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JVL
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
trying on a metaphor

pixel skylines
Mike Driver
he wasn't even looking at me and he found me


izzy's playlists!
occasionally subtle

â
YOU ARE THE REASON

çĽćĽ / Permanent Vacation
2025 on Tumblr: Trends That Defined the Year
Sade Olutola
Stranger Things
Peter Solarz

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@indig0bluee

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nice rachel weâre having :(
His talent for creating realistic documents helped thousands escape deportation to concentration camps, and in many cases to flee Nazi-occupied territory.
At one point, Mr. Kaminsky was asked to produce 900 birth and baptismal certificates and ration cards for 300 Jewish children in institutional homes who were about to be rounded up. The aim was to deceive the Germans until the children could be smuggled out to rural families or convents, or to Switzerland and Spain. He was given three days to finish the assignment.
He toiled for two straight days, forcing himself to stay awake by telling himself: âIn one hour I can make 30 blank documents. If I sleep for an hour 30 people will die.â
Mr. Kaminsky died on Monday at his home in Paris, his daughter Sarah Kaminsky said. He was 97.
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indoor market; iraq, 2012 (via welland)

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awesome
billions and billions of WASTED taxpayers money
Not to mention all the dead and maimed-for-life service personel.
two prime examples of why people hate americans đ
Oman; Zar rings. Scanned from the book Oman Adorned: A Portrait in Silver; 1997; Miranda Morris & Pauline Shelton
The questions I want to ask historians, about the magnitude of the magnetization of death and slavery, are as follows: Is there something unrepresentable about slaveryâabout the deaths of slaves, their experiences, their longings, their fears, their prayers, their grammar of sufferingâabout slaveryâs institutional logics, and slaveryâs historical rupturing? Is this why death enters not only as an object for historians but also as an interpretative schema? Is it because both death and slavery represent limits in a certain imaginative enterpriseâthat which is âinexpressible, inscrutable, unmanageable, horribleââthat they are drawn together? Are death, slavery and blackness connected because of an analogous âunspeakabilityâ? If this unspeakability is located within a social process, then the historical structure of analogy itself has a history, and the slave historian would be tasked with uncovering this fantasmatic interplay, and further still, tracking the ways that the legibility of the analogy may have been written in the incipient gestures of slavery, a condition of possibility for the structuring of slavery itself. A tension, between death derived from a system, and a problematic of death that drives a system, points to a doubling of death as it dances through the details each historian takes up. Does the (very political) division between life and death reflect other divisions like white and black, master and slave, present and past, or work to sustain (and even generate) the racialization of social positionalities and possibilities? What is the causality of a casualty?
Sara-Maria Sorentino, from The Sociogeny of Social Death: Blackness, Modernity, and its Metaphors in Orlando Patterson
it's so comical to me how much people on this website of a certain shall we say Level of Pallor are constantly retweeting puff posts about how Racism Bad and We Must Support Black Artists but when push comes to shove and a mirror is put in front of them to reveal that they may or may not have some unchecked antiblack biases that affect the way they interact (or don't interact) with black art and talk to black people and react to their equally alabaster faves doing racist shit all of a sudden it's "well actually" and "b-b-b-but". and by 'comical' i mean I Am Going To Fucking Hurt You
Lesbian and Gay Pride, London, June 1985

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Annabeth Takes A Multiple-Choice Exam
Section A: Multiple Choice (60 points)
Instructions: Read the following questions carefully and choose the letter that best describes the answer. Write your letter on a separate sheet of paper.
---
Your name is Annabeth Chase. You are nineteen years old.
One night, you dream of your older brother. In the dream, he walks into your room - your old room back at Camp Half-Blood - and sits on the edge of your bed. He looks like how you remember him most.
QUESTION #1: When you look at him, he is __________ (10 points)
a. fourteen years old, cheeks still rounded with childhood, your hand clutched in his (back when it was the three of you against the world)
b. seventeen years old and braiding your hair in your bedroom, golden sunlight rippling through the curtains, where there were no wars to fight and family always stayed together and kids never died too soon before their time
c. twenty-one years old and holding the weight of the sky on his shoulders, asking you to take his place (knowing what it means. asking it of you anyway)
d. twenty-three years old and dying on the marble floors of mount olympus (you cannot save him. you never could)
e. all of the above
QUESTION #2: He speaks gently of __________ (10 points)
a. his mother
b. his father
c. you
QUESTION #3: He wasn't always this way. He wasn't always so __________ (10 points)
a. angry
b. hopeless
c. cruel
d. all of the above
e. none of the above
QUESTION #4: You wonder if he feels __________ when he looks at you. (10 points)
a. hate (you feel that he should.)
b. regret (this scares you more than the hate.)
c. love
QUESTION #5: He tells you about __________ (10 points)
a. all the dreams he never got to fulfil
b. the last time his mother recognised his face
c. the life he'd always wanted for you and thalia
---
BONUS QUESTION: When you look at him, you see __________ (0 points)
a. the hero of the great prophecy
b. a traitor with the blood of countless demigods on his hands
c. a man tired of weaving shrouds for children
d. your big brother
---
END OF MULTIPLE CHOICE SECTION.
Please make sure that all your answers are correct before submission. You cannot go back and change your answers once you have handed in your paper.
---
my buddy brings her angel girlfriend to the function, I spend the whole time refusing to look at or even acknowledge her existence, because I am a staunch atheist and dont believe in that nonsense. she starts to throw things at my head to get my attention and between volleys of marbles and kitchen utensils I grunt "swamp gas. aurora borealis. probably a weather balloon.youre seeing things"
another day, I greet my friend at the door, I look over her shoulder and raise an eyebrow, "I see you've brought the electromagnetic phenomena again,"
true understanding of a character is knowing that They Would Not Fucking Say That even when they did indeed say that in canon
we need to instill a new storytelling rule of thumb into people called "show don't tweet" where we encourage them to put all pertinent canon information into the actual story and its official supplemental material instead of using reddit AMAs as lore dlcs

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you have no idea how often i think about thoros refusing to kiss catelyn. you have no idea how often i think about the first last kiss thoros gives beric, a kiss that didnât serve any purpose at all save to say i love you. thoros not being able to let beric go and resurrecting him again and again, against his will, until it becomes a kiss more akin to violence than to love. i canât get the image of thoros taking bericâs body out of sight to kiss him where no one else could see after sandorâs trial by combat. their overarching story is not subtle in how it mirrors frankensteinâs but itâs also leans very heavily on the âtrue loveâs kissâ element. itâs one of the most openly queer relationships in asoiaf and people donât⌠talk about it. thoros had given others the last kiss âbut never before had I felt a dead man shudder as the fire filled him, nor seen his eyes come openâ. thatâs snow white. thatâs the sleeping beauty. thatâs a love story.
the main and frankly only reason thoros hasnât given up on the brotherhood despite understanding that the path lady stoneheart treks is a treacherous one is because of beric. because thoros refused him and beric paid the price. lady stoneheart is beric dondarrionâs ghost, too, in more ways than one.
a pine scented sky