Inspirace / Inspiration (1949) dir. by Karel Zeman.
todays bird

pixel skylines
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
noise dept.

祝日 / Permanent Vacation

Discoholic 🪩
Keni
we're not kids anymore.

Kaledo Art
he wasn't even looking at me and he found me
One Nice Bug Per Day
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
tumblr dot com


JBB: An Artblog!


blake kathryn

seen from United States

seen from United States
seen from United States

seen from Chile

seen from Japan
seen from Türkiye

seen from Spain

seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from France
seen from Germany

seen from United States

seen from Türkiye

seen from United Kingdom
seen from United States
seen from United States

seen from Malaysia
seen from Austria
@imogenpeterson
Inspirace / Inspiration (1949) dir. by Karel Zeman.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
reblogging only for bees. fuck all that gay shit
This gave me fucking PTSD.
Loving Vincent (2017) dir. Dorota Kobiela, Hugh Welchman
when Lemony Snicket wrote “I will love you if I never see you again, and I will love you if I see you everyday” that hurt me
Maybe put it on a canvas instead of someone’s property, and we can all be happy.
who paying for these canvases or the art programs so these kids can have that? Why should it matter if these run down buildings that never get fixed up anyway get graffiti’d?
Therein lies the issue. Art programs, both visual and performance based, are the first programs to be cut. Canvas ain’t cheap. Neither are the supplies. Much of the graffiti that takes place IS on buildings that are run down. The gov’t didn’t place any value on these properties and yet get pissy with dudes “vandalizing” their shit. You can’t have it both ways, ya dig.
My father was a garment contractor in LA. In the late 80s, he owned the building where he had his factory. He thought it would be a cool idea to commission local graffiti artists, usually young Black and Latino men looking to stay out of trouble, to paint murals on his buildings. After all, he runs a garment design/manufacturing company, and creative signage is great advertising.
One day, he showed up to the building and the city just painted over the murals without permission or notice.
First, the city told him he couldn’t have graffiti art on HIS building because it brought down property value. After he complained, then they said: ok you can do this, but you need a permit. After he got the permit, then the city said: ok, but you can only use these artists. Of course, these artists were all White graphic design students from USC, and of course they charged 3x more.
There is a prejudice against this type of art, and it’s racial. Banksy vandalizes folks buildings all the time, and folks treat him like the Messiah. He ain’t doing nothing new that Black and Brown folks haven’t done for decades.
I’m reblogging because BOOM!!!!!!!!!!!!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Even as I hold you
I think of you as someone gone
far, far away. Your eyes the color
of pennies in a bowl of dark honey
bringing sweet light to someone else
your black hair slipping through my fingers
is the flash of your head going
around a corner
your smile, breaking before me,
the flippant last turn
of a revolving door,
emptying you out, changed,
away from me.
Even as I hold you
I am letting go.”
Alice Walker
“Her lips moved languid and graceful and her words dripped like gold, soft and sweet.”
-excerpts from a book i’ll never write
imogen peterson
The Moon and The Hare by Hedingham Fair
Sidney Harold Meteyard (1868-1947)
Penelope at her loom
Canova’s Orpheus and Hebe at the Hermitage.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Не смотря на то, что мне сегодня на 3 пару, я уже в колледже. Готовлюсь к английскому, потому что если бы я осталась дома до 3 пары - я бы спала, а так… учусь, ну и посты вам пишу)
Но мой перформанс обломался. Я на только не смогла найти шляпу, так и где-то прое… потеряла свой голубой пиджак🙄
Ugandan model Kiara Kabukuru in an editorial for Elle (US) in June 1994 titled ‘Field Of Dreams’ and photographed by Gilles Bensimon in Marrakech, Morocco.
This is one of my most favourite fashion editorials as rarely do we see these carefree ‘shoots involving dark-skinned black women, and whenever Western magazines shoot in foreign locations involving local subjects in the 'shoot, they are often merely used as agent-less props which is not the case in this spread.
There’s also the inclusion of Africans of different hues in an African location, which I love.
However, I’m yet to discover the name of Kabukuru’s photoshoot partner.
Now open, Soul of a Nation: Art in the Age of Black Power presents the complex work of Black artists who—at a time of dizzying political, social, and aesthetic revolution—produced some of the most innovative and electric art of the 20th century. See it now through Feb 3. And, don’t forgot to grab your tickets for tomorrow’s horn-infused dance party with Soul in the Horn! Dance to hits from the 1960-80’s, enjoy a special after hours viewing of Soul of a Nation, and have your portrait taken by Paper Monday.
Barkley L. Hendricks, (American, 1945–2017). Blood (Donald Formey), 1975. Oil and acrylic on canvas. Courtesy of Dr. Kenneth Montague | The Wedge Collection, Toronto. © Estate of Barkley L. Hendricks. Courtesy of the artist’s estate and @jackshainman, New York.
It takes me a whole minute to gather up the courage to get into the water. Even-though time is of the essence, I can’t seem to shake the feeling that all of this is a waste. I don’t trust them with my own life so how am I supposed to trust them with his? Trees cower in the face of the murky water and I bristle once nothing but ice pierces through my skin. My hands fumble around Kai’s corpse, making sure he doesn’t slip through my grasp and drop into the caliginous pond like a stone. He wouldn’t even scream, not anymore.
I take one last shaky breath before submerging my feet fully into the water. What if this is all some grandmother’s tale? You can’t go back now - but what’s the point of even going forward? There’s nothing there.
I can’t help but flinch with every step I take. The feeling of pinpricks spasm through my legs but I hear nothing but the sound of Kai’s slowing hearbeat. It’s so loud. I force myself to truly look at where we are, commiting every tree and it’s tree branch to memory. Trying to at least, since I know they’ll try and take that away from me soon. Observing the trees nearby distracts me from the issue at hand, nearly. How can I know for sure they’ve fixed him if I won’t even remember what happened? How can I save him if they take him away? How can I prove our innocence if he’s gone?
My hands tighten on his side and I use his solid presence to centre myself, it doesn’t work. Slowly, my eyelids flutter as I stand stoic in the middle of the lake, clothes drenched in turpid water. I feel my shirt cling onto my chest and try to avoid thinking about how cold Kai must be. I’m glad he doesn’t shiver. I do, although I don’t think it’s from the cold. In through the nose, out through the mouth. In through the nose, out through th-
The noise scares me more than the thing itself, latching onto my thigh and screeching as though it’s lungs are being clawed from its chest. I hear Kai whimper slightly and it takes all of my restraint to not weep there and then at the sound. Looking at the thing stops me from doing so, and in a strange way I’m grateful for the fright. It stops me from thinking too much.
He’s dying, he’s dying. he’s dying.
Veiled and hunched over, the thing lifts its head and glares at me. I can tell since the holes in the fabric covering it’s face show it’s eyes, and surprisingly they’re not terrifying. With eyes as green as the trees circling around us, they no longer cower in the waters light. They rejoice at the sight of it, the Urchin.
I hate it already.
(yes i used the same photo, it’s the same chapter scene so i thought it might make more sense to use it uh oh) ((another 2am adventure))
{ @nerocael @writerlyheart @kallantrieswriting @pearl-writes @fannist @astralhymns @avi-burton-writing @ivonoris @babylonnes @between–alleys @bodoramzap @bunnydoll @cjjameswriting @celestialswrites @delphwrites @damnwrites @elliewritesfantasy @writersloth @erinwritesthings @faeneth @fleshwerks @georgiacambrielwritblr @hazeywrites @saavethebees @itskassidywrites @jess—writes @jcpitcr @jollyglitterfest @lottieiswriting @leofailsatwriting @velvet-moss @magnoliabellewrites @onlybythestars @priyaele @penumbvra @quillswithink @thewriting-ghost @writevevo }

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
KAWARAZAKI SHODO camellia & nandina, 1950
✍✍other🖎🖎