Alisa U Zemlji Chuda
Acquired Stardust

JBB: An Artblog!

shark vs the universe
h
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com

#extradirty
2025 on Tumblr: Trends That Defined the Year

pixel skylines
will byers stan first human second
PUT YOUR BEARD IN MY MOUTH
Keni
art blog(derogatory)

Product Placement
KIROKAZE
DEAR READER
seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from United States
seen from Germany
seen from Romania
seen from United States
seen from United States
seen from United States
seen from Germany

seen from United States

seen from China

seen from Greece

seen from United States
seen from United States

seen from United States

seen from United Kingdom
seen from Romania

seen from Spain
@ikocine

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
We take an in-depth and comprehensive look at Adobe Premiere Pro's Lumetri Color Panel and the suite of Premiere's color grading tools.
Color grading is an extremely important part of filmmaking and photography process. Smart color grade can make the difference between visually interesting shot and a dull one. It can help convey the…

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
An in-depth look at how to prepare for and edit high-resolution RED footage for every kind of project, for Adobe Premiere, Final Cut Pro X and DaVinci Resolve.
Throughout this tutorial, we will learn all about the plethora of color correcting and grading tools found within Adobe's video editing appl
Interview by Göksu Kunak – in Berlin; Tuesday, Nov. 19, 2013. In the lecture performance I Dreamed a Dream: Politics in the Age of Mass A
This year's most inspiring project is Ways Of Something (2014) -- BBC's seminal Ways of Seeing (1972) documentary series remixed/remade/updated/re-contextu
• Questioning assumptions made about the tradition of European painting • The way we now see paintings, in the 2nd half of the 20th c. • Through discovering why we see paintings this way, we will discover ourselves and the way in which we live • A large part of seeing is dependent upon habit and perspective • All the paintings of tradition used the convention of perspective, unique to European art • Perspective centers everything on the eye of the beholder; it is the idea of light (appearances) traveling in (aka reality) • Human eye can only be in one place at a time; takes the visible world with it as it walks • The invention of the camera changed this; appearances no longer traveled to just a singular center • Dziga Vertov manifesto (1923) • Camera changed not only what we see, but how we see it • A painting can now be seen in many different details in millions of places at once • Paintings no longer belong to their own place • Originally paintings were an integral part of the bldg for which they were designed • Paintings in a chapel, for ex., constitute the idea that painting once made up the memory of place; the individuality and life of the bldg • icon is the extreme example of this ^ • you no longer come to images, images come to you • the image of the painting is what travels now; its meaning no longer lies in its surface, its meaning has become transmittable • Faces of paintings become messages to persuade us, to convince us that we need to purchase more originals which these very reproductions have replaced • Reproductions distort • stripping art of the false mystery and religiosity that surrounds it • religiosity linked to cash value, but invoked in the name of culture and civilization, but is in fact, a substitute for what paintings lost due to the reproduceability engendered by the camera • due to cameras rendering of painting as transmutable, has multiplied its possible meanings and destroyed its original What works of art have lost and gained bc of this: • most important thing about paintings is that their images are still, silent • however, lines on a screen are never still, nor are the pages of a book, but silence can still be demonstrated • uninterrupted silence and stillness can be very striking • this exp has nothing to do with what is taught about art, rather, it's as if the painting becomes a corridor, connecting the moment it represents with the moment you are looking at it • "something travels down that corridor faster than the speed of light, throwing into question our way of measuring time itself" • bc paintings are still and silent, and no meaning is inherently attached to them due to their transmutability, they lend themselves to easy manipulation • most obv way of manipulating them is by using movement and sound • camera moves in to remove detail of a painting from the whole; its meaning changes • if you look at the whole of a painting from a screen, you dont see much. you are waiting impatiently for the camera to go in and examine details, but once this happens, the comprehensive effect of the painting changes • you can recreate the narrative of a painting by framing and excluding its details • in film, the details have to be selected and rearranged into narrative based on unfolding time • but in a painting, all these elements are simultaneously there; there is no unfolding in time • the introduction of sound, movement, and type, by way of the invention of camera, and therefore film, subconsciously influences our interpretation of a painting • paintings are also now in constant tension with all other images they are surrounded by, what comes after an image, what comes before it etc; each time the impact of a painting is modified • reproduction of painting = makes its meaning ambiguous (not necessarily negative) • reproductions can be used by anyone for their own purposes, used as words; makes it easier to connect our exp of art directly with other experience • Everything now belongs to the same visual language, used to describe or recreate an experience • the inhibition of this process is the forced mystification surrounding art • children, when viewing art, directly relate it to their own experience (e.g. caravaggio painting, children immediately noticing the ambiguous gender of the figure; caravaggio was gay) • children view pictures as words, rather than holy relics, as we have been conditioned to see art in by way of European/Christian indoctrination • John Berger remarks he is using the reproduction of images for his own purposes, and that, within the year 1972, it is not possible for there to be a dialogue, you cannot respond to him with images; TV is limiting in its scope of possible dialogue, and therefore transmutability, however, the internet, allows for this dialogue to unfold
Information Age
The period beginning around 1970 characterized by a shift away from traditional industry and noted for the abundant publication, consumption, and manipulation of information, especially by computers and computer networks. Also known as the Computer Age, Digital Age, or New Media Age.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Image
A representation of a person or thing in a work of art.
MoMA | How Not to Be Seen: A Fucking Didactic Educational .MOV File
Hito Steyerl, How Not to be Seen: A Fucking Didactic Educational .MOV File, (2013).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming