Everyday schedule
Cosimo Galluzzi
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
d e v o n
🩵 avery cochrane 🩵
Keni

blake kathryn
noise dept.
KIROKAZE

Discoholic 🪩
Today's Document
Lint Roller? I Barely Know Her


if i look back, i am lost
Xuebing Du
h
Show & Tell
Stranger Things

seen from Canada
seen from Germany

seen from Indonesia
seen from United States

seen from Türkiye

seen from Türkiye
seen from Türkiye

seen from Canada

seen from Türkiye
seen from Türkiye
seen from Pakistan
seen from United States

seen from Türkiye
seen from Romania
seen from Malaysia
seen from France

seen from Türkiye
seen from Australia

seen from Malaysia

seen from Türkiye
@inter-stellar-dust
Everyday schedule

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David Benioff, Troy
// Adapted from Homer, The Iliad
three tickets for the odyssey pls
Yes clark maybe you were the problem

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I found a place
This might be a hot take, but I thought what they did for the "monster" of the Backrooms was ABSOLUTELY GENIUS! How it organically builds upon how the Backrooms work, how it connects to the real world and its people (specifically Clark), and how it creates something that is dangerous and terrifying, and yet at the same time, frighteningly human!
Let me ask you something. Do you think it's interesting that out of all the "people" that were in the Backrooms, Clark's was the only one that was actually dangerous and was actually going around killing people? That's because the Backrooms remembers things in the real world, and "the more times it remembers, the less it does" until it only remembers the details that stand out the most, like how, when you remember a childhood bedroom, you only remember specific furniture or decorations. And the same goes for people!
Because Clark's life is dominated by his anxieties, frustration, fears, and, most importantly, his desire to lash out at everything he thinks is to blame, the Backrooms only remembered those negative feelings. And eventually they all culminated into this dangerous entity. Just like how he lashed out and attacked others that he believes are the fault of where he is, this entity of his own (unintentional) making lashes out and attacks everyone in sight, because, as you can see by the expression on its face, it too is driven by those same anxieties and fears!
That's what makes this my favourite Backrooms entity! Because it's not just another murderous fiend that kills for the heck of it. It's something that beautifully and brilliantly connects to the world it's a part of, AND MOST IMPORTANTLY THE PEOPLE IN THE WORLD, and helps make Clark one of the best horror movie "villains" in recent memory!
B.C. Backrooms
obsession was great. the themes are especially great when viewed thru a feminist lens. i think you could even go so far as to view it as a metaphor for reactive abuse (the way bear makes a wish for nikki to love him more than anything in the world / be obsessed with him, then lets everyone believe she’s just gone crazy put of nowhere, all while still not wanting to end his relationship with her. of course it’s not one to one but the subtle themes are there.)
i also enjoyed how the film showed what everyday violations of consent can look like…media often shows the most obvious, often-dramatized occurrences of it, but this depicted a more common way of it showing up.
bear did indeed take advantage of nikki while she was in a mentally unstable state. he was well aware her consent was compromised. all the while he is very insecure about it, knows what he is doing, becomes aware even that nikki is aware and it is hurting her, continues doing it. i love that this film names this. it even critiques “not like the other girls” anti-feminism through sarah, who sees it as nikki taking advantage of bear…then she ironically tries to take advantage of bear’s vulnerable state herself by coming onto him.
also on a smaller note nikki’s batshit incestuous gorey hansel and gretel story had great prose i enjoyed it. my partner pointed out that before the wish, nikki saw bear as a little brother figure. meaning the hansel and gretel thing very well could have come from real feelings of disgust, like it nearly feels like an incestuous relationship to her.
and the ENDING. a lesser film would have insisted that, in these circumstances where the wish can only be broken if one of them dies, the male lead must survive between the two. but there was no self sacrifice from nikki out of “love”, there was no moment of lucidity or jealousy or rage where she kills herself, bear is forced by the narrative to take full responsibility for what he has done to nikki. what’s more— he reaches for a gun, almost uses it, ultimately decides on overdosing on pills. my partner and i personally think this was intentional commentary on masculinity, by having bear consider, then reject, the way men typically choose suicide in favor of the way women typically choose it. just a fun detail and maybe we’re both batshit.
good movie. all of that said though i’m sure a lot of people will boil it down to “haha women are soooo crazy…”
LOVEEEE wish!nikki being faceless. her face being backlit or her entire body being shadowed in darkness. wearing clothes that are completely removed from her style before the wish. having a higher pitched voice than she did before. not being able to smile the same. it’s not just that nikki’s face hidden in shadow, everything that made her HER has also been covered up with something else. wish!nikki doesn’t have a face of her own, she just has what bear wants projected onto her.

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hi sweetie do you want brushed too?
hi sweetie do you want brushed too?
Take the first uquiz I made <333 tried my best
Adding all the song suggestions by the quiz takers to this Playlist!!! Love you all <3
Take the first uquiz I made <333 tried my best
Good Bones, by Maggie Smith / Witch Hat Atelier, by Kamome Shirahama

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does anyone know about the yearning & the wanting
girl this is the yearning and wanting website
art by heavensghost