YURI š«µš«µš«µš«µš«µš«µ (I haven't posted in 10000 years)
will byers stan first human second

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#extradirty

almost home
Xuebing Du
art blog(derogatory)
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Three Goblin Art
trying on a metaphor

romaā
$LAYYYTER

Andulka
occasionally subtle
let's talk about Bridgerton tea, my ask is open

tannertan36
we're not kids anymore.

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Discoholic šŖ©
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@igni-xia
YURI š«µš«µš«µš«µš«µš«µ (I haven't posted in 10000 years)

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"kids are so whiny and annoying" you want them to be dependent on adults and obedient and silent and convenient but also independent and not needing anything but also without any sense of autonomy and agency but also going outside and getting off their damn phones but also staying inside so they don't get into trouble but also recognizing they have it good but also that the new generation is mindless and stupid but also just say what they want in clear and emotionally mature words but also stop asking for things AND you want them to not be pissy about it? get real
WHAT IS THE FUCKING POINT
YOU COULD BE A FUCKING BADASS DRAGON THATāS THE POINT
āI AM A CREATURE OF DARKNESSā āoh hey sabrina.ā
I guess the point is that you could shapeshift into the body you always thought youād grow into when you were a kid
taller, shorter, slimmer, more muscular, purple hair, tattoos everywhere, tattoos nowhere,Ā
every single shoe would fit you every single time you tried it on, every single article of clothing would fit your perfectly, all you have to do is transform slightly, youād never run out of āyour sizeā again
and you wouldnāt have to work for it at all, and youād never be limitted by your bone structure or something. You could just transform at will.
I donāt see how this is much of a downside
When you turn into a sixty story tentacle demon and terrorize a city you want to get the credit you deserve
Oh man that would be so sweet. I could be an annoying fuck as an insect or something but you couldnāt kill me becauseĀ everyone would know
Thatās great but have you considered
~cosplay
~Halloween costumes
~acting
~cosplay
~stretching to reach stuff and shrinking to fit through spaces
~cosplay
~cosplay
~COSPLAY
imagine being at work minding your business and then suddenly you look out the window and see like a 50ft tall flamingo and then someone just says āoh, yeah, thatās just pete, he does this sometimes, donāt worryā
āBRB, gonna be a cat-sized dragon for a few hours. Might come home a foot taller with mood tattoos.ā
āDonāt antagonize the fae.ā
āI AM the fae, Susan.ā
Also, considerā people will know itās you, but it doesnāt say theyāll know what you are. āSo is Pete a 50 foot flamingo who changes into a man, or the other way around?ā āWe.. we donāt know. Barbara asked him once, but he just grinned. She said they werenāt the teeth of a human OR flamingo and she didnāt want to talk about it.ā
Iconic post
I love this post because the replies are like "for anyone who doesn't know what nestle did, they benefited from [insert human rights violation here]" but nestle has done SO many fucked up things you get a different topic in every comment
Nestle has:
Drained water from places suffering from drought for absolute pennies.
Made African mothers dependent on their milk formula, which they gave for free, until their milk dried up. Then they required them to purchase it, mothers could not afford it, mixed in too little to fulfill nutrient needs, and mixed it with polluted water. Children died.
Used slavery to produce their cocoa.
Pushed for water to be considered a āwantā not a āneedā and is at the forefront of arguments that water is not a human right.
Poisoned Chinese infants with melamine in their milk formula.
Demanded Ethiopia pay a debt owed to Nestle, during a FAMINE.
Price-fixed food items.
Contributed to deforestation for their cocoa farming.
The worst thing is, Nestle owns TONS of other brands, making it difficult to avoid for certain products.
NestlƩ is LITERALLY the largest food company in the world and have one of the worst track records. Pls avoid their products if you can
Give me the r&j kids whose lives are so full of hate and violence and so lacking in love from most, and yet simultaneously bursting with love from few, that they have become something more and something less than human.
Romeo, who breezes through the house like a ghost, never leaving a trail of footprints in his wake, who appears to his parents with pale skin and hollow eyes and blood dripping from the corner of his mouth, begging for them to acknowledge his pain, to see what his fate was, who knocks things over and slams doors as a last resort to get the attention of someone, anyone, who sits on Benvolioās bed with him and confesses all his secrets, but all his parents can see is Benvolio talking to himself.
Juliet, who hides on high surfaces, out of reach of her father as he coaxes her to come down so he can clip her wings, who only sings when sheās with Romeo, who, if she stands on her balcony long enough, letting the wind rustle her feathers, can almost imagine what flying feels like, who lies awake for hours and pulls the covers up over her head to convince her parents sheās asleep, who wakes with the sun before the rest of the house.
Benvolio, who sits and stays when he is told, not daring to move a muscle with his eyes on the treat in his uncleās closed hand, who learns to shake his paw and gets scolded when he shakes the rainwater from his fur, who stands guard in Romeoās bedchambers despite how the thunder makes him tremble, whose confused head tilts are not met with explanation, but with coos and baby talk, who learned not to play-fight in the house, whose jaw clenches against the urge to bite.
Mercutio, who bares his teeth like a maenad when he laughs, whose lips are permanently curled into a slight smile, who always smells faintly of wine, who has tasted blood, who walks with a confident sway and talks too loudly and laughs too much, who could rip a manās head from his shoulders with his claws, who would sooner spend all night out with a bottle in hand, watching the stars blur overhead, before he slept in his house.
Tybalt, who prowls on noiseless paws, who crouches completely still, tail twitching and ears perked, waiting to pounce, whose eyes glow in the dark, who naps in the sun and purrs in his sleep, who begs for affection and hisses at an outstretched hand, but rubs against Julietās legs and mimics her chirps, who slips out the back door and slinks around the city just out of sight, who raises his hackles to make himself bigger.
Let them express their undeniable humanity through their inhumanity.

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Non cooking spray stick
Non spray stick cooking
Non cooking stick spray
yeah okay ill reblog that
I passed a flower shop next to a tattoo shop and at first I laughed because I thought it was ironic and then i freaked because IMAGINE YOUR OTP IN A FLORIST/TATTOO ARTIST AU
OMG I COULD TOTALLY IMAGINE THEM LIKE THAT IT WOULD BE SO PERFECT
@hellsite-hall-of-fame
Happy International Women's Day š£ļøš£ļøš£ļøš£ļø
I really canāt believe Iāve been on this hell site for 8 years
Impart me in your wisdom of ancient times
one time there was a tumblr user with the url āpizzaā and she would just comment on any text post about pizza saying āomg thatās meā and then we found out she had an entire tag dedicated to saying the n word
One time somebody paid $750 for the url āhiā and got deleted in less than a year for promoting weight loss scams
Thereās always been something deeply wrong with this place.
too much to document, but god damn we can try
Seeing that this was from 2019 is like how ancient Egypt had people who studied even more ancient versions of Egypt.
@hellsite-hall-of-fame what say you?
ā ā

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HAMILTON SECRET (CUT) SONGS MASTERLIST w LINKS
There is a lot of hamilton cut songs (more than people realize!!!) scattered everywhere so i thought id gather them all here. Im counting cut songs and also versions of songs that i think are different enough from the broadway version to make the list.Ā
THE ADAMS ADMINISTRATION (CUT RAP)
BEN FRANKLINāS SONG
CABINET BATTLE 3
CHEERING FOR ME NOW
CONGRATULATIONSĀ
DEAR THEODOSIA REPRISE
DISCARDED JEFFERSON BATTLE #3
FIRST BURN
IN THE NEXT LIFE (it counts to me)
IN THE TIME IT TAKES THE BULLET TO LEAVE THE GUN
LET IT GO
MULLIGANāS GOODBYEĀ
NO JOHN TRUMBULL
NONSTOP (DEMO)
ONE LAST RIDE
ONE LAST RIDE REPRISE
SCHUYLER DEFEATED EXTENDED
THIS ONEāS MINE
UNTO REVOLUTION / RIGHT HAND MAN OPENING
VALLEY FORGE
YOUR OBEDIENT SERVANT OFFBROADWAY
10 THINGS 1 THING
Au with wilbur finding out techno is a serial killer but heās begrudgingly chill with it because phil was also a serial killer when he was little and god dammit the amount of secrets he has to take to his grave will just keep going up wont it
Its like. Reveal scene. With wilbur finding techno in the middle of getting rid of a body, and techno is like āohhhhhh noā because he likes wilbur, man, he doesnāt wanna kill this guyā but also heād rather not get his cover blown, and the second he takes a step towards wilbur, wil just goes āif i disappear my dad will find you and scatter your fucking bones into his gardenā
and techno stops in just sheer bewilderment of such a oddly specific statement. Why does your dad have human bones in his garden dude. Kinda weird. Also youre being remarkably calm about the blood on your shoes. What do you mean this isnt the first time youve stepped into a puddle of blood by accident. I may be a serial killer but youre kinda worrying me now
Wilburās never made to help with the body disposal or killing or anything like that but from a very young age heās known that the skulls kept underneath Philās flower garden are not something to be mentioned to anyone.
Wilbur grows up with whispers and hints of death always at his doorstep, with the hands of a killer always gently tucking him into bed. Phil makes no effort to truly hide his habits from wilbur but he does shield him from the more gory bits until heās a bit older. Wilbur doesnt care for the killing, but he doesnāt care for it in the same manner that he doesnāt care for spicy stuff on his food. Heās indifferent to it, in a way? A part of him wants for Phil to stop but heāll never muster the courage to actually request such a thing. He just makes distance when heās older, moves away to the big city in hopes of leaving it behind. (And then he meets techno and turns out thats not gonna happen)
Tommy mirrors him with his relationship with Technoā Techno being Tommyās older brother and Tommy knowing full well of the bodies Techno drags home at night, but saying nothing of it. He wants no part in it, but wonāt snitch anything of it, and finds a sort of companionship with Wilbur in the way theyāre similar in that regard. Not murderers in action, but perhaps in their inaction. Their silence kept, for the sake of the bloody hands that raised them.
Techno and Phil to the side have made a silent agreement that if one of them gets caught then the other will finally stop killing so that they can take care of their kids. (The fact that wilbur is no longer a kid is irrelevant that is phils baby thank you very much)
Tommy one night quietly asks if Wilburās ever considered turning Phil in so that the killing will stop and Wilbur turns to look him in the eyes and lies through his teeth and says ānoā and watches as Tommy settles on the decision of taking their secrets to his grave.
Wilbur goes to bed later that night with the comfort in knowing that if he has to keep secrets until heās dead, then heās not going to be doing it alone.
todays a big day for longtime discord haters like myself š«©
for those who were wondering š«©š«©š«©
hi okay we've seen some posts about this floating around and i wanna clear up what this means before any misinfo spreads too far.
if you are in a country like the UK or australia with recent age verification laws, this changes nothing. if you are NOT in any of those countries, this will work the same way their age verification does.
on discord, this DOES NOT outright block access to the app. it will prevent you from accessing channels marked as age-restricted, and it will prevent you from viewing images that the automatic image detection software deems as "adult content". which is annoying, but that software doesn't pick up on too much. also, it doesn't stop you from sharing images with third party hosting services lol
again, you DO NOT NEED TO VERIFY TO CONTINUE USING DISCORD. DMs will work fine. most servers will work fine.
do not verify. you do not need to. don't let this become normalized. just continue using the app. find ways of noncompliance. show them how worthless this is.
ā ā
Yeah
no hope for that guy
I love how you tried to do historically-accurate Odysseus (and in my humble opinion succeeded in such)
And then Hamilton is literally just Lion Manuel Miranda
There is no money in the world that would make me draw historically accurate Alexander Hamilton
How about ten dollars
make it twenty and i'll draw him pregnant
I was trying to say that his portrait is on a ten dollar bill ahaha
i forgor USA is real and has its own currency
im not letting this get lost in the reblogs, you all are going down with me

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So I was listening to Washington On Your Side again and I realized something I donāt see people talk about enough: even in the musical, nobody except Burr āwaits for it.ā Like literally. Everyone else acts. Even when their actions are wrong, they act.
People always interpret Burrās whole ātalk less, smile moreā philosophy as some kind of moral restraint, like heās being careful not to do harm. But the musical itself doesnāt reward that reading. No one else treats waiting as a virtueācertainly not Washington, and definitely not Jefferson or Madison.
Although people frame this song as three evil besties joining an Anti-Hamilton club, when Burr enters this song, heās not joining a righteous rebellion. Heās joining a complaint session about Hamiltonās power, but Jefferson and Madison donāt even really include him. Because heās not a Democratic-Republican; heās a man looking for a team that will let him hate in peace.
Burrās grievances are personal, not political. Listen to how he talks in that song (ālook in his eyes!ā, āsomebody has to stand up to his mouth!ā). These arenāt policy critiques. Theyāre insults. Theyāre the kind of petty interpersonal slights that matter to Burr, because Hamiltonās existence is a mirror to everything Burr refuses to be. And then, linguistically (!!!), Jefferson and Madison go āSouthern motherf***inā Democratic-Republicans!ā while Burr just goes āāDemocratic-Republicans!ā He literally doesnāt say Southern, because thatās not his identity. Heās tagging along. Heās not fighting for the South or for statesā rights; heās fighting against Hamilton because heās jealous.
Jefferson and Madison are talking about national credit, federal overreach, the Southās economyāand Burrās just like, āwell heās smug and I hate him.ā
Burrās tragedy is that he doesnāt belong anywhere. The song starts with:
āIt must be nice, it must be nice to have Washington on your side...ā
and it ends with:
āwe wonāt be invisible, we wonāt be denied.ā
But Burr is invisible. Heās denied everywhere. Jefferson and Madison have a shared cause. Hamilton has Washington. Burr? Heās got...nothing. And thatās what drives him to latch onto other peopleās causes. He doesnāt actually believe in their politicsāhe believes in not being left out. So when he sings along with them, itās hollow. He doesnāt mean āwe wonāt be deniedā politically; he means he wonāt be denied recognition anymore.
Nobody sides with Burr because Burr never really picks a side.
The genius of Hamiltonās writing is that even in this sceneāwhere Burr, Jefferson, and Madison are technically unitedātheyāre not on the same page. Burr is motivated by envy, the others by ideology. Jefferson and Madison are fighting a system, Burrās fighting a person. And when you fight a person instead of an idea, youāre already losing.
Whatās even funnier (tragically funny, you know) is how the song pretends to unite them by the repeated line of:
āIt must be nice, it must be nice To have Washington on your side.ā
Theyāre all chanting the same refrain but meaning totally different things. Madison means: āheās got too much influence.ā Jefferson means: āour system is unbalanced.ā Burr means: āI wish someone powerful liked me.ā Theyāre singing in unison but completely out of harmony.
āIf thereās a fire youāre trying to douse / you canāt put it out from inside the house.ā
Thatās such a subtle condemnation of Burrās entire philosophy. Jefferson basically says: you canāt fix corruption by playing it safe from within the system. You have to act. You have to risk. And Burrāwhoās been ātalking lessā and āsmiling moreā and waiting for his chanceācanāt do that.
Jefferson even calls himself complicit for staying in the cabinet too long. Like he recognizes the Burr-esque impulse in himselfāthe temptation to wait, to play alongāand rejects it. So what does he do? He takes an extreme, does not throw away his shot, and he resigns. He leaves Washingtonās cabinet (Hamiltonās world, basically) and runs for president. Which, hilariously, is actually a Hamiltonian move in how extreme it is. Jefferson resigns to pursue power directly, not by scheming quietly in the background. He throws himself into the political spotlight, exactly like Hamilton always does. He doesnāt wait for it; he moves. Burr could never.
In fact, Jefferson takes the Hamiltonian extremes all the time, such as...well, siding with your enemies, as proven with The Room Where It Happens and The Election Of 1800s. He needs endorsement from Hamilton. The same man he spent a whole act trying to dismantle. The same man he resigned over. In Who Lives, Who Dies, Who Tells Your Story, that ideology he either adopted from Hamilton or always shared with him, will make him Hamiltonās successor. He says:
āIāll give him this: his financial system is a work of genius. I couldnāt undo it if i tried...and, I tried.ā
Thatās not just political acknowledgment, thatās narrative surrender. Jefferson becomes the man who carries Hamiltonās ideology forward because he failed to destroy it. He inherits it. He becomes the reluctant guardian of Hamiltonās creation.
And then thereās Burr. President Jefferson: ... President Madison: ... āBurrās the one introducing them. Burrās the narrator of the narration.
The man who killed Hamilton is reduced to setting up the men who carry Hamiltonās story. Burr never got to āliveā in the story; he only ever ātellsā it. And even then, itās not his story anymore. Heās narrating his own erasure, because he gets his last real words in The World Was Wide Enough, and those words are him admitting he was wrong.
And thatās what makes Washington On Your Side song so interesting!! Jefferson and Madison are supposed to be Burrās allies here, but even they operate on an axis of action and conviction that Burr doesnāt share. Heās standing there throwing in little snide comments about Hamilton while Jefferson is literally narratively outgrowing him in real time.
Meanwhile, Burr spends the whole show pretending heās the āreasonableā one, but his neutrality is actually cowardice. By the time he acts, heās too late, and the action he does take (the duel) is the one that finally destroys him. He never learns how to take action with convictionāonly in retaliation.
idk i just find it so fascinating that in washington on your side, burr finally joins a āsideā ā and yet the song quietly exposes that heās still the odd one out. even among people who supposedly agree with him, heās still the guy watching from the sidelines, waiting for it.
Alexander has a better plan