Colors in Soviet Holmes: 2/4

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Colors in Soviet Holmes: 2/4

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Colors in Soviet Holmes: 1/4
Colors in Soviet Holmes: 4/4
Colors in Soviet Holmes: 3/4
I came across an interesting Twitter thread about how sometimes the book is much worse than the film, and that this often happens with cult films. Among those mentioned was Sex and the City, which surprised me a bit, because if you've read the book, you should know that the TV series, or rather the first episodes, is only slightly based on a collection of these essays, and that the tone and essence of the book and the TV series are generally at different poles. To put it crudely, there is simply no adaptation here. I remember being surprised when I read the book. I was also surprised that what I thought was a very good attempt at a really vivid, poignant and clever statement had been turned, not without the help of Candace Bushnell!, into an iconic but still pretentious and artificial piece of work that fell into what the book seemed to condemn. I even wrote a little post at the time where I briefly noted my observations.
It's a fundamentally different story. No, you can't compare it to American Psycho, but the novel had enough space to grow into something like that, and that's why you should take the text mainly in the direction of an attacking and denouncing satire of a tiny and so much desired society, but definitely not in the direction of a romantic story. It's not a story of extraordinary friendship, support and solidarity between women. It is not a feminist story. Carrie, Candace's alter ego and therefore the protagonist of the novel, could hardly be the protagonist of the series, even comedically, because she is an utterly pathetic, selfish, opportunistic thing, completely devoid of any sense of humour or self-irony. This woman is an alcoholic and a drug addict who, like everyone else, is looking for a way to score big. Mr Big is her big prize. There is no love in her, only desire, a desire for comfort. The comfort of the bed, the pillow, the air conditioning in the apartment, the maid to clean up after her, the private jet, the white mink coat. A completely empty person who doesn't know how to love or be friends. There is nothing about friendship in this book. Nothing at all! And by the way, there is supposedly no sex between Carrie and Mr Big (nor in the TV series! Did anyone notice?). In such a revealing sex book, sex between these characters is suddenly not described, and so it's as if it doesn't exist. But there's nothing revolutionary about the sex in the novel, quite the opposite. Sex in the book is such a very patriarchal exchange of the self as a body for profit and security, only the women are fooled, as always. I don't know if there's any point in recommending the book, maybe it's all outdated, maybe the whole New York thing will be hard for you to get through, as it was for me, because I didn't get the point of New York at all.... Maybe the point is that it's such a small world of consumers for whom the rest of the world is slave labour. I don't know. It just really surprised me that the book and the TV series are not connected in any way and tell completely opposite stories.

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Rosy morning porthole view.
Mile after mile, there is a countdown of invisible points, force vectors, knives and blades sharpened, broken against ribcage armour and rusted by the rains, bent and netted, thrown over the fortress of the shoulders. And in every mile I crawl, there are footprints going against me, footprints that will be washed away by the tide, by the green wave (they won't even leave a trace).
Domenico Gnoli
Island II Cody Cobb
Teacher and art collector Kazimira Basevich in her apartment in Leningrad (1961)

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define hole / is a hole a real thing? / Marco Poloni, Black Hole, from The Majorana Experiment, 2010 / Flatfields Fotografien / What We Talk About When We Talk About Holes / Dark (2017-2020) / post / Disco Elysium / Twin Peaks: The Return (2017) / Donnie Darko (2001) / Outer Range (2022) / Kaveh Akbar, from “The Miracle,” Pilgrim Bell / post / Weizmann Institute of Science / Mathworld / post / post / post / post / Anne Boyer, from “Woman Sitting at the Machine,” in A Handbook of Disappointed Fate / Star Wars: Knights of the Old Republic II: The Sith Lords / Dennis Patrick Slattery, The Wounded Body: Remembering the Markings of Flesh / The Incredulity of Saint Thomas, Caravaggio, 1601–1602 (detail) / The Incredulity of St. Thomas, Bernardo Strozzi, 1582-1644 (detail) / Don McKay, from “Twinflower,” Field Marks: The Poetry of Don McKay, intro. Méira Cook (Wilfrid Laurier University Press, 2006) / thierryetherve / Pathologic / post / Gregory Orr, from How Beautiful the Beloved / Tomas Tranströmer, tr. by Robert Bly, from a poem titled “Track” / Disco Elysium / Anne Carson, Economy of the Unlost / Pathologic 2 / Jonas Burgert, Sand brennt Blatt (2010) / Disco Elysium / Carl Phillips, from “Givingly”, Wild is the Wind / from “The Man With a Hole in His Head” by Rick Bursky / Rosario Castellanos, ‘Memorandum on Tlatelolco’ (tr. Maureen Ahern) / post / Pathologic / The Juniper Tree (Nietzchka Keene | 1990) / John Banville, Eclipse / Twin Peaks / Disco Elysium / VectorStock / True Detective / Night in the Woods
Mensa der Schulschwestern (1973-77) in Graz, Austria, by Günther Domenig & Eilfried Huth
Patios require patience: establishing even faster-growing plants, such as rambler roses, take time. In this beautiful patio corner, a flower-covered rambling rose complements its less vigorous but more colourful neighbor - a climbing rose.
Terence Conran’s New House Book, 1985
Paul Cadmus, Herrin Massacre, 1940
Tempera and oil on panel, 35 ⅛ × 26 ¾ in
The Herrin massacre took place on June 21–22, 1922 in Herrin, Illinois, in a coal mining area during a nationwide strike by the United Mineworkers of America (UMWA).
“Enraged that the owner had disregarded their agreement, on June 21, union miners shot at strikebreakers going to work, where the mine had armed guards. When striking union members armed themselves and laid siege to the mine, the owner’s guards shot and killed three union miners in an exchange of gunfire. The next day, union miners killed superintendent McDowell and 18 of 50 strikebreakers and mine guards, many of them brutally. A twentieth victim from the non-union group was later murdered, bringing the death total to 23″

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Art by Giovanna Garzoni, a women artist in Italy during the 1600s.
The Garden Book, 1984