#mood
TVSTRANGERTHINGS
Claire Keane
PUT YOUR BEARD IN MY MOUTH
KIROKAZE

ellievsbear
Lint Roller? I Barely Know Her
AnasAbdin
NASA

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i don't do bad sauce passes
I'd rather be in outer space 🛸
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art blog(derogatory)

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@theartofmadeline
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@itsallabigmess
#mood

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snoopy loves love!!!!
SHANE & ILYA + parallels
Hudson Williams at the Golden Globes 2026 Red Carpet via Golden Globes on Instagram
Hudson Williams on the 2026 Golden Globes Red Carpet

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Connor Storrie and Hudson Williams at the 83rd Annual Golden Globe Awards
How to use Em Dash (—) and Semi Colon ( ; )
Since the ai accusations are still being thrown around, here's how i personally like to use these GASP ai telltales. 🦄✨
Em Dashes (—)
To emphasize a shift / action / thought.
They're accusing us—actually accusing us—of using AI.
To add drama.
They dismissed our skills as AI—didn't even think twice, the dimwits—and believed they were onto something.
To insert a sudden thought. Surely they wouldn't do that to us—would they?
To interrupt someone's speech. "Hey, please don't say that. I honed my craft through years of blood and tears—" "Shut up, prompter."
To interrupt someone's thoughts / insert a sudden event.
We're going to get those kudos. We're going to get those reblogs—
A chronically online Steve commented, “it sounds like ai, idk.”
Semi Colons ( ; )
To join two closely related independent sentences / connect ideas.
Not only ChatGPT is capable of correct punctuation; who do you think it learned from in the first place?
Ultimate pro tip: use them whenever the fudge you want. You don't owe anyone your creative process. 🌈
PRIDE & PREJUDICE dir. Joe Wright | 2005
Marilyn Monroe in How To Marry A Millionaire (1953)
Thunderbolts* (2025) dir. Jake Schreier
Bob + his precious face

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Greta Garbo photographed by Nickolas Muray, 1929
Greta Garbo in Anna Christie (1930) directed by Clarence Brown
Greta Garbo photographed by Ruth Harriet Louise in Motion Picture Classic, July 1926
Julie Newmar makes a phone call during a Broadway stage production of Li'l Abner in New York City, 1956. She is playing Stupefyin' Jones
In the early 1930s, scholarly studies were done on the impact of screen stars on teenagers, because of fears that the movies were sexualizing them. These studies found that teenage girls learned sex techniques through watching Garbo’s sex scenes, especially those in Flesh and the Devil; they then practiced her techniques at home with their girlfriends. Raymond Daum described Garbo’s many young female fans as having “schoolgirl crushes on her” that “defined a national idolatry.” And knowledge of Garbo’s non-heteronormative sexuality was spread through lesbian networks “from coast to coast.” Moreover, the 1920s was an era of commercial expansion in which the ranks of saleswomen and typists, careers dominated by young women, increased. These women made enough money to see a movie more than once. They identified with female stars and liked to see them in powerful roles. Greta Garbo in Flesh and the Devil (1926)

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gif 1 gif 2
Being stupid apart vs. being stupid together.
Thunderbolts* dir. Jake Schreier | 2025