some of my favourite ttrpg rules

1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.

2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.

3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.

4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.

5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.

Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.

Tù.úk'z v2

On Friday, I got a notification that I had a package. My apartment has package lockers that FedEx/UPS/USPS/DHL/etc. deliver int and when they register a package to me, I get a code emailed/texted to me that I can use to pop the locker open.

I didn’t remember getting a package, but that happens sometimes. I preorder a lot of things and Bookshop doesn’t always let you know when they’ve finally shipped something, or a friend surprises me, or whatever. So I put some clothes and shoes on and went over to the leasing office building to get the package.

It was not for me. FedEx is gonna FedEx.

So I picked it up out of the locker and went to the leasing office staff to hand it to them. They were kind of closed for lunch, so I was contemplating what to do if they weren’t in. It had the address. I could walk over there and deliver it maybe?

‘Cause see. A lot of people apparently just shut the locker and are done with it. But if I did that...how would this person know they had a package or where it was? How would anyone get the package back out of the locker, now that the system registered it as retrieved? They don’t have the code, and the code is expired anyway.

I could just leave it in the locker. Or take it out of the locker and dump it to the side where it could be pilfered; the exact function the package lockers exist to prevent. It’s not my package. Not my problem.

But it costs me a tiny bit of inconvenience and time to place it in the hands of and appropriate custodian and save a bunch of other people a lot of inconvenience and time. I live in a society. Society is designed to save everyone across the society as much time and effort as possible cumulatively.

Sure, it’s easier and faster to just shove your shopping cart out of the way and pull out. Not your problem. You don’t need the cart anymore. Except now the cart is blocking other people’s cars and other parking spots and can ram into cars and people and some poor worker is going to have to go track it down. You have saved yourself a tiny amount of time and inconvenience and in doing so wasted everyone around you’s time and convenience.

Sure, you could put your neighbor’s mail from a government agency with an URGENT stamp in your mailbox and mark it “NOT AT THIS ADDRESS.” Or you could. Just. Pop it in their mailbox or slip it under their door (I’ve been having mail problems recently okay. Give the USPS more money).

You don’t have to wait an extra 5 seconds to hold the door for someone just behind you. But. Like. Come on, man, really? (Unless you're entering a secured area with restricted access, because that causes a separate cache of problems)

Weighing how much time and effort something is going to cost you compared to how much time and effort it will save everyone else around you cumulatively is...well...pro-social way to think. There are obviously always going to be exceptions and a balance to things, especially if the cost to you is much, much higher proportionally.

We live in a society. We live in many societies.

You can leave your dishes all around your house. But whoever has to do the dishes later (even if it’s you!) is then going to have to remember or know this happened, figure out where they all are, pick them up, deal with any spills/etc. that incurred, and return them to the kitchen and then was them. Was that really worth just putting them in the kitchen earlier? Maybe. But probably not.

“But what do I get out of that?” Firstly, you’re a tarpit. Secondly, you get all of the time and energy everyone around you has saved you by also being a functioning member of a society.

Societies work because we’re all contributing so the burned is distributed, just the way people can walk over a bed of nails but not an individual nail. We all take up a small part of people’s burdens that aren’t necessarily ours so we all have better lives.

Consider: how pro-social is your behavior? Sometimes pro-social behavior is a huge undertaking for massive gains elsewhere. But so much of the time it takes an extra 30 seconds, an extra minute.

How Screamin’ Jay Hawkins Spearheaded the Goth Music Movement

In the recording studios of OKeh, a man, simply named Jay, walked in with a team of musicians, with the intention to record a heart-wrenching love ballad, filled with mourning. What resulted however, would shake up the music industry forever. Just after Halloween, the chill of one drunken, November evening in 1956 brought us one of the most iconic, perplexing, and somewhat horrifying pieces of music ever recorded. This was how “I Put A Spell On You” was born.

Prior to the inception of the 50s classic, Hollywood was already being re-infected by the Horror bug. The invention of Vampira, the popularity of American actor Vincent Price, and the rise of B-movie Horror flicks cemented a public love for the macabre, as established in the 30s, with Universal Studios’ Dracula, and Frankenstein. Bela Lugosi and Boris Karloff were monster legends on the silver screen. Vampira, the queen of the television screen. But no one was making waves in the music scene to inject this beloved aesthetic into sound. How Jay Hawkins’ “Spell” was born was a complete accident, but those around him knew they had something special on their hands, from the moment they heard Hawkins’ vocal delivery.

The rare, original recording of “I Put a Spell on You” (now available on YouTube), was a simple, sad blues tune, that may or may not have entered the public’s consciousness had it been released as is. This version was recorded for Grand Records, in late 1955. Nearly a year passes, and Jay chooses to re-record it for OKeh Records, this time with producer Arnold Maxin on board. The story goes, Maxin brought in food and drink (plenty of drink) for Jay and his musicians, turning the session into an evening of inebriated music making.

“[The producer] brought in ribs and chicken and got everybody drunk, and we came out with this weird version … I don’t even remember making the record. Before, I was just a normal blues singer. I was just Jay Hawkins. It all sort of just fell in place. I found out I could do more destroying a song and screaming it to death.” -Screamin’ Jay Hawkins

Thus, the “Spell” was complete, and in November of 1956, OKeh Records released “I Put a Spell on You”, under his new artist name, “Screamin’” Jay Hawkins. No records prior bear the moniker “Screamin’” in front of his name (see: Discogs).

Alan Freed, a Cleveland disc jockey, approached Hawkins about playing up his image, to draw the most out of this newfound success, including the wild idea of rising up out of a coffin for one of his performances. The rest, as they say, was history. Combining the aesthetic of Vincent Price (and coincidently his mustache), and an aura of Haitian voodooism, his act was born. He became the subject of mass media attention in the 50s, side by side with the best of the Horror scene. He was one of them; taking the derogatory “spook”, and turning it on its head—reclaimed, and turned into profit.

Even buying from Bandcamp in-between Bandcamp Fridays yields more profits to the artist than Spotify. Bandcamp charges artists 10% to 15% to host their music, compared to $0.003 and $0.005 per stream on Spotify.

That's right, you'd have to play the same song 200 times minimum to earn the artist $1, and 30% of that $1 earned goes to Spotify. Worse, Spotify pays the rights holder these royalties, not the artist. So if your band has a contract with a label, the LABEL gets paid, then the artist gets a percentage of that.

This article is from 2020 but illustrates the issue with an example. The spotlighted artist earned $4200 from Bandcamp via 700 customers in two days. The same artist earned $100 from roughly six years of streaming.

Also, while you can stream from Bandcamp, you can keep your music! Download the mp3 and it's yours forever.

Also also, there's no ads!

Also also also, there's no AI!