Imagines and Reader Inserts

You went on a date.

You realized that you were in love with Hotch, and your first instinct was to go on a date with someone else.

In all respects, it was a relatively good decision. Hotch was your boss and despite the close relationship you enjoyed with him, any romantic relationship between the two of you was impossible.

Miles Burton was a Senior White House Advisor whom you'd run into during your social obligations as a member of the Women in Service organization who had persistently flirted with you at the Griffiths fundraiser and had made it a point to say hello at the following two events you'd both been in attendance for.

Once you'd come to the fairly life-ruining conclusion that you were head-over-heels in love with Aaron Hotchner, you made sure to actually flirt back the next time you saw Miles Burton. That was how you found yourself on the date that had you questioning ever having harbored an attraction to men - dinner and drinks accompanied by a rendition of the 101 Life Accomplishments of Miles T. Burton.

This was hell.

After dinner, Miles had insisted on driving you home, and you cursed yourself for having taken a cab to dinner in order to avoid the lack of parking options in downtown. For some reason, he'd gotten it into his head that paying for dinner entitled him to having your mouth wrapped around his cock while he was parked in the street overlooking your house. You'd extracted yourself from the situation with as much contained outrage and dignity as you could muster, and having closed the front door, you find yourself leaning against it with only one thought in your head – Aaron Hotchner would never.

*------------*

"Rough night?"

You look over at Derek as he peers at you over his coffee mug, his eyes filling with amusement, no doubt having already taken in your slightly puffy face and the extra large cup of coffee you're carrying. After Miles had driven away - you'd watched from your window just in case - you'd needed a drink, which had turned into two drinks and ultimately falling asleep on the couch. You'd woken up late and having rushed out of the house - sans makeup - had arrived at work just in time. Hotch may no longer be upset at you being five minutes late, but he's still entirely stringent about punctuality and you hate to disappoint him.

"Bad date," you respond, dropping into your chair and whipping out the little compact and concealer from your bag so that no one else sees you looking like this.

Emily perks up at that, walking over to perch herself on your desk, the beginnings of a grin already forming on her face. "You finally went out with Burton?"

You look up at her, slightly shaking your head in disapproval at her glee. She'd warned you against him. Something about bad vibes, but since it hadn't been anything concrete, you'd impulsively gone against it. You should've known better. Emily's gut, when it came to men, was impeccably accurate.

Pursing your lips, you make sure your face no longer bears the telltale marks of having fallen asleep, drunk on your couch, before you look up at her and Derek once more. "He tried to Lewinsky me," you tell them ruefully, a scowl making its way onto your face as Emily unsuccessfully stifles a snort.

Derek's eyebrows rise in question. "It's fine, I'm okay," you assure him, before looking back at Emily. "You were right. He's an arrogant creep."

"I'm sorry," she tells you, scooching up further onto your desk and swiping up your coffee before you could stop her. "Everyday I continue to be attracted to men feels like a waste."

"Tell me about it," you mutter, careful to not allow your eyes to slip up to the landing where his office was.

"Oh come on, we're not all bad."

Both you and Emily turn to Derek with looks that say exactly what you think about that particular statement.

"Geez, tough crowd." He raises his hands in surrender, turning away from you both and back to his screen, no doubt to message Pen and fill her in on everything.

"I'd make a good lesbian."

You look up at Emily, who has a contemplative look on her face as she continues to take sips of your coffee. Your coffee. Your hot, perfectly sweetened and foamy latte.

"You would," you agree with her, reaching out for the cup, which she thankfully hands to you, before her eyes flit up to the landing. You turn and follow her gaze, eyes coming to rest on Hotch.

He's wearing the navy blue suit with the nice red patterned Gucci tie that you'd helped Jack pick out for him on Father's day. He has a folder on his hand and his brow is already furrowed, straining under the weight of the world far too early in the morning. His eyes move from the papers in his hand to all of you looking up at him, muscles tensed and breath held tight.

"Briefing. Now."

It takes only two words from him to get you all scrambling from your desks and rushing upstairs, his tone telling you everything you needed to know.

It was going to be a bad one.

*------------*

Five girls missing, three bodies found. Based on the pattern, it's already a foregone conclusion that the fourth girl was also dead. Not that you'd tell her parents that. Not until there was a body. All of your efforts were concentrated on girl number five.

You've felt the eyes of the entire team on you ever since the third body was found and Caroline Geller, lucky contestant number five, had been taken from the parking lot of a grocery store after work. All five girls were around the same age, pretty, low-risk, and had no connection to the unsub that you'd been able to work out.

You look up from the notes you'd taken while talking to Caroline's friends from work to see Hotch looking at you. When your eyes meet his, he's quick to look away, turning back towards the screen in front of him. You know why they're all concerned. While all of the girls are roughly the same age as you, Caroline Geller looked like you. Same hair color, similar features, comparable build – at first glance one might mistake her for you.

She taught ballet at the local dance school, volunteered at the soup kitchen every week, and had recently gotten engaged to her fiancé, a beautiful and heartbroken man who had planted himself on a bench outside the precinct and refused to leave his post.

You'd been at their home, combed through their life, seen the wedding invitation pinned to the refrigerator, held her pointe shoes in your hands as you looked around at everything left behind.

Your eyes stay fixed on Hotch's back as he continues to assess the screen of suspects and look at the evidence board, as though willing something to fall into place. He seems more affected by this case, this girl's disappearance, more than any other in recent memory. There's this childish, naïve part of you that's hoping against hope that it has something to do with you. Because she reminds him of you. More likely, it's the fact that he's had to walk past her fiancé, every time he's left the precinct. Hotch had been the one to speak with him, and the poor man had broken down into tears right  in front of his eyes. It was enough to affect even the coldest of hearts and Hotch hardly fit the bill of a cold-hearted man, despite any misconceptions made based on his reticent exterior. Aaron Hotchner was one of the kindest and most sincere people you've ever met – devout father, responsible team leader. His very aura commanded the sort of respect reserved for those men, the kind of men everyone looked up to and knew they'd never be.

Somehow, he's permeated your entire life without you realizing it. Ever since the two of you had made up, it felt like things were back to normal, even more than before he'd left. You had dinner with them as often as possible. Both him and Jack slept over at least once a week when there wasn't a case going on. The sight of Hotch in pajamas, disappearing into your guest bedroom was becoming a familiar one. It's beyond normal coworkers, beyond a normal friendship – you can finally admit that to yourself.

How it had happened though - how the two of you had allowed it to happen - still remained a mystery. It had been innocuous enough in the beginning. Accompanying Jack and Hotch to the Zoo or the Smithsonian. Relieving Jess when Hotch couldn't get away and she had to go home to her own family. Keeping him company late nights at the office because you hated seeing him be the last one there.

You can feel a lump rise in your throat as your eyes stay on his frame, watching as he points out an additional factor for Reid to consider in his geographic profile. You didn't deserve him. You didn't deserve someone like him, even if he were to give you the time of day.

You've already thought through how it would go if you were to tell him. Blocked out what you'd say and how'd respond. The initial shock of your revelation would catch him off-guard. He'd falter ever so slightly. It would be quickly followed by a professional and kindhearted rejection. You were his subordinate. You were too young. He's sorry if he did or said anything that might have led you on. Of course, he understands if you need some time and space to gather yourself and make your peace with the matter. Of course you'd still see Jack, he'd never deny you his son again. And he wouldn't. He'd stay true to his word.

But you'd never be the same again. You'd never be able to look at him again and feel anything but the sting of that rejection. The confirmation – you weren't good enough. It didn't matter that you'd changed everything. It didn't matter that you'd tried and tried to atone. You weren't good enough. You never would be. Not for that. Not for him. Slowly, you'd start to withdraw. You wouldn't be able to help yourself. It would hurt too much, just being near him. Without meaning to, you'd lose him.

*------------*

Samuel Nolen, age 45, a landscaper who'd worked jobs around each of the women's workplaces in the weeks leading up to their disappearance. He'd been the only common link Garcia had been able to pinpoint and he fit the profile exactly. Older white male, non-threatening demeanor, rotating job that gave him the freedom to watch his victims uninterrupted. Grew up with a single father, mother left the family when he was nine years old and was never heard from again. Garcia had found out that she'd moved out to Vegas and had a relatively successful career as a cabaret dancer.

He was sat in the interrogation room with both Rossi and Reid talking to him while the rest of you watched from the other side. There was something almost gentle about how he held himself, how he shied away from Rossi and leaned more towards Reid, whom he perceived as non-threatening. The guess was that he'd lured in his victims under the guise of needing help, and based on the man in front of you, you could see how some women might fall for it. He seemed nice. If there's one thing this job has taught you, it's that men don't ask for help from women. If a man is asking you for help, run.

Neither Rossi nor Reid were having much success with him. You could all see the twitch in his fingers as they curled around something imaginary. All of the victims had died via strangulation. The hope was that you'd captured him before he'd managed to get back to Caroline and subject her to the same fate.

Derek and JJ had been the ones to pick him up, and as Derek had marched him past you, through the precinct, Samuel's eyes had caught yours and they'd lingered, sending a chill racing down your spine. He might be able to fake it long enough to lure those women to their deaths, but there was no hiding that look in his eyes. The look of a predator.

"I want to talk to the female agent. I'll only talk to her."

It was the first thing he'd said since the interrogation had started half an hour ago. You feel yourself tense, the eyes of the rest of the team on you immediately. None of you needed to ask which agent. From the corner of your eye you look at Hotch beside you. He isn't looking at you, still glaring at the unsub through the mirror, but you can see that his jaw is set tightly.

When Rossi and Reid exit, Rossi immediately looks to you before his eyes go over you and to Hotch. You don't have to turn to see that they're engaged in a wordless debate about the right next move.

You can't help but think of that lovely empty house. The despondent man still seated outside. Those satin shoes that had just been broken in. They deserved to be worn.

"Hotch," you turn to face him, making up your mind as you do. You're going in. You're going to get answers.

He's already looking at you and you can tell that he doesn't like it at all. His forehead is already wrinkled and you can literally see the dissent on his mouth. He's incredibly protective of the team and everyone knows that you're being asked for because you look most like the victim. His ritual has been interrupted and he's going to be eager to resume it. With you as proxy.

"I have to go in," you tell him, before he can say anything to dissuade you from the notion. There was no point in waiting. Every second you waited, your chances of finding Caroline worsened.

His eyes bore into you, silently speaking his every concern into existence. You didn't have to do this, there was always another way. You look so much like her. You look too much like her. If you go in there, he won't see you. He'll see her.

It is a tense minute as you and Hotch look at one another. He's giving you the chance to back out despite knowing that's the last thing you'd do. Finally, a nod comes from him.

"We still have the personal effects that were found in her car?" You're already walking out to the main office as you direct your question to Emily, who is quick to follow you. She guides you to a box of items, among which there's some pieces of clothing. Grabbing the box, you go back to the office overlooking the interrogation room. If he was going to think you were Caroline, then you'd play into it.

Quickly, you shuffle through the clothing in front of you, selecting a well-worn seeming crewneck with her alma mater on it. Slipping your blazer off, you pull the sweater over your head, adjusting so it hung off of you in a manner reminiscent of how Caroline wore it in the photos you'd seen. You shuck off your heels as well, finding a pair of low flats in the box, which you don instead.

Behind you, you can feel the eyes of the team on you as you slowly transform yourself. For the final touch, you take your hair out of your usually prim updo and let it down. Your hair was a little bit longer than Caroline's, but, as you part it down the left side just as she did, you figure it was close enough.

Turning finally to face the unsub, you take your first breath as Caroline Geller.

*------------*

Aaron watches, fists bunched tightly together, thumb itching to move, to do something that would accomplish something larger simply watching and waiting.

They all knew what you were doing - playing up the similarities between yourself and the victim to draw out whatever it was about these women that played to the unsub's compulsions. Prey on his weaknesses just as he'd preyed on them. It was a good tactic – one he could feel forming in your head as you'd searched through the evidence box in search of props for your scene.

You're good in the field, there's no doubt about it. But here, in the interrogation room, that's where you really shine. It was one of the hardest taught skills and it was the one that you had outperformed in beyond imagination from the very start. Your methods unpredictable and out of the box, but highly effective. Out of them all, you were always the best at getting inside the heads of the unsubs and finding that one little thing that made them break.

He's seen it before countless times now, been witness to each spoken word, well placed emphasis, timely pause. The interrogation room was a stage and you were always the star.

It had been the topic of some conversation between himself and Rossi – how you'd managed to convince some of the toughest unsubs to crack under the pressure of your presence. Aaron, personally, chalked it up to your childhood and upbringing. When your entire life was a performance, you know how to play your role.

Now, as he watches you, he sees how you've managed to mimic the mannerisms of Caroline Geller from the home videos you'd seen of her – the slight tilt of the head, the fiddling with the ends of your hair. Your voice has shifted as well, a slightly higher and happier pitch, more like what one might expect of a dance teacher with students in primary school. You've done your homework on this one, that one is easily clear. However, it's the slight pause you have as the Unsub addresses you as Caroline, the nearly imperceptible tension in your shoulders as the Unsub mocks Caroline's desolate fiancé whom Aaron hadn't the heart to look at. This one had gotten to you, and you wouldn't be able to deny it. Not to him.

At long last, you get what you're searching for. The docks by the east river.

The answer came at a price – twenty five long minutes with just you and the Unsub as he poked and prodded at your psyche just as you did to him.

The confirmation from Garcia, of a heat signature at the given location, comes within the minute and Aaron is quick to rap his knuckles against the glass, signaling your curtain call.

*------------*

You can't save them all. That's the one lesson every new agent learns at their own pace.

You can't save them all.

She'd suffocated before you could get to her. You'd been too late.

JJ hadn't let you see Caroline's body, dragging you back and away from the dock containers when Derek had emerged with a somber face, slowly shaking his head.

Your gun feels heavy in your hand, and it is only out of sheer rote habit that you manage to disarm and reholster the weapon. JJ stands with you as the flurry of people begin to process the scene, lit only by the red and blue flashing lights of the police cars.

You'd failed. You'd been too slow to extract the location, too slow to get there. You'd been too damn slow.

You've lost victims before. Everyone has. But you lived in this girl. You'd worn her clothes, her shoes, taken her name. You'd walked like her, changed your voice to mimic hers. It was as though, by pretending to be her, you'd taken in a part of her that now yearned to reunite with the rest of its whole, but it wasn't able to. So now a piece of Caroline Geller rattled inside of you, sobbing and crying out for the rest of itself.

Hotch and Emily finally emerge and you follow JJ to join them as Hotch assigns everyone their roles. One of the policemen interjects and informs him that Caroline's fiancé had insisted on coming along and was now waiting with a deputy by the barricades. You see Hotch nod, his eyes briefly moving towards the direction of the barricade, before refocusing on the team and instructing Reid to assist with the evidence logging.

As everyone starts to disperse, you can feel a lead ball drop into the pit of your stomach, knowing that Hotch now had the task of informing the fiancé that Caroline Geller was dead.

"Hotch," you begin, his name coming out full and heavy, sitting in your mouth like warm air.

He halts at your voice, turning back towards you. He'd already given you your assignment, so he has to be wondering what you could possibly have to say to him.

You look up at him. It's just you, him, and Emily left now, as she waits for you to help her with processing paperwork on the unsub that Hotch had tasked you both with. "I – ," you falter as you meet his eyes, and you can barely see a hint of him behind them. He'd already donned his mask to go face the fiancé.

"I'm sorry," you manage quickly, jaw tight and heart clenching at the awfulness of the job that he now has to do. The job he always has to do.

The only acknowledgement you receive that he had even heard what you said over the din of the police and ambulance sirens, was the barest of wrinkling to his forehead. The ever so slight slippage of the mask during which you thought you might get to catch a glimpse of him, but he catches it far too quickly and keeps it in place. As if it never happened. Not even nodding, he turns away and walks towards the barricade.

It's a miserable few hours for Emily afterwards, you're sure, as you monotonously follow her back to the police station and begin the task of coordinating with the local office to handle the case and subsequent prosecution.

Emily likes to talk while the two of you work together. Rarely ever do the two of you work without talking, however she seems to pick up on your mood fairly well and the two of you quietly go through all of the required processes.

"You know what your problem is?"

You look up at Emily, who had finally broken the silence, her sharp voice cutting through the small storage room that the two of you inhabited, gathering all of the files that would need to be sent off to the local office.

You swallow, bracing yourself for the worst. At your slight nod, she proceeds, her voice a calm fury like you'd never seen before. "Even after everything you've done, after everything you had to go through, you seem to harbor this delusion that you're not supposed to be here."

"What're you talking about?"

"I'm talking about you. Apologizing to Hotch. You think you don't belong here. That you aren't good enough. You think that girl dying today was your fault."

You scoff, shaking your head. "It was my fault," you retort, grabbing the box you'd just finished packing and making your way to the door before you're blocked by Emily, preventing your escape.

"No, it wasn't. The only person responsible for that girl's death is the guy who's going to rot in prison for the rest of his miserable, fucked up life."

You sigh, shuffling your weight from one foot to the other. "If I'd gotten – "

"You can't save everyone," she interrupts, barreling onwards. "We're going to try. We're going to try our best every single time. But we can't save everyone. None of us can. Not you, not me, not even Hotch. But that doesn't make it your fault."

Emily stares down at you, reaching out and grabbing the heavy box out of your hands and setting it down on the floor by your feet. You look away, up at the ceiling, tears pricking at your eyes, causing them to burn. Your chest feels tight and you take a shuddered breath. The lure of wanting to believe her was so very strong, struck against the waves of dissonance it posed in your head.

Emily softens her voice, reaching out towards you and wrapping an arm around your shoulders as she easily pulls you into her chest. "Hotch isn't blaming you. He doesn't think you have anything to be sorry for."

*------------*

The plane ride back was a somber affair, everyone on the team off on their own. Spencer was reading a new book whose title had caught your interest, Rossi was tucked away in a corner with his eyes closed but you're not sure if he's actually asleep. Both Emily and JJ were sitting close together, quietly sharing a bag of Cheetos while JJ worked on her presentation to Henry's class for Career Day and Emily bided the time alternating between reading the trashy romance she'd found left behind in her hotel room and staring out the window. Derek sat across from you with his headphones on, leaned back in his chair with his eyes closed. Across the way, you can see Hotch diligently working on his report for the case, the only sound emanating from his faint taps against the keyboard.

Emily's words still play in your head, now competing with that churning voice that you'd had in your head for the past few weeks – you would never be good enough for the likes of Aaron Hotchner. Her words were starting to put some minute cracks in the foundation of that particular statement, and you had no idea what to make of that.

You hear the tapping of the keyboard stop momentarily and watch as Hotch turns up to look at you, your eyes meeting for a long second, before he breaks his gaze, returning back to the screen in front of him. From your seat, you can barely make out a slight crinkling of his forehead as his hands hover above the keyboard, as though faltering in typing out his next words. You have to guess that he's arrived at the part of his statement around the interrogation. You turn away, following Emily's lead and staring out your own window, while unbeknownst to you, his eyes can't help but return to you countless times more.

It felt as though you'd thought of very little besides Hotch, since that day that your mother had visited. She'd left in the wake of one of the few times you'd seen him lose his cool with someone, and having it be done on your behalf, in your defense, had somehow unveiled this entirely ridiculous truth that you'd tried in vain to deny.

You were in love with Aaron Hotchner.

You had no idea what to do with that.

Dating other people hadn't worked out so well.

Trying to simply get over it had been an exercise in vain.

You've run miles in your own head, trying to make sense of it. The question begged itself – why Aaron Hotchner? If you merely wanted a husband and kids, you've no doubt you could have that with anyone you got along with well enough.

Your mind had briefly flitted back to that final date you'd had with Cedric Kensington. It had been highly promising, you'd finally felt it heading in a definite direction and you could see it. You could see yourself being with Cedric, marrying him, having children with him if you were so inclined. Had you not gotten the call from Garcia, informing you that Foyet was back on the grid, who knows what could have happened. Maybe you could've had that with Cedric. Having that perfect life with someone else was not entirely out of the realm of possibility.

You'd thought of John. How it had never been the right time when it came to the two of you. Then finally, when you could conceive being something real with him, you'd faltered. You couldn't go through with it. It hadn't been the right time to choose him. It hadn’t been the right time to choose anyone but yourself.

It had taken you some time but you think you've finally come to the right conclusion of why it was Hotch and no one else – the possibility of losing him was terrifying. Even when the two of you had been on the outs, you hadn't been able to leave, staying anchored to him despite being furious with him. Seeing him had been torture. Not seeing him had been so much worse, and you couldn't bring yourself to endure that again.

Given the absolute fact of the matter – you being in love with Hotch - there were really only two paths forward that you could see. Ignore it and hope it goes away, or tell him and pray you didn't lose him in the process.

The Pro/Con list to that second option had begun, unbidden, the week prior. Your mind going rogue and dreaming up ridiculous and absurd scenarios of you confessing your truth to him.

Pro: You're absolutely, unshakably, madly in love with him.

Con: There's a fairly good chance that he does not and will never reciprocate those feelings.

Pro: Aaron Hotchner was loyal to you. You had always felt he was, but your conversation a few weeks back had cemented that. He would do anything to help you, no matter what.

Con: He's twelve years older than you and has a kid.

Pro: You love his kid.

Con: Between the two of you, your past trauma could be its own wing in the Library of Congress.

Pro: You're both good at getting the other person to talk.

Con: You work together and workplace romances are frowned upon. He was your supervisor, and dating him would no doubt lead to rumors and malicious gossip, which would follow you the rest of your career at the Bureau. It could tarnish you entirely and it could also hurt him.

Con: You would not be alright if the two of you didn't work out. You know that you weren't even together, but the idea of ending things with Hotch, after knowing what it was to have him – that would break you entirely.

Con: He was going to say no, so it was all a moot point.

Towards the end, you'd run out of items for the Pros to balance out each Con, and as of now, the Cons were definitely in the lead.

*------------*

The two of you are once again the last two people in the office. Emily had been the last to leave, leaving her book from the plane on your desk, having already put sticky note bookmarks in all the right spots. She'd winked as she left, encouraging you to skip the rest of the book and skip straight to the good stuff. You had to smile at her attempts to cheer you up. Some friends bought you a drink. Emily Prentiss curated sex scenes that she thought you'd enjoy reading.

You glance up and see that Hotch's door is shut, the orange blush emanating through the glass windows, alluding to the fact that he'd given up on using the overhead lights. They were too bright for him and gave him headaches, so despite the strain on his eyes, he preferred to read by the glow of his desk lamp. With Jack away at sleepaway camp for Cub Scouts for the week, he's unlikely to leave early.

You grab your finished report and head up the stairs to his door, stopping and knocking before hearing his permission to enter. As you open the door, your eyes go immediately to his desk, however he's not seated behind it. Instead, you're greeted by a most unfamiliar sight.

Aaron Hotchner is seated on the brown leather couch in his office, a glass of amber liquid in his hands. You don't think you've ever seen Hotch not working in his office. Sure, he'll take a break here and there when you interrupt, but the image of him outright sitting on the couch, not a report in sight, was entirely foreign to you.

It feels as though you're intruding. Like you’ve stumbled upon something entirely private, because Hotch doesn’t strike you as the kind of guy that makes a habit out of drinking in his office by himself.

You could imagine this was something he did with Rossi on occasion, the two of them sharing a drink after a rough case or catching up and reminiscing about the so-called good old days, before the team had a plane on call.

"You can set that on the desk," he tells you, his voice deeper, made warm by the liquor. He doesn't look up from his glass, eyes fixed on something in the far off distance.

Unsure how to react to the sight in front of you, you quickly make your way across his office, setting your file on top of the already tall stack at the edge of his desk.

Turning around, you quickly walk back towards the door, eager to not bother him any longer than absolutely necessary. When you get to the door, you hesitate, turning back to face him. Before you can stop yourself, you can feel the words tumbling out of you. "Hotch, are you alright?"

He looks up in your direction, his expression entirely unreadable. He nods slowly, and you can see a deep sigh work its way through him, before he finally meets your eyes.

"It was a rough case. Telling the families isn't something I'll ever get used to, I think."

You nod sympathetically. It wasn't fair that it always fell on him.

"I'll be fine, though. Just need to be alone after some of them."

You nod again, not trusting yourself to say much. As you turn to leave, taking his words as your cue, he speaks again.

"You can stay."

You turn back, your head tilting in some confusion as you meet his eyes once more. He looks at you for a second longer, before reaching over to the side table and grabbing a second glass. He pours from the bottle of good scotch that Rossi had given him last Christmas while you watch him.

Proffering the glass in your direction, he beckons you forward. "You're easy to be alone with."

Somehow, in a slight daze, you manage to walk back towards the couch, reaching out and grasping the heavy crystal glass in your hand. He motions for you to join him and you sink into your usual spot, tucking your legs underneath yourself.

His eyes stay on you as you settle in and take a sip of the scotch, feeling it burn your lips, the tip of your tongue, before blooming into a subtle smoky sweetness in your mouth, settling into your stomach like dying embers.

"Are you alright?" he asks, watching you carefully.

You try not to squirm under his inspecting gaze, unable to offer much beyond a shrug. "I will be."

It's quiet for a moment as he continues to look at you and you distract yourself with a stray thread in the cushion stitching.

You hear him clear his throat, shifting slightly on the couch so that his leg bends at the knee as he turns his body to face you, arm stretched out on the back of the couch, fingers grazing the top of your shoulder. "You did everything you could."

You feel that heavy tug in your stomach, unable to look at him, knowing that your face would betray you entirely.

He says your name, soft on his lips, gentle with every part of you. He waits until you look up at him, meeting his brown eyes that held the warmth of an everlasting hearth.

"You did."

You nod slowly, because who were you to disagree with him. Because if Aaron Hotchner said you did everything you could, then maybe it was true.

Not much more is said that night, as the two of you sit side by side.