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Aqua Utopia|海の底で記憶を紡ぐ

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@infernauta

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Muss der Finger des Todes von Zeit zu Zeit auf den Tumult des Lebens gelegt werden, damit er uns nicht zerreißt? Sind wir so gemacht, dass wir täglich in kleinen Dosen den Tod nehmen müssen oder wir könnten nicht weiter leben? Und was sind dann diese merkwürdigen Kräfte, die unsere geheimsten Wege durchdringen und unsere wertvollsten Besitztümer verändern, ohne dass wir es wollen?
Orlando: eine Lebensgeschichte (Virginia Woolf)
O dedo da morte deve ser posto, de tempos em tempos, sobre o tumulto da vida para que não nos rasguemos em pedaços? Somos feitos de tal maneira que precisamos tomar a morte em doses pequenas diárias ou não poderíamos continuar com o afã de viver? E, então, quais são esses poderes estranhos que penetram nos nossos mais secretos caminhos e alteram as nossas posses mais preciosas sem que tenhamos vontade?
Orlando: uma Biografia (Virginia Woolf)
Has the finger of death to be laid on the tumult of life from time to time lest it rend us asunder? Are we so made that we have to take death in small doses daily or we could not go on with the business of living? And then what strange powers are these that penetrate our most secret ways and change our most treasured possessions without our willing it?
Orlando: a Biography (Virginia Woolf)

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Humor as the only way to keep sanity in dark times is our own way of being
Stylish Men (Samir Machado de Machado)
Humor als der einzige Weg, die Vernunft in dunklen Zeiten aufrechtzuerhalten, ist unsere eigene Art zu sein.
Elegante Männer (Samir Machado de Machado)
O humor como a única forma de manter sanidade em tempos sombrios é o nosso próprio jeito de ser.
Homens Elegantes (Samir Machado de Machado)

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Was man den Schatten des Körpers nennen, ist nicht der Schatten des Körpers, sondern der Körper der Seele. Richten Sie sich auf, mit dem Rücken zum Mond auf die Küste, und schneiden Sie Ihren Schatten, der der Körper Ihrer Seele ist, von Ihren Füßen und bitten Sie Ihre Seele, um dich zu verlassen, und es wird so sein.
Der Fischer und seine Seele von Das Haus der Granatäpfel (Oscar Wilde)
O que os homens chamam de sombra do corpo não é a sombra do corpo, mas o corpo da alma. Fique em pé à beira-mar, com as costas viradas à lua, e corte ao redor dos teus pés a sombra, que é o corpo da tua alma, e ordene para ela te deixar, e assim ela o fará.
O Pescador e Sua Alma de A Casa das Romãs (Oscar Wilde)
What men call the shadow of the body is not the shadow of the body, but is the body of the soul. Stand on the sea-shore with thy back to the moon, and cut away from around thy feet thy shadow, which is thy soul's body, and bid thy soul leave thee, and it will do so.
The Fisherman and His Soul from House of Pomegranates (Oscar Wilde)
Die Aufrichtigkeit ist die erste Tugend eines Verstorbenen, denn im Leben der Blick der Meinung, der Kontrast der Interessen und der Kampf der Begierden verpflichten uns, die alten Lumpen zu schließen, die Risse und die Flicken zu schönreden, die Offenbarungen, die er dem Bewusstsein macht, nicht auf die Welt auszudehnen
Die nachträglichen Memoiren des Bras Cubas (Machado de Assis)

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The frankness is the first virtue of a deceased, because, in life, the look of the opinion, the contrast of interests, the fight of greed, force us to shut up the old rags, to mask the rips and patches, not to extend to the world the revelations that it makes to the conscience.
The Posthumous Memoirs of Brás Cubas (Machado de Assis)
A franqueza é a primeira virtude de um defunto, pois na vida, o olhar da opinião, o contraste dos interesses, a luta das cobiças, obrigam a gente a calar os trapos velhos, a disfarçar os rasgões e os remendos, a não estender ao mundo as revelações que faz à consciência.
Memórias Póstumas de Brás Cubas (Machado de Assis)