A Vexation Fatally Designed

Does Arthur even just tell Lancenalot to get the hell put of the kingdom some loops?

I think it's more like-

You become aware of your existence somewhere around the age of 3. You were born under mysterious circumstances you don't know the details of. The first time through, you were growing up in a castle. Lately you find you are growing up among peasantry.

Maybe you have brothers. Maybe you have a sister. Maybe you're an only child. Your family is distant either way. They speak welsh. They speak latin. They speak french. They speak english with american attempts at british accents.

The first few times through, there wasn't a sword. Now it's a consistent presence - a shimmering blade stuck in a plain anvil or a large boulder, haunting your hometown or a nearby forest glade. It looks different every time, feels different in your hands. It was made for you.

There are more trials every time. In the first stories the crown was yours from birth. Lately it's been further and further away, behind more tribulations and tournaments and beasts to slay. More guidance from the ageless old man you remember from the earliest days, the welsh days. He's different every time. Everything's different every time. And still nothing changes.

The crown is yours. It's inevitable. And when the crown passes into your hands, it carries the kingdom with it. It's yours now. And it's going to thrive! You hardly need to do anything. Heroes flock to you and pledge themselves as knights, then spend the decades tearing off on wild quests and adventures, getting into the kind of trouble that serendipitously always keeps the kingdom safe. The adventures feel familiar, but never quite play out the same way. Chalices, black knights, fairy women, questing beasts. You rarely see them for yourself. You're too important, after all. You're the kingdom's beating heart.

You have a queen. You don't spend much time with her. It's jarring how much she changes every time. You hate how much it surprises you the times she genuinely loves you; you never really get to enjoy it. The kingdom doesn't run itself, even if just having you around seems to make the forests grow thick and the rivers run clear. Mostly you spend time with her when you're rescuing her from abduction. You very rarely have children together. You miss them.

It didn't used to end in fire, but lately it never ends in anything but, and you never know when it's going to start. You're never home when it starts, but you spend so much time out tending the kingdom or questing anyway. But you always learn too late - treachery. Your knight, your vassal, your bastard child, your lady love. Camelot is burning. You watch your life's work precede you into the grave.

You die. You sleep under the mountain. You dream. It's quiet.

Today’s cover is brought to you by the talented Elena Giavaldi, who designed this image in 24 hours:

Letters to a Root-Beer Flavored Moon by Evangeline Crow

Casper “Copper” Denali is your average guy; well, your average guy with a male-oriented love life, and an eccentric best friend and on-and-off boyfriend, Tomas “Tom” Raynor, whom he’s known since he was eight. There are some major problems, though. The first on the list in October of 2013 is the fact that he’s just found out that his younger sister is pregnant (by Tom), that his other childhood friend, Alice Lidden, is about to move away, and that his favorite bookstore just closed. 

To top it all off, Casper picks up a small bottle at the beach, a bottle which contains a postcard with a fantastical looking device on it, the words ‘wish you were here’, a small journal entry, and a return address from some place called 'Atlantis’.

As Copper’s family slowly disintegrates around him, he’s forced to make a leap of faith, and try to meet up with his Atlantean penpal. 

All this while the bridges that hold the water out of Atlantis are slowly cracking, and one Atlantean discovers that his penpal is suddenly making a trip to the world of the deep to come see him.

I think it was probably the spiritual successor to TSWLU which I think I also submitted in like 2019 but never got any attention

It totally had steam til I hit the 50k at like 17 days in and then I spent the last 13 days getting out the weirdly most rushed and awful ending to a story for another 25k words.

One day I'll redeem it by finishing TSWLU.

That day is not today. I'm so tired.

Gonna try to work on either Elevator Music (formerly Killkit) or the incarnates novel this November though.

It's… tough, and I'm working on it. I still need to remind myself that a lot of people legitimately do experience sexual attraction and thus find certain other people in certain situations extremely physically appealing, in contrast to my own platonic attraction (the people I like, I typically like the same amount no matter what they're doing or how they look) or aesthetic attraction (when I like how someone looks in a specific situation, it is still in an extremely hands-off "I'd like to draw that" way).

I can work my way through the logic of romance, I think. I've been told that it doesn't feel the same as friendship, and that it places another person in a somewhat uniquely structural role for one's life. I've heard it described as being someone's "everything-team" - the person they want by their side at any endeavor - which is the only thing I've ever heard about romance that I don't think applies to a good percentage of my IRL friendships.

Romantic attraction is definitely the more confusing one, because everyone I know in a romantic relationship insists it's different than their platonic ones, but can't really explain why or how, only that it is. The thing is, this makes me believe them more. I know how hard it is to explain a unique inner experience to someone who has a completely different one. Their partner is their best friend, or at least top three (understandable) and also in a unique position in their life (confusion??) I don't feel like I'm missing out on anything, and I think I love my friends as much as I'm capable of, and there are people I'm friends with who I could see as a theoretical partner - except that it would change absolutely nothing about our current relationship. This is why I don't identify with the label of "aromantic" where I definitely do with "asexual", because I think I experience what people are talking about, I just feel it kinda everywhere instead of nowhere.

So the hack I think I can make work to do this in my writing is:

Sexual attraction is like aesthetic attraction, but with a hands-on component. Replace "I want to draw that" with "I want to get my hands on that" and go from there.

Romantic attraction is evidently its own beast, but it contains concepts like "I trust this person implicitly," "I care about them and want them to be happy," "I would be happy coming home to this person," "I want to protect them," "I like that they care about me," and "this person helps me see the world in a different way" which are all individual sentiments I understand, even if I personally feel them about a large number of people rather than a single Special Someone. Point them at a single Someone and have the two characters involved act accordingly, and I can probably pull a romance out of it.