I may have gone a bit overboard with this but I crave blockmen angst and simply do not think they deserve Situations
Cosimo Galluzzi
RMH

Love Begins
art blog(derogatory)
$LAYYYTER

shark vs the universe
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d e v o n

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Game of Thrones Daily
The Stonewall Inn

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YOU ARE THE REASON

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Andulka

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@inconspicuous-raven
I may have gone a bit overboard with this but I crave blockmen angst and simply do not think they deserve Situations

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secret life scar!!!
Double Life but it’s a poorly written visual novel
hermit a day 25 - tangotek
Got bored, have some cursed TIES

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My rancher!!!!
I asked on twitter who picked up who, and the agreement came to "Tango spun around Jimmy in his arms, then they both promptly fell on their asses like dorks"
Together until the end
C-Team assemble
This is unfair I’m mad I’m mad I’m sad i mean mad I’m mad it’s unfair I’m mad I’m ma
crastle in the third life finale

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I think it’s safe to say Ranchers Win These
(In the silence between the last two panels, there is a 20 page comic in my head filled with flashbacks of every moment Scott teased, scolded, or dismissed Jimmy—and every moment where Tango was instead kind, patient, and proud)
This was totally Tango’s episode. I love him so much. Also etho… um… that was kinda
my complete series of trafficlife drawings! so far at least, i assume im gonna add more to these at some point :P
i had a lot of fun with these!! also since some people mentioned wanting them as posters - i dont really sell any of my art but i absolutely dont mind if anyone wants to print out something for themselves!! all the full-res files for these and some other drawings of mine are up on my ko-fi for free, so if you wanna print a poster yourself (personal use only, obviously) go ahead :D
He is beauty
He is grace
His plans are all in disarrays
And he's also AroAce! 💚💜
Evgeny Says Farewell
November 1922 ✯ Copenhagen, Denmark
Disclaimer: My story isn’t meant to fully reflect real history or real people. It is a piece of alternative history, otherwise being fiction.
“Nastasia! H-How are you—fine, I hope?”
“Well, I’m preparing for a military campaign, I have to be fine,” she replied. Seeing his continued uncertainty, her eyes glared playfully in an obvious manner, “I’m fine, you dolthead. You really need to learn how cadence works.”
Weakly, Evgeny laughed, “Oh, oh that’s good then.” He looked to the side awkwardly, “I-I’m only here briefly—to say goodbye o-of course, since…”
“Right, Scotland! Honestly, I almost forgot about that.” Her eyes then widened, “Wait, you don’t mean to say that you have already said goodbye to Tanka, have you…?”
“No no, I-I actually just said goodbye to Olenka, lovely as always,” his cheeks turn slightly rosy, “but Tatiana is visiting me tomorrow for a more…‘personal’ goodbye.”
Suddenly, Anastasia leaned close to Evgeny. “I seeeee,” she giggled knowingly, “I do not get it, but I hope it goes well for you and Tanechka.”
“Thank you, uh–” he looks around the place slightly, “Is Maria Nikolaevna here by any chance? I have not seen her.”
“She’s still in Paris, though she’s supposed to be back. From what we heard, the trains are delayed. I will make sure to pass the message on to her when she comes back, I’m sure she would be very delighted.”
“And Alyosha?”
“Oh! Yes…” her tone changes ever so slightly in a manner that seems inconspicuous, “you know what—follow me.” As the two walk whilst presumably heading to where Alexei is, she begins to discuss. “Remember when we decided to put on a little home production of Hamlet just recently?”
“Of course I do, you stole a skull from me for it.”
“Come on, we needed ‘something’ for Yorrick’s skull!”
“I-It was a skull I used for MEDICAL SCHOOL–!”
Anastasia reasserts herself, “Anyway, it was a good production! Alexei made for a great Hamlet, so did Vanyon as Ophelia. The reason why we chose Hamlet is because it was set in Denmark and we wanted to pay the country some homage before we go, right?”
The prince nods.
“It seems that choice of play has backfired, since nowadays Alexei is miserable. MISERABLE, I tell you!”
“Well, that’s what you get for doing Hamlet—it’s a tragedy, i-isn’t it?” When Anastasia Nikolaevna’s silent glare doesn’t respond, he asks a different question, “H-How is Alexei miserable, exactly?”
Smirking, the Grand Duchess suddenly flashes red, taking on Alexei’s form. “Oh I do not know, Evgeny, for I am just pondering!” she exclaimed dramatically, using his voice. “How could one go on like this? War, philosophy, religion…romance uh–” Anastasia paused and turned to him, “Is romance really that important?”
Ignoring the last part, Evgeny replies to her imitation of Alexei, “N-Nastya, please, you know this is a lot for him, even for you.”
A red shimmer spreads across her body as she sheds Alexei’s appearance and back to her own. She sighs, “I know, but I detest it when people are nervous before doing something important, because then they make me nervous and it makes me worry and I hate worrying!” Looking to the side, Anastasia adds, “I swear, Evgen, he is becoming more like Olga.”
Before he could answer, she shakes her head, “Nevermind all that. I’m just being selfish.” The two stop outside of the Tsar’s room. “Alyosha’s in his room playing the balalaika—can you hear it?”
Evgeny moves his ear close to the door…
“Плачет, плачет мать родная,
Плачет молодая жена,
Плачут все, как один человек,
Злой рок и судьбу кляня!”
“He’s been playing that melody for God knows how long,” remarked the Grand Duchess. “It’s a little tiring to hear it over and over, but I don’t have the heart to scold him for it.”
“I would not get tired, it’s a lovely song. I’m quite nervous to knock and interrupt him, actually.”
She rolls her eyes but maintains a smile, “You men are such babies, you know that? Here–” Her fist raps on the door multiple times. “Alyosha!”
The singing stops, but not the strumming of the balalaika as a voice, not Alexei’s, answers back, “Who is it?”
“Evgeny Konstantinovich is here, he wants to talk to Alexei!”
Some muffled voices converse briefly before the door is opened by a tall, slender man with blonde hair and gold eyes—Vanyon, of course. He looks between Nastya and Evgen, then steps aside with polite courtesy, “I’ll leave you be.” Vanyon then walks away as if he was never present.
The half-moon’s glow seeps into the dark room. Still, it is not enough to make Alexei’s eyes look less darker than they actually are. But he doesn’t seem as mopey as his sister was making him out to be. Then again, Evgeny knows Alexei well enough to know that he has plenty of fronts.
“Hello, Evgen!” Alexei greets cheerily from an armchair he’s draped himself across, with a balalaika in his arms. Something about him which always stood out to Evgeny was that the current head of the House of Romanov always preferred to sit in the most abnormal of positions rather than what was proper, or ‘healthiest’ for the body. And yet Alexei still complains of pains afterwards…
Anastasia looks up at Evgen. “This must be our goodbye for now, isn’t it?”
“It m-must be,” he remarked. “I…I look forward to seeing you again in Petrograd when it’s all over.”
Hearing this makes Anastasia look to Alexei first, then back to the prince’s. She maintained a smile—a sad, yet hopeful one—and told the prince to, “Take care of yourself.” With that, she turns away from him and follows the direction Vanyon went.
Even when Evgeny finishes with, “The same to you, Anastasia Nikolaevna!” she doesn’t turn back.
He turns himself around to face Alexei again to see he’s looking at him expectantly and stops strumming the balalaika, sensing their own impending conversation.
Figuring out a way to start off, the prince begins with a stuttered, “You play the balalaika very well, Alexei Nikolaevich.”
Alexei looked down at his instrument bashfully and flung his hand in a motion, “Psht, don’t flatter me, Evgen. It’s more to keep my hands busy than anything.” Setting the balalaika aside, against the leg of his chair, he looks back up, “You play the piano for the same reason, no?”
“Y-Yes, I do, Alexei Nikolaevich,” Evgeny acknowledged, his voice softening even more than usual as his spectacled gaze shifts to the floor. “My brother…he used to play the piano a lot too when he still lived with us. He would play for hours, and sang so beautifully too. His mama would sit next to him on the bench, playing duets. It wasn’t his main passion, but you would never know that since he played so well,” his facial expression becomes more melancholic. “Our Papa used to drag my brother out for formal dinners to play for guests—patriotic songs, you know the sort. Naturally, he loathed it. My brother isn’t exactly the patriotic sort. Quite the opposite, actually…”
As his gaze drifted back upwards, voice trailing off into air, he saw the young Tsar staring intensely towards him with an unreadable expression. The air had turned thick with old memories of the past.
“Oh,” Evgeny quickly stumbles over his words, “Oh, forgive me!” His hands wave nervously in an apparent placating gesture, “I’m so, so sorry, Alexei! It’s not my place to ramble on and on about my life when uh, you have a very important job ahead of you! How inappropriate of me, I should–”
“Evgen, Evgen, please, I really don’t mind—” Alexei reassured, but the poor prince was already meekly attempting to shift the conversation.
“How is your leg? Is it feeling better?”
For his friend’s sake, he shifts the mood, “Ah, yes, it’s doing much better, thank you!” In an attempt to be discreet Alexei adds, “Honestly, it feels good as new. Perhaps…?”
The puppy dog look in his eyes makes Evgeny narrow his own slightly. “I-I’m going to tell Tatiana to make sure your cane is packed.”
The Tsar sighs, “Alas, I’m cursed with that stick.”
“‘That stick’ helps you walk, Alyosha,” he countered with a reassuring smile, “if anything it’s a miracle, not a curse.”
“Ugh, stop trying to flatter me!” Alexei covers his flushed face with his hands whilst forcing laughter.
Evgeny blinked nervously, “Uh, it wasn’t meant to, uh–!”
“ANYWAY less about me, more about you; I heard you’re ferrying off to Scotland. Tell me all about it!”
“Yes!” Evgeny Konstantinovich suddenly became quite enthusiastic, “Yes, yes, oh uh–! Well, I’m going to examine s-some recently discovered documents from the 18th century! It’s from the physician, Alastair Lusk. M-Much of his work about vampirism was thought to be lost, but oh thank god it hasn’t! There might be stuff we haven’t even considered about the disease before! My colleagues and I are very excited, I just wish Tanushka could be there with us, but I know her duties are elsewhere.”
“Oh, she—all of us, really—are so happy for you, Evgen.” Alexei then switched the language to English, “I hope your English is good, you’ve learned some of course, no?”
Evgeny nodded and replied using the language, “Of course, I-I have a decent grasp of it, I think.”
“Honestly, I just feel terribly guilty that we have to leave you behind for now,” Alexei frowned slightly, switching back to Russian, “I mean, I’d hate for you to deal with that wretched father of yours alone.”
“Don’t worry about me, Your Ma–” the prince pauses and corrects himself, “I MEAN—Alyosha!”
With a kind appreciativeness, Alexei remarks, “You even correct yourself before using my title, oh how sorely you’ll be missed the next few months…”
“Now I just think you are flattering me!”
“Because you deserve it, ura!”
“A-And you don’t?”
“My priority is constructive criticism, thank you very much,” Alexei states, almost proudly.
Evgeny chuckled a bit. He stood up suddenly, prompting Alexei to do the same. “I can’t believe you’re actually…doing this.”
“Heh, I know, I cannot believe it either to be perfectly honest. I’m…nervous.”
“How could you not?” Evgeny then briefly became more serious and tells him, “Alyosha, promise me something. It’s obvious but I must say it.”
“Please do.”
“Promise that you’ll protect Tatiana Nikolaevna, keep her out of harm and all,” he looks at Alexei intently, “I know she is perfectly capable of managing herself. She’s perfectly capable of everything and anything, frankly. But, the possibility—it keeps me up at night.”
Alexei matched his friend’s expression and nodded. “Evgeny, I would rather die than allow my sisters to die before me. Your promise will be kept, trust me.”
The tension drains from the prince’s face as Alexei steps forward and embraces the man. At first surprised by this gesture, Evgeny slowly returns the hug and the two hold it.
“I-I guess this is really our goodbye for now, my friend,” said Evgeny.
Laughing awkwardly, Alexei notes, “Emphasis on for now.” Stepping away from the hug, he continues, “Thank you, Evgen—for everything.”
“Heh, I was just doing what any physician would do. But, you, your family, have treated me so well, Alexei Nikolaevich. Much better than my family.”
“Forget those people. You are family to us, Evgen.”
The prince crossed his arms across his torso like he was trying to conceal the genuine emotion he felt in this moment. He forced a smile, sad but genuine, “I hope we reunite in Petrograd.”
Alexei froze.
His cheerful expression disappeared as suddenly as the sun does during an eclipse. The young man’s eyes drift downwards towards the wooden floor, pensive and knowing.
“Petrograd…” the Tsar says, his voice eerily low yet still. Slowly he shook his head, “No, no…no. I don’t think we will be meeting there.”
“W-What?” Anxiety began to swell within Evgeny’s chest. “What do you mean? Is there a change of plans or–?”
Just as abrupt as before, the atmosphere changes again when Alexei begins to laugh excessively.
“Don’t look so terrified, Evgeny Konstantinovich!” teased Alexei, his face returning to his gap-toothed grin. “Tatiana will let you in on what I am referring to.” He sits back down in the chair, shifting to drape his legs over the furniture’s arm, then reaches for and picks up his balalaika. “In the meantime, get some rest. As much as important things lie ahead for me, you have just as important things lined up for you and I’m not going to hold you back any longer.”
The prince took a step back. He wanted to ask more; what was that whole thing about? What was Tatiana going to tell him? What does this have to do with–?
He sighs, and looks at Alexei Nikolaevich for presumably the last time, at least for a couple months.
“Good luck, Alyosha.”
“Best regards, Evgen.”
With all said and done, Evgeny stepped out and closed the door to the room.
Just as he turned around and began to pace away, Evgeny Konstantinovich could hear behind the closed doors, Alexei beginning to play the pained song again on the balalaika.
“Тихо вокруг, сопки покрыты мглой…”

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🕵️♂️ Website update! 🔎
Check out the new page of "Comrade Zimov’s Murder Mysteries" and the new character profiles there! 🫶 There is a lot of new information, about your favorite cast and so much fun trivia!
In the spring of 1975, Zimov – a young and extremely intuitive investigator of Siberian origin – is sent to work at the infamous Moscow...
Who are Zaetskaya and Volkin from CZMM's pilot?
Recently I uploaded the pilot episode of my story, "Comrade Zimov's Murder Mysteries" here on Tumblr. If you haven't checked it out yet, I highly recommend doing that before reading any further, both for context and because we are diving straight into spoiler territory today! 👀
I promised to talk more in-depth about two major characters from the episode: Zaetskaya and Volkin. So today, we are going to dive deep into who they are, why I chose them and I will decipher all of the references you might have missed in the pilot. 👀
1. The inspiration:
As you all know "Comrade Zimov's Murder Mysteries" takes place in the USSR in the 70s. Because of the setting, I thought it would be incredibly fun to base some of the cases and characters on actual Soviet pop culture. Even though I was born long after the collapse of the Soviet Union, I actually grew up watching Soviet cartoons and movies, as well as listen to a lot of Soviet singers. That is because my parents grew up during Soviet times - Bulgaria was part of the Eastern block and even considered the 16th unofficial Soviet republic (Fun fact! 😉) - and they shared with me a lot of their childhood in my childhood.
Zaetskaya and Volkin are directly based on the main characters from one of the most famous Soviet animated series of all time: "Ну, погоди!" (Nu, Pogodi! / Just You Wait!) — specifically, the Hare and the Wolf. On the surface, that cartoon looks fairly simple and many would call it the Soviet "Tom and Jerry". But one day @illustrossi and I delved a little too deep into the lore... 👀
See, it all started on the 8th of March (International Women's Day). We were scrolling through Facebook, looking at all the typical, cute holiday cards people were posting. Then, one specific card caught our eye. It featured an infamous scene from the cartoon where the Wolf is dressed up incredibly fancy, holding a bouquet of red roses for the Hare.
At first, we didn't think much of it. But then Ros paused and said:
"Wait a minute... Why is the Wolf bringing the Hare flowers? And why is he dressed up like a gentleman going on a date? Isn't the Hare supposed to be a young boy? What is actually going on here?"
2. The theory that started it all (#Blame MatPat)
Look, you all know how much I love MatPat! He taught me well. 🫡
Fueled by pure overthinking energy, Ros and I sat down and started recalling every single episode of the show to answer this VERY important question.
To understand the theory, I will have to first give you the basic premise of the show. So the story, on the surface, is simple enough. We have two main characters:
The Wolf: He's presented as a total hooligan, a slacker, and a rebel. He’s always trying to sneak into venues without paying, smoking cigarettes, and trying to get the most out of every situation. He feels like he's either an older teenager or a young adult.
The Hare: He’s the epitome of the "ideal Soviet citizen." He’s good-hearted, always ready to help, represents the country in sports and events, and is overall the ultimate good guy. He seems to be presented as a young boy.
The official premise is that the Wolf is constantly trying to capture and eat the Hare. But as we looked closer at their adventures, we realized the dynamic is way more complicated than just a predator and its prey...
Let's look at what the show shows us about these two.
2.1. The identity of the Hare
Now, first diving deep into the rabbit hole...👀... we'll examine every episode where the Hare appears and what it tells us about "him":
1. In the first episode, while the Wolf is walking towards the beach, he sees a poster of the Hare advertising carrot juice.
2. In episode 5 in the scene with the TVs, we see the Hare (or at least we are assuming it's the same hare) singing during an event.
3. In episode 8 the Hare plays Дед Мороз (Father Frost) in the Christmas play for children before the Wolf shows up as Снегурочка (Snow White...the Russian version!). (btw this is one of the scenes referenced in the pilot)
4. In episode 9 we again see the Hare singing on TV. Later in the same episode we see him playing on the drums. (Again, another reference)
5. In episode 13 the Hare is assigned to give flowers to the foreign hares, who are comming to the Olympic games.
6. In episode 14 we see that they have made a robot based on the Hare and we know it's this particular one, based on his iconic clothes.
7. In episode 15 we see that the Hare is heavily involved in the preparations for the concert. He takes care of the sound and is also the host of the program.
8. In the begining of episode 7 we see the Hare buying a ticket for the ship. It is a Kid's ticket. But in the USSR, children weren't allowed to travel alone without adult supervision, and we never see his parents.
9. In episode 14, during that infamous scene where the Wolf is comming to visit him and gift him flowers (and alchohol mind you...👀) We see that the nameplate of the appartment is just "Hare". Which seems to suggest that it belongs to him only. Ros and I talked about how maybe the animators were lazy to animate his parents as well, but couldn't they have put "The Hare family"? Or something? Putting just "Hare" seems suspicious.
10. In that same episode we see that suspicous scene where he gets so happy about the roses and even agrees to drink champane. (I just want to clarify that we in no way shape or form are saying that boys and men can't get excited or get happy to recive flowers! Flowers are universal gestures of attention, gratitude or show of affection and both women and men as well as boys and girls should be allowed to enjoy them without feeling any shame! What we are pointing out is that depicting this specific, romantic-coded gesture between two male-presenting characters in a mainstream 1970s Soviet cartoon? It raised a lot of eyebrows. Unless the creators were very ahead of their time. In which case...Good for them! 👀 Good for them! I mean...the Russian community was already making some wild assumtions with this scene...)
Anyway! Based on ALL of that, we learned a few things about the Hare - he isn't a random, innocent little boy. The Hare is a famous pop star and public figure who lives alone, travels alone, and apparently loves receiving roses from the local bad boy.
And then, Ros dropped the ultimate theory bomb: We never actually get confirmation in the show that the Hare is male. (Fun fact: the Hare was voiced by Klara Rumyanova, a famous Soviet actress!) 👀
So, our working theory was born: What if the Hare is actually a young woman?
A woman who is a famous musical star and the face of Soviet advertising, but who dresses in a tomboyish style and pretends to be younger than she is (hence the kid's transit ticket) to maintain her wholesome image.
2.2. The identity of the Wolf
Now let’s look at our wolf friend. The cartoon wants you to think he’s just a mindless, chaotic brute, but the clues tell a completely different story:
1. We also see the Wolf singing and playing diffrent instruments in various episodes like 2,8,9 and 15.
2. Despite that, however, he is not a famous musician, because we constantly see him get kicked out of events.
3. In episode 14, we see he drives a custom, self-made (or at least heavily self-repaired) car. He’s incredibly resourceful. (another reference in the pilot)
4. In episode 9, we get a glimpse into his home life—he lives in a completely torn-down, falling-apart apartment. (another reference in the pilot)
5. He is completely broke. In episode 7, he goes to extreme, chaotic lengths just to sneak onto a cruise ship because he can't afford a ticket.
When you put it all together, the Wolf isn't just a mindless predator. He is a highly talented, deeply passionate musician who refuses to conform to the strict, pristine rules of the Soviet system. He chooses to be a free rebel, even if it means living in absolute poverty.
2.3 The Dynamic: It’s Not Hunting, It’s Complicated 🥀🎸
So how are these two characters tied together? Let's again turn to the show (also, I will be refering to the Hare as she/her from now on based on our theory):
1. In the very first episode, after catching the Hare, what is the first thing the Wolf does? He starts cuddling her?
2. Whenever the Hare sees the Wolf around herself in many episodes, she doesn't call for help, she never calls the militia on him, even tho she knows that this man has been chasing her around and trying to catch her.
3. In episode 15 there is a whole choir of identical hares! If the Wolf was really hungry and wanted to eat out of pure predatory instinct, he could have easily capture any one of them. But he is strictly focused on that ONE hare. So this means there is something personal there. Also later in the episode the two start dancing together. Then the Hare manages to slip away and the Wolf begins to make dancing gestures. But not ones that give a "Come back here you! I will catch you and eat you up!". They look like "Please come back, I miss you!". (Tell us we are crazy! Please watch it and tell us we are crazy! 👀)
4. At the end of episode 7 they walk hand in hand in that very couple coded way. (Btw, anothe reference in the pilot)
5. At the end of episode 10 the Wolf falls from a construction site and hurts himself badly. We see a weird dream of his where the events of episode one are depicted in reverse - the Wolf is this nice, peaceful guy and the Hare is the bad girl, the hooligan and rebel. Which is...interesting? What could it mean? 🤔 But the more important part is that at the end of the episode the Hare shows up with oranges and flowers. (another reference in the pilot)
6. In the begining of episode 14, like we said, the Wolf comes with roses and champaine to gift to the Hare. And she seems so happy when she receives them from him.
And our theory became the following:
The Hare and the Wolf were both talented young musicians who knew each other—and were likely in a romantic relationship. But they chose different paths under the Soviet regime.
The Hare chose to play by the rules of the state. She became the pristine, wholesome, perfect Soviet citizen, securing fame, money, and a solo apartment. The Wolf refused to conform. His rebellious nature and anti-system ideals got him blacklisted, pushing his talent into the shadows and leaving him to live in poverty. To save her own career, the Hare had to leave him behind. Now, heartbroken, bitter, but still deeply in love, the Wolf chases her across the country—half out of spite, half because he desperately wants her back. And she still holds a soft spot for her favorite rebel.
But hey! That’s just a theory... A SOVIET CARTOON THEORY! 🫡
3. The integration in the pilot
For anyone who has read the pilot, you already know all of the things I have taken from this theory and put in the story, as well as what I have changed to fit the needs of the narrative. Still I love this theory a lot and I would love to read your thoughts on it as well. 😊
Now here I will put all of the other references to the cartoon that are in the pilot, but didn't fit in the theory section:
Reference to the very first episode of the cartoon.
Reference to episode 2.
Reference to episode 15. Also, fun fact, in this scene the Hare is pretending to be a singer, who refrences the infamous Alla Pugacheva! 👀
References to episode 10.
Thank you so much for your attention!