Nick’s things

Decoration aside, there are two very serious, clearly government agents, all suits, who are standing at the foot of Grace’s bed. Then, to his left, one nurse, checking his vitals on the analog screen. To his right, one doctor—pressing a cold, steel stethoscope to either side of his chest beneath the papery texture of his middle gown. It all seems so practiced. Grace squints. “Dr. Grace, do you know where you are?” Grace tilts his head in the direction of the voice beside him. It’s the doctor; she’s withdrawing her stethoscope from his chest, checking his eyes with the narrow beam of a handheld, pocket flashlight. “Hospital?” he rasps out—vocal cords still not acclimated to speaking aloud. She pockets the flashlight. Grace can see swirling blues and greens over his vision in absence of the bright light, a film that fades very slowly as he settles into his consciousness.

“Pupils are responsive,” she affirms to the two agents, and the nurse—who rattles her fingers quickly at the keyboard at his bedside. Then, to Grace: “I’d recommend that you rub your hands together, Dr. Grace. It’ll help kick your blood flow back into action. Though, I’m sure you’re already very wise on the procedure.” Modestly, and almost apologetically, the doctor tells him, “I have to tell you regardless.” She hands him his glasses off the bedside table, and Grace slips them onto his face with a still stirring movement. His arms and legs still feel just as numb as they did the first time.

“You’re currently at the Cedars-Sinai Medical Center,” the doctor tells him. “You’ve been here for about three weeks.”

“In Los Angeles,” one of the agents tells him, matter-of-factly. Scully, Grace labels.

“I’m in Los Angeles?” Grace almost chokes out a laugh. The last time Grace had been to L.A. was for an academic conference, and he’d been rather disillusioned by the morning traffic.

“Yes, right by UCLA,” the other agent confirms smoothly. And Mulder, Grace thinks. “They had you air-lifted from around Vancouver after your pod touched down.”

Cedars-Sinai, UCLA, Vancouver. Grace chants the three in sequence over and over in his head. They tell him with such ease. There’s no extra explanation about what’s where, no request for a further meaning. If there’s anything that Grace misses about being around people—human people—it’s the familiarity of living in around the same place. The ability to landmark. There’s nothing remotely confusing about “L.A.” or “freeway” or “smog.”

Scully bends over to open a leather satchel at the foot of Grace’s bed. She pulls out a hefty pile of newspaper clippings and she tosses it plainly onto his lap. At first, he only looks at the headliners, fold-by-fold:

Extraterrestrial Life Declassified by UN Task Force’s Eva Stratt

Sun’s Luminance Recovered By Grace’s Taumoeba

Dr. Ryland Grace To Be Inducted Into U.S. Astronaut Hall of Fame

“This is…” he rasps out. It’s not brain fog. He knows exactly what it is, and what it is is a little bit much. Even after spending all that time in an entirely different planetary system, it’s a little bit much. Grace can feel the tension setting between his brows, and he lets the papers sit heavily in his lap. “Stratt. Eva Stratt—is she around? Can I see her?” 

“I’m not sure if there’s a good way to say this, but… Stratt has been MIA for the past couple of years. She got in a lot of trouble for the project, ethical-environmental reasons, nothing very surprising—”  

Grace raises up his hand to interrupt Mulder, shocked that he’s even able to do so with the speed that he does. Grace echoes, with pure urgency, “But, she’s MIA. As in… nowhere to be found.”

“Yes, that’s correct, Dr. Grace.” The agents are somewhat despondent about the situation—neither here, nor there. 

“Okay. Okay, I’ll take it.” A win: Stratt evades imprisonment indefinitely. She’s on one of the smaller newspaper spreads on Grace’s lap—a front-facing portrait, Stratt at the head of a speaker’s platform, looking as serious as ever. She’s grayer, too. Grace tries not to pay any mind to the thought of how young they were when they first met. 

If there was anything that Grace had made peace with in all those years gone, it was with Stratt. How she’d dragged him around that carrier ship like a dog on a leash. How he’d settled into those small moments of respect for her; Stratt was as faithful to his intellect as she was headstrong. Grace had come to understand her, even after he remembered what she’d done. He has to trust that she’s well now, somewhere on the water near Greenland or somewhere colder.

He’s slow to flip through the flimsy pages, entranced by the number of times his name is written in each column. The newspapers in the pile are years apart from one another, the earliest dated only a month after his initial launch, and the latest just a week after the Mary’s recovery: Dr. Ryland Grace Recovered Off British Columbia Coast. The photograph of his landing pod and its parachute bobbing in the water makes the journey home appear so simple—so small.

In all of his contemplation, Grace pays very little mind to how the room shifts around him. Scully and Mulder—he should really ask for their real names soon—appear to tilt their heads to the doctor and the nurse. The nurse hurries to double check Grace’s IV lines before stepping outside. The doctor follows closely behind her. Scully clicks her tongue: “The Hail Mary was captured on satellite imaging at the start of last year. We’ve been anticipating your arrival for a while now—so we ask that you forgive us if we’re a little… antsy. There’s something else for you.”

Scully pulls a flatter box out of the satchel and comes closer to Grace’s side, while Mulder goes to sit in the visitor chair in the corner. As he sits down, semi-slouched in the seat, she opens the box. Black leather, Grace realizes. He sits up a little bit more in his hospital bed, gown shifting uncomfortably against the sheets. He makes sure to tidy the newspapers as best as he can, before placing them weakly onto the bedside table beside the books and the cards.

Scully opens the box gingerly, rotates it towards Grace, and gently hands it over to him. Grace blinks. “Wow. This is… a medal.”

“It’s a Nobel Prize, Dr. Grace.” It says it there, Alfr-Nobel, and has the profile of a gentleman's face across it. There’s Mr. Nobel, Grace thinks, Obviously. It’s real gold, heavy in Grace’s hands. He doesn’t know if he should say thank you or not; it seems as if it’s about to come out of his mouth—but he simply gulps it back down.

“You were awarded it a month after they photographed the Hail Mary on satellite,” Mulder explains—when they found out Grace wasn’t dead. “Word traveled fast, and the Committee was very intent on awarding it to you. For the longest time, they were storing it in the Kennedy Space Center, but they made sure to ship it out to Pasadena last week in preparation for your arrival.”

Scully clasps her hands together, “Every laureate also receives a cash award with it. Eleven million krona—that’s about a million U.S. dollars, and some change.” “Oh.” Grace is baffled. In his head, he can picture himself being handed a giant check on a stage, with a handshake and the flutter of a bunch of camera flashes. He hadn’t really needed money on Erid. He’s not sure what he’s going to do with it all—besides, maybe squander a small amount on real food. No burgers. Maybe salmon?

Scully lays a soft hand on Grace’s left shoulder that startles him into attention. “You’re a historical figure, Dr. Grace. Congratulations.”

—

Grace finds out that Scully and Mulder are actually Agents Franklin and Lineham—though, in the end, the discovery is ultimately pointless. They seem to recede into the background within his first week of being back on Earth, replaced, to Grace’s disappointment, by a series of politicians, scientists, and journalists. Despite great promises to “take things slow,” Grace is launched—yes, launched—into a flurry of press conferences with a plethora of national governments.

Grace knows what it’s like to be the center of attention, to an extent. In his twenties, it was the bad sort of attention, the kind that made people flee from the sight of him in a Hyatt lobby during academic conferences. It’s a good thing in the classroom, because it means that he’s doing his job correctly—the sign of a good lesson plan. Attention now, in the celebrity sense, is a whole other beast—the kind that makes Grace want to shrink inside himself. He’s not sure whether it’s modesty or shyness. Both are likely. They have him holed up in a secured location, still, a nice studio flat in the middle of the hills—not so far from civilization that the conspiracy theorists can somehow reach him. He’s still around people, of course, but it’s not the most preferable thing, either. A year in, and Grace can hardly go to the grocery store without someone asking to have a picture with him. Or, to ask him some half-unique question about Eridian biology.

He’s maybe more charmed by the tributes to Rocky than he is the ones for himself. It’s not that Grace doesn’t like murals. Or statues. These things are all valid works of art; he can tell the amount of effort that’s been exerted into each of them, and he doesn’t discount the meaning that they hold for a surviving humanity. It’s more… strange than anything else to see a giant bronze version of himself presiding next to bridges and parks.

In an ideal world, he’d be able to send a transmission up to his old friend—Look, pal, Grace would write, Everybody loves you down here. Thought you should know. Is it weird for you, too?—and age for long enough to see a response.

—

Nobody tells you that Dr. Ryland Grace is coming to your museum on a random Monday in the middle of April. Usually, there’s some sort of warning about celebrity visits—non-disclosure agreements and photo release forms and security guards up and down the place. You hate it when they happen, and they happen at least once every exhibit rotation. But, when Grace comes, there’s a simplicity to his visit.

You’re in the middle of talking with your assistant curator when he comes in through the front entrance. He goes straight into the ticketing line, pays in full. Gives the appearance of really any usual guest. What really causes you to float out of your conversation is the sight of him dropping a folded-up $20 bill into the see-through donations box near the restroom. The assistant curator is talking logistics to you about the incoming dino fossils, and some suggestions about where to position stanchions. But, the sight of this generous and unsuspecting guest causes your attention to flee elsewhere. “It all sounds good,” you say blankly, “Just…”

The assistant curator doesn’t seem too phased—merely turning their head over their shoulder to trace your gaze. They spot it as quickly as you do, and jut their thumb out sideways: “Is that—?”

You nod briskly, “Yeah. That’s definitely a twenty. Would you mind if we finish later?” They nod. It doesn’t take much more for you to sidle away, in search of the mystery donor. You wonder only for a second if it’s weird to tail him. The other, more desperate side of you tells you that this is definitely a potential patron with a lot of money to hand over to your workplace. Local history museum meets funding—an unusual feat. So, you dedicate yourself toward trying to search for him. He seems to disappear a bit, shrouded by seniors and young couples wandering about the lobby. But, his trajectory is clear: the Hail Mary exhibit.

There’s a ton of goodies there—really, some of the museum’s best work. The last curator had worked immensely hard trying to acquire a set of items from a lot at an auction, including printed mission reports, photographs of the astronauts, and donated personal items. The real jewel of the exhibit is one of four “beetles” sent back down to Earth. It’s an empty shell now, though it once held a vat of taumoeba packed up straight from Tau Ceti. Across, a tape-label reads: Ringo. John, Paul, and George are all scattered across other larger institutions across the country. You’re very lucky to have Ringo. He’s a real crowd-pleaser.

There are various, different swaths of kids dividing you and your generous visitor, some from the local after-school program and some on family trips. A young boy skids on the floor right at his feet—can’t be older than eight. At once, he takes his hands out of his pockets and rushes to help the boy up onto his feet. Once he turns to guide the boy back towards his parents, you can get a better look at his face. A couple of initial thoughts: kind, handsome, and too familiar. You pretend to tidy up a stack of maps in a nearby information kiosk. But… you realize, eyes darting between Ringo and the generous guest, that there’s something particularly striking about the frames of his glasses. Thin, silver rectangles.

You know who he is. Even if he wears a black NY baseball cap and the plainest of windbreakers and he’s just a little bit grayer than the pictures, you know who he is. You try to suppress the memory of you unpacking the photos of him down in the archives when the museum first received them, fingers grasping the corners, a fluster on your face. From memory, you can recall that in half of the photos, Grace has a sideways grin and a dorky little thumbs-up.

Dr. Ryland Grace is standing in the middle of his own exhibit. There are things you should do—tell the museum director, for starters, that the world’s most known public figure is standing in the middle of your institution. At the least, you should introduce yourself, offer up a guided tour, make a good impression. But, seeing as Dr. Grace looks like he’s about to cry at the sight of his own photographs, you’re not at liberty to bother.

Instead, you watch as Grace walks into a partitioned room—a clean black box with a wide bench in the middle. On the projector, there’s a looped one-hour compilation of various different interviews related to the project. The one on now shows a Chinese man in his mid-forties, sitting on a high stool with one leg crossed over the other. He has a cool sort of look to him, comfortable—not averse to the camera. The speakers echo out: “Your name for the tape?” An interviewer.

The man responds: “Connor Yao.” From behind, you can see Grace’s posture straighten out. Recognition. Maybe you should walk away now, try to give him space. But, you don’t feel right in leaving him be, either. Perhaps, because you know the contents of the interviews, you feel a little guilty in leaving Grace to his own devices. You have a quiet, disconcerting need to watch over him, like some kind of guardian spirit. Half-guilty, you watch the video with him from the hall.

“And can you tell us about your father?” the interviewer asks.

“Sure,” Connor nods, “My father was Yao Li-Jie. He was the assigned commander of the Hail Mary. I was, think, three years old when the Petrova Line was discovered. Eight when the Hail Mary launched.”

“And what do you remember about him?”

“He liked to laugh. A lot. He liked to sing along to the radio when he drove—which my mom only pretended to hate. She was always telling me about how he’d always try to serenade her when they were first going out. I think it was more fun for him than it was for her.” Connor makes himself laugh, makes the interviewer laugh. And, somewhere in between them, you can hear Grace laughing, too. It’s a sweet anecdote. With it, you decide to leave him be.

—

When you return at the end of your shift, you find Grace on the opposite side of the exhibit at another video station. He has his windbreaker off now, revealing the navy-blue knit sweater underneath. Here, there’s an older woman on-camera, tucking her hair back behind her ears. The interviewer tells her: “You can ignore the lens. Treat this like it’s just you and me.” Sara seems to shrug the tension off her shoulders, trying to appear more relaxed. Only half of her nervousness is skimmed off. The interview continues. “Could you tell us a little bit about yourself—your name and why you’re here?”

She responds, “My name is Sara Carter-Yuito. Formerly just Sara Carter.”

“And, Sara, can you tell us what you recall about Dr. Ryland Grace?” You can see Grace straighten up as she speaks, head tilted at the mention of his own name.

On-screen, Sara smiles. “Right. Yeah. I went to Grover Cleveland Middle, so I took Mr. G—Mr. Grace—for Science in the eighth grade. He would do all these really great lesson plans about atoms, thermodynamics, plate tectonics. You know, eighth-grade material. But, he’d always do this really great job of making sure we weren’t zoning out. I’m pretty sure I owe him my PhDs.”

You’ve seen this interview as many times as you have the others. It’s probably one of the most charming of the bunch. Sara Carter-Yuito, Professor of Physics at Whitman College in Washington. Graduated from University of Washington with a B.S. in Biophysics. Then, two PhD’s in Biophysics and Biochemistry. She was born and raised in San Francisco, attended Grover Cleveland Middle and then the high school next door. You wonder if Grace remembers her face—or, at least the youthful, base features of her face that still remain.

Sara continues, “There was this thing he’d do with a hacky sack? Kind of like hot-potato—” Yes, you think, Grace must remember. While Yao had his son, Connor, Grace had a plethora of kids at Grover Cleveland. His kids—all grown up.

And you finally build up enough courage to knock on the pitch-black wall with a gently-spoken: “Sir?”

You can see him turn once, then twice, in a double take to look at you. It’s difficult not to feel too self-conscious, and it appears this sentiment rings strong for the both of you. “Uh… yeah,” Grace blinks in rapid succession, trying to suck a couple tears back into his eyes, "Yes?” He’s probably wondering if you’re going to berate him with a question, or ten, while you, seemingly in your natural habitat—at work, like usual—almost definitely feel like an intruder to his space.

“Dr. Grace?” Saying his name aloud is a regretful thing, and you feel it even more so seeing the way his eyes widen maximally in response to it. “The museum closed about fifteen minutes ago.” You give a quick point with your index finger to the museum ID-card hanging on your lanyard. Grace sighs in relief. Thank God you’re an employee, his polite smile screams.

“This thing’s useless,” Grace says, grabbing his NY cap off the top of his head, and inspecting it with a lightly aggravated eye. You have to stifle your laugh. In truth? It wasn’t very difficult for you to spot him out. But, you’re not in the particular mood to tell him that you think exactly that. Your eye catches on the tinges of silver hair amidst the dark blonde.

Shyly, you tell him, “You were also walking around throwing twenties into our donation boxes. Nobody does that.”

“Caught me.” He stands up, hands wringing against one another. He makes sure to swipe up his windbreaker off the bench and hold it to his waist. “I heard the announcement earlier. Sorry. I’m sure you probably want to go home.”

“No, that’s alright. I stay ‘till close regardless,” you say, “There’s a bit more of the exhibit in the archive not open to the public. If you’d like to see it…” Your voice shrivels into itself. You’re not even sure if it’s a good idea—but all things considered, global hero and all, it almost feels like you have a responsibility to offer this to him. He looks uncomfortable, shifting his weight to either foot, hand constricting around his windbreaker. So, you shoot out a: “You don’t have to—”

“No—I’d like to. I’d love to, actually,” Grace nods.

—

When you bring Grace down into the basement, it feels a lot smaller than you remember. The filing cabinets feel tight, and it’s dead quiet under the low-lights. Grace has his arms tucked behind his back as he watches you slide the metal drawer open and wedge gentle fingers in between the yellow folders. “Grover Cleveland and a couple other schools donated these to us about a decade ago to make room for, like, traffic guard uniforms or something. The museum’s committee had them up for the first couple of weeks of the Hail Mary exhibit, but they took it down to make room for the interviews.”

You pull the closest one out. The handwriting—your handwriting—on the lip of the folder reads: 2022, Grover Cleveland. You surrender it over to Grace in a hurry, fingertips brushing against his in a staggered, jumbling attempt to hand him the file. He opens it with raised eyebrows; there’s about fifty pieces of paper in this bunch, some letters, some art—all grades. Before, Grace might have been able to recognize certain students’ handwriting to a T; he can’t be sure now.

“Wow.” There are some good drawings and some bad; regardless, they seem to fill Grace’s chest with some kind of warmth. “Right. That’s me,” he points to the middle of a sheet. It is him, scribbled messily with splotches of beige and yellow. A formulation of misshapen rectangles that look like glasses. There’s plenty in the folder like that. He flips through a couple more. These are better than any sculpture that he’s ever seen.

You point: “I think that’s you in space. That’s Tau Ceti.” And, again: “There’s Rocky holding… a balloon?”

Grace makes sure to slide this particular pastel drawing out of the folder and tilt it right-side up. “Actually,” he hums, matter-of-factly, “I think that is actually supposed to be the Petrova Line. ‘Cause the red.” You look up at him, and back down at the drawing. Upon closer examination… you can only half-see it. “You’re the expert,” you snort. Too loud. Grace tilts his head at you, hearing you laugh. Thus far, you’ve been sort of reserved. Lightly professional, and heavily timid. It seems like he’s almost pleased to see you so comfortable so easily. You have to focus with your greatest efforts not to look at him. Intently, you point at another one—a long, long-legged Rocky presiding over a very vibrant Earth, like some kind of triumphant god. Maybe symbolic enough for you to say, “That’s a really good one, actually,” though it’s very possibly a distraction on your part. Grace is too close and too observant.

He agrees, “It’s superb. Very… Dalí-esque.” Funny. Is he trying to get you to laugh again?

—

And somehow, within the hour, you find yourself eating dinner in the archives with Ryland Grace, takeout sushi delivered to the employee entrance of the museum. Rule bent, you aren’t supposed to even have food down in the basement—but the occasional exception has to be made. You’re cross-legged on your chair, now, table scattered with drawings, letters, and other collected ephemera—all on him. You’re chowing away at the sashimi, his treat, as he looks through all of the materials. Grace looks so amused, mouth tilting up into a small, contemplative smile, and you have to raise an eyebrow at him. What gives?

He shakes his head rapidly, rasping out a soft, “Sorry. It’s nothing.” He takes his glasses off his face and folds them up, before setting them on the table beside his tray of sushi. “It’s just not how anybody’d expect to spend a Monday night. We’re sitting and eating raw fish over the equivalent of a me-shrine. And you’re…” Grace sucks in a deep breath, before letting out a jumbled, “A very, very cool individual with a very big heart.” What? The compliment makes you smile, but it still feels like it’s only half of what Grace actually wanted to say.

The two of you continue sorting through the materials. Clearly, Grace has a preference towards the art; he seems to arrange them very closely to his right side—and leaves the pictures of himself to the sidelines. He slides one small 5x7” print across the table with a couple of taps. “You know, it seems like you would’ve gotten along with this guy.”

You stare at this photo of a pre-Erid Grace—a yearbook photo cutout. He’s young here, a bit out of his element being photographed. A suit jacket and tie over jeans, very pseudo-professorial. His glasses are close to glinting against the flash, and he has his hands shoved into his front pockets. He’d probably take his students to your museum in the fall on a field trip, and, admittedly, you’d probably find him pretty cute. The Grace before you only seems a little bit older, but when you look at him, there’s still the same quality about him that you’d come to pick up on in his photographs. Still boyish, despite time passing. But, you also know what Grace is trying to say: he’s older than you—technically, a lot older than you, with the time dilation taken into account.

Still, you persist: “I think I am getting along with him.”

It takes a moment for Grace to settle with your words. “Right. I guess you are.”

And, silence. He seems fixated on the photo still. “Do you still feel like you’re up there?” you ask him blankly. “I mean, obviously, you’re back on Earth. You’ve been back. But, I’ve always wondered if your head—and your heart, I guess—would still be…” you direct your index finger up above the two of you. In space.

“Well…? Yes and no. Since I’ve been back, I’ve been treated like the patron saint of space, which I don’t think I am. That title belongs to my Eridian friend here.” He points to a couple of stills from his video logs—Grace on his pilot’s chair, and Rocky with his jagged appendages waving right behind him. “Obvious reasons aside, I wanted to make sure I could know everything was okay here,” Grace explains, “I haven’t always been glad about that decision, but right now, it’s not so bad. Today’s been not so bad.” Though he’s shying away from saying it with words, Grace wants to say you’ve made it not so bad.

“You should take the ones you want. The drawings and the letters, I mean. They’re really yours, when you think about it. They belong to you,” you tell Grace.

He looks apprehensive. “Are you even allowed to give them to me?”

“I can figure something out.” Obviously, you aren’t supposed to just give away archival materials willy-nilly. “Maybe you could… volunteer here. Teach a couple science lessons to the students on weekends. I’m sure the director would consider it a fair trade—and we’d probably get more out of the exchange, qualitatively.” You stand up to gather everything together, hands reaching across the table to collect up the papers and stack them neatly into the closest open folder. 

“I beg to differ,” Grace says, “These are priceless. And, teaching is like breathing for me. I’ve basically been hypoxic for the last year.” He huffs, realizing that he might have to cease speaking in code. He corrects, “I’m trying to say that I miss having students, and I think I might take you up on the offer.”

“Okay. Good,” you nod. Mission success.

“Great,” Grace echoes back to you. You come around the short table to hand them to Grace with both hands. His eyes soften as you surrender over the folder to him. You’re trying not to light up at the thought of him swinging by again. It’s not at all for the benefit of the museum programming, even if that is a big bonus. Selfishly, you want to see more of him. Even when gray, he has a sort of undeniable charm to him.