point out that calling all of pre-1200s scandinavians âvikingsâ is like calling all of the citizens in the Caribbean during 1500-1800 âpirates.â Iâm not sure if OP was just saying âvikingâ to make things clear (I do that all the time as well), but ACTUAL viking culture is a bit different than homestead scandinavian culture. Storytelling in a farmhouse is a lot different than storytelling on a ship in dangerous oceans.
Other than that, interesting take! It frustrates me to no end that the norse myths and oral stories were written by Christians (donât get me started on Beowulf, everytime I read it I just think of all the Good Shit Iâm missing bc some monk wanted the story but not the âblasphemyâ). I trust Snorri Sturluson, but weâll never truly know if those were the real myths.
I believe OP was calling them vikings just to make things clear, as the time between the mid 700s to the early 1000s was referred to as the âViking eraâ.
Snorri did write some interesting things, but he was still a christian man and edited the myths, even adding new gods and goddesses that were not previously there, when he was writing them in order to suit the society he was living in. Take his stories with a grain of salt when reading them, as they are not wholly accurate to the original myths that were passed down through time.
If anyone wishes to learn about the norse myths and the old norse language in a more proper manner, i highly recommend watching Dr. Jackson Crawfordâs videos on youtube. He is an Old Norse specialist and instructor of Scandinavian studies at the uni of Colorado Boulder.