noise dept.
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#extradirty
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roma★
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i don't do bad sauce passes
"I'm Dorothy Gale from Kansas"
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@indig0bluee

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“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”
— Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
you are not immune to propaganda but also some of y'all literally do not know the definition of propaganda
the best piece of relationship advice i ever got was “a relationship isn’t 50/50, it’s 60/40 with each party excited to be the 60”. which to me means that you should be with someone who makes you want to do more, be more, open your heart even wider. why WOULDNT you like making life easier for your loved one(s)?
When so much time has passed that she has forgotten almost everything else, just before dawn, the girl will remember you, dear reader.

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Just having thoughts about the og series starting with Luke, Thalia, and Annabeth's promise to each other about family and Nico making Percy promise to protect Bianca, his sister.
Annabeth to Luke:
"Family, Luke, you promised."
Nico to Percy:
"you have to promise to keep my sister safe." "I… that's a big thing to promise, Nico.." "Promise," he insisted. "I'll do my best. I promise that.
Both promises being broken.
Also this part:
"You promised you would protect her," Nico said. He might as well have stabbed me with a rusty dagger. It would've hurt less than reminding me of my promise.
The dagger mention here ?? And Annabeth's dagger being the cursed blade part of the prophecy that Luke used to stab himself with that was cursed specifically because he broke his promise.
Nico's fallout with Percy being the catalyst to Percy accepting being the hero of the prophecy because he wanted to spare Nico from suffering more pain and taking on that burden.
Annabeth's reminder and unwavering faith leading to Luke's sacrifice, completing his role as the hero of the prophecy.
Both promises being everything but also not enough in the end.
Neither of them getting back the family they wanted.
Both of them healing and making bonds that they let themselves have despite all their heartbreak and pain and fear of abandonment.
Annabeth finding a family in Percy and Grover (and Sally).
Nico finding a family in Hazel, never seeing her as Bianca's replacement. Nico eventually being able to accept Jason and Reyna and Will's friendship and love for him (don't think about reyna and bianca hunters of Artemis parallels or jason dying).
Just... both Annabeth and Nico desperately wanting to preserve their families.
Both Annabeth and Nico being so full of love.
Love being why Annabeth's faith in Luke never wavers, which saves the world in the end.
Love being the reason why he helps Percy and why he doesn't give up on Hades making amends with his family, which ultimately helps save them in the end.
the thing about heavy handed symbolism is that sometimes. it's fun.
every lannister ever: i am the only sane and normal member of this family
of course instantly it is framed as given that dragons, again living beings used by human beings for their violent, political, social purposes, are straightforwardly corrupting their riders, as a metaphor for the sinister corruptions of power. i think this is just a first, ethically questionable way to look at it re humanity’s relationship to the non-human - if humans are changed by these animals, it is only because they changed these animals first! the animals are not evil, so to reduce them to a metaphor for evil is frustrating (insofar as the series plays this straight, it is and will be frustrating). second, it is dull to me. to look at this suggestion - these people magically bond with these non-human magical, intelligent beings, and this changes them, makes them less human somehow, in turn, a mutualistic process of transformation - for a didactic, moralistic, predetermined end. rather than an open question about the perils and pleasures of such a disturbing form of symbiosis. i guess what i wish is hotd fandom would look at things through a butlerian (octavia) lens.

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DADDY'S LITTLE GIRL, HE BROKE IN THIRTY.
BLACK ORPHEUS (1959) dir. MARCEL CAMUS
are we going to start acknowledging that cancel culture does not work on oppressors and has thus created a system of impossible morality which makes people stagnant and fearful instead of empathetic and productive members of society. and those under the most scrutiny for moral purity are most often the victims of the so called cancelable offense
crazy how the two remaining underworld children are like “uuu agony guilt misery, ohhh we belong to another time, no one understands we walk this world alone” meanwhile if bianca were still alive she’d be like. in varsity volleyball probably

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going into the junkyard of the gods, i sure hope no one steals anything
By Talos This Can't Be Happening
What are the main reasons you like Jaime Lannister's arc so much?
he’s essentially a disappointed idealist whose cynicism emerges from the contradictions of a society and system that he cannot reconcile with. that disillusionment hardens into a kind of moral nihilism which amplifies his worst qualities while stifling his best ones. the idealizations that defined his identity in boyhood (heroism, honor, knighthood etc) are violently torn apart in adolescence, leaving behind a selfish, spiteful, cowardly man suspended in stagnation and sustained by destructive coping mechanisms. i like the cruel irony of jaime coming to embody and perpetuate the very injustices that made him the monster that he is by the start of the series. that being upended by a character like brienne and his own maiming is very fun and well written. gurm places him in a position that challenges every aspect of how he defines himself, and then gives him space to gruelingly wrestle with issues of identity, purpose, regret, change, atonement, redemption, and forgiveness. good
i even think that my favorite type of villain generally tends to be the cynic or pessimist. i am really drawn to characters who when confronted with the injustice and cruelty of the status quo are battered into seeing it as this eternal and inescapable feature of existence itself, and by treating it as an enduring metaphysical condition, they preclude any serious possibility of transformation. what follows is the coping strategy of apathy, resigned acceptance, or even active participation in perpetuating the very system they recognized as unjust. i like that jaime’s arc and development is about this changing