the thing about my chemical romance is that you will be like what do i even do now. and they will be like you must fix your heart.
PUT YOUR BEARD IN MY MOUTH

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@iamtherealalice
the thing about my chemical romance is that you will be like what do i even do now. and they will be like you must fix your heart.

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Coco (2017)
Yeah you're right. It WOULD be pretty fucked up if you were a swan but you were raised by ducks and you grew up never seeing another swan or even knowing that such a thing as a swan even existed so you just thought you were a duck with something super wrong with it.
Heath Ledger in Casanova.

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🔮💖Witchy Aesthetic💖🔮
did anyone ever tell the Backstreet Boys why
My FAVORITE quote, of all time, is from the like, 2008 VH1 Top 50 Best Boy Band Songs special when AJ was commentating this song’s #1 win and he said, “I’ve never understood this song. WHAT WAY do I want it? And why DON’T I want it that way if SHE wants it that way? What’s the way? This song makes no sense. But man, they paid me to sing it.”
He was so distressed about his confusion, and I loved it. I love this song. It is truly the song of all time.
The songwriter, Max Martin, has written or contributed to the lyrics for a huge number of pop hits since the 90s. Max Martin is Swedish, and English is not his first language, a fact which feels incredibly obvious once you know it.
It’s not my intention to mock him for this–his English is miles ahead of my Swedish!–but this sincere vagueness and novel interpretations of English grammar are a noticeable quirks of his songs, especially his earlier work, so much so that trying to tease apart the individual words and phrases of the songs is a task designed for a Greek tragedy. His songs are the aural embodiment of “no thoughts just vibes.”
Citation: Slate’s 2014 article/highlight reel of some of Martin’s most baffling lyrical Decisions:
The grammar police were out in full force on Monday after Ariana Grande released the Star Wars–inspired lyric video to her new single, “Bre
They don’t bring it up in that article, but Martin is also responsible for Britney Spears’s “…One More Time,” and I’m sorry to anyone in whom something was awakened with those lyrics, but our good friend Max thought “hit me” was contemporary American slang for “call me.”
I feel like this adds a thin, waxy coating of surrealism in a genre whose worst examples can lean hard toward bland vapidity, and I love that Backstreet Boys lyrics are still making people question their sanity 25 years on. But mostly I can’t get over the thought of all of these singers–many of them already really big before they worked with Martin–puzzling their way through these lyrics enough to figure out how to sell the shit out of them.
Fun fact: the Backstreet Boys actually wrote grammatically correct alternate lyrics to “I Want It That Way.” They even recorded it!
…And then they listened to it and unanimously agreed that the original, incomprehensible version was better.
TOMORROW IS HALLOWEEN!!!
WHAT THE FUCK IT’S CHRISTMAS EVE WHY DID SOMEONE REBLOG THIS
TOMORROW IS HALLOWEEN!!!
TOMORROW IS HALLOWEEN!!!
🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃
TOMORROW IS HALLOWEEN!!!
🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃
TOMORROW IS HALLOWEEN
🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃
TOMMORROW IS HALLOWEEN
🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃🎃
ITS THE FUCKING MIDDLE OF SEPTEMBER
TOMORROW IS HALLOWEEN
vintage sticker pngs

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It’s one of those days where I just feel like my existence in my loved ones’ lives just makes their lives inherently worse.
death of subcultures and death of third places are directly connected and you can’t convince me otherwise
Instead of subcultures now, we have "aesthetics" because when you can't create a community, all that's left is appearing to be in one
aesthetics are created to be bought and consumed, it's capitalism at its finest, it's just vibe with no culture
no i am not immune to early 2000s pop-punk music that fucks a little harder than everyone likes to admit

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me watching someone dig their own grave in an argument: