PRIDE & PREJUDICE (2005) dir. Joe Wright
styofa doing anything
hello vonnie
ojovivo
dirt enthusiast

★

shark vs the universe
Three Goblin Art

if i look back, i am lost

pixel skylines

⁂
RMH
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
Peter Solarz
d e v o n


#extradirty

JVL
we're not kids anymore.

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@ihaveabookhangover
PRIDE & PREJUDICE (2005) dir. Joe Wright

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girly stuff
fighting demons and serving looks because of you🙏🏻
BUFFY THE VAMPIRE SLAYER REWATCH -> Lover's Walk (3.08)
The Amazing Vibes I bring to the Function lol (follow if you bring these ones too!)

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god i love doomed romances because it’s like. “what is grief if not love persevering” but the grief and love are happening at the same time. how do you grieve something that’s still alive? how do you love something that has always been dead? and the answer is just. intensely.
i take it back i fucking hate doomed romance i want people to love and be in love with each other forever and ever and nothing bad to happen to them😭😭😭
Did Lady Macbeth successfully utilize "girl power" when she convinced her husband to murder the king thus damning them both to a slow descent into insanity and eventual death?
via @maddie-grove
#yeah it’s called girl power#not girl it’s a good idea
I would rather share one lifetime with you, than face all the ages of this world alone. THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING 2001 | Dir. Peter Jackson
J r r Tolkien reading the Bible being like “I gotta write one of these”
If you read, your kids will read ^^
Illustration by Claire Keay.

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“She had opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then, finally, she managed to sputter, “I am not a prostitute”
The Aglionby boy appeared puzzled for a long moment, and then realisation dawned. “Oh, that is not how I meant it. That is not what I said.” “
When I was 24 I sat in a backstage dressing room in London, buzzing with anticipation. My backup singers and bandmates gathered around me in a scattered circle.Scissors emerged and I watched in the mirror as my locks of long curly hair fell in piles on the floor. There I was in my plaid button down shirt, grinning sheepishly as my tour mates and friends cheered on my haircut. This simple thing that everyone does. But I had a secret. For me. It was more than a change of hairstyle. When I was 24. I decided to completely reinvent myself.
How does a person reinvent herself, you ask? In any way I could think of. Musically, geographically, aesthetically, behaviorally, motivationally. And I did so joyfully. The curiosity I had felt the first murmurs of while making red had amplified into a pulsing heartbeat of restlessness in my bars. The risks I took when I toyed with pop sounds and sensibilities on red? I wanted to push it further. The sense of freedom I felt when traveling to big bustling cities? I wanted to live in one. The voices that had begun to shame me in new ways for dating like a normal young woman? I wanted to silence them.
You see, in the years preceding this, I had become the target of slut shaming, the intensity and relentlessness of which would be criticized and called out if it happened today. The jokes about my amount of boyfriends. The trivialization of my songwriting as if it were a predatory act of a boy crazy psychopath. The media co-signing of this narrative. I had to make it stop because it was starting to really hurt.
It became clear to me that for me there was no such thing as casual dating, or even having a male friend who you platonically hang out with. If I was seen with him, it was assumed I was sleeping with him. And so I swore off hanging out with guys, dating, flirting, or anything that could be weaponized against me by a culture that claimed to believe in liberating women but consistently treated me with the harsh moral codes of the Victorian era.
Being a consummate optimist, I assumed I could fix this if I simply changed my behavior. I swore off dating and decided to focus only on myself, my music, my growth. And my female friendships. If I only hung out with my female friends, people couldn't sensationalize or sexualize that, right? I would learn later on that people could and people would.
But none of that mattered then because I had a plan and I had a demeanor as trusting as a basket of golden retriever puppies. I had the keys to my own apartment in New York and I had new melodies bursting from my imagination. I had Max Martin and Shellback who were happy to help me explore this new sonic landscape I was enamored with. I had a new friend named Jack Antonoff who had made some cool tracks in his apartment. I had the idea that the album would be called 1989. And we would reference big 80's synths and write sky high choruses. I had sublime, inexplicable faith and I ran right toward it, in high heels and a crop top.
There was so much that I didn't know then, and looking back I see what a good thing that was. This time of my life was marked by right kind of naïveté, a hunger for adventure. And a sense of freedom I hadn't tasted before. It turns out that the cocktail of naïveté, hunger for adventure and freedom can lead to some nasty hangovers, metaphorically speaking. Of course everyone had something to say. But they always will. I learned lessons, paid prices, and tried to… don't say it don't say it. I'm sorry, I have to say it. Shake it off.
I’ll always be so incredibly grateful for how you loved and embraced this album. You, who followed my zig zag creative choices and cheered on my risks and experiments. You, who heard the wink and humor in "blank space" and maybe even empathized with the pain behind the satire. You, who saw the seeds of allyship and advocating for equality in "Welcome to New York". You, who knew that maybe a girl who surrounds herself with female friends in adulthood is making up for a lack of them in childhood (not starting a tyrannical hot girl cult). You, who saw that I reinvent myself for a million reasons, and that one of them is to try my very best to entertain you. You, who have had the grace to allow me the freedom to change.
I was born in 1989. Reinvented for the first time in 2014, and a part of me was reclaimed in 2023 with the re-release of this album I love so dearly.
Never in my wildest dreams did I imagine the magic you would sprinkle on my life for so long. This moment is a reflection of the woods we've wandered through and all this love between us still glowing in the darkest dark.
I present to you, with gratitude and wild wonder, my version of 1989.
It’s been waiting for you.
THIS IS LIKE WHEN THE MOB BOSS GIVES YOU A HUG BEFORE ORDERING YOUR EXECUTION
i am absolutely l o s i n g it at Tommy "Desert Storm Vet and Texan in 2003 When the World Ended" Miller realizing he's now a communist, like look at this:
this man's whole worldview got Rocked
THE LAST OF US + the collective emotional trauma it causes <3

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— So don’t judge me, Lizzie. Don’t you dare judge me.
PRIDE AND PREJUDICE (2005) dir. Joe Wright
jude and cardan are daddy issues but on opposite ends of the spectrum, no i will not elaborate
Jude:
Cardan does drugs about it and cries