You have a great eye for painting with values.. please share your resources with me 😫
yeag here you go
head lighting ref tool
simple 3d shapes
obviously they wont get you the whole way there but they are handy practice and reference
noise dept.
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@iambutasimplefool
You have a great eye for painting with values.. please share your resources with me 😫
yeag here you go
head lighting ref tool
simple 3d shapes
obviously they wont get you the whole way there but they are handy practice and reference

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ayo i found 2 pages with head angles of humans and animals, could be useful to anyone reading this
hoomans
animals
Holy FUCK, this is an amazing tool.
Reblogging for my artist fellows.
Reblog this!
Perceive this thing I made
Do you happen to have any tips for drawing horns?
Hi, Anon! I’ll definitely try my best. Horns are a little tricky since they’re so subjective and the styles/textures vary so drastically.
Mostly I’m going to be talking about texture here and I’ll try to keep it simple since they’re time consuming to draw.
Smooth horns are great and easy, can come in any and all shapes, but if you want to add more interest and character to the horns, it all comes down to how you texture them. Here’s a simple smooth horn. It’s okay, it’s basic, but it works and will especially work better once it’s colored if it has a sheen or a matte look.
You can add simple lines to it to give it a bit more interest, but you can take it farther than just the cylinder look like drawn here. The lines give it the easy, quick illusion of being more dimensional, but it’s not the most interesting or dynamic.
You can play with the lines however you like to give the horns more uniqueness, such as a line down the center to sort of pinch it inwards. Still more dynamic than the smooth horn, but more interesting than the rounded one.
You can leave the lines as they are for an easier horn, or take it a step farther and use them as guides to texture them. This is where it gets fun, but time consuming. Definitely look up references of what you want to go for if you’re not sure. I highly recommend Ram, Ibex or Antelope references, Antelope being my favorite. They have so much texture to them in the forum of smaller and larger ridges, so here’s a horn based loosely (artistic liberties taken) off a mix of Ram and Antelope.
Getting into plates which are my favorite, there’s little to reference off of. Here’s a more dynamic, spiky look with plates using the guide lines as a base to get an ideal direction you want the horn to shape into.
Just take your guide lines and then extend outward. Add as little or as much wear, tear and damage as you want. Horns can get dry and crack, they can take a hit and break, age can cause grooves, your imagination’s the limit.
Outside of plates, you can look up any horned animal to get ideas for texture, anything from steer to deer and elk (if you want to get more into the antlered look), or mix and match textures from a few horn styles you like. Hope this helps! Sorry I can’t go more in depth, but I tried to explain it as best as I know how. Good luck with your horns!
Heres a google drive folder filled with art book pdfs, if anyone has some others that you'd like me to add to it thats missing, please let me know and send me the link
I added more

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May I ask how you draw faces? (Technique/style-wise)
a very brief thing on how do faces. You can break the rules as much as you like (I did here a bit haha), but you’ve gotta learn them first
extra:
hope it helps!
Um, hi. I don't want to be overbearing, but I wonder did you can help me with something. I have a huge problems with drawing scars, and I'm wondering did you know any tips.
these scars are pretty fast and loose but they read ok at a glance. shallower cuts or burns will be lighter than the skin tone, and generally speaking scars will be lighter than the skintone on darker skin so the process is a little different when you work with those
hair
I judt found your blog and im In Love with your style! I have a question though, how do you draw dynamic / natural poses while still showing all of a costume (or character design, as in your ref sheets)?
hope this helps a bit!
I really love your artstyle! Could I maybe get some tips on how to give variety to faces? My style has a little same face syndrome unfortunately.
personally i found that when i used to sameface its because i was afraid of making an ‘ugly’ face but!! imo an ugly but interesting face is more fun than a good-looking but boring face. go forth

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Do you have any tips for drawing burn scars I am struggling greatly and you seem to know what you're doin
there are definitely better ways to do it but this method takes about 10 seconds so thats good. (in case its hard to interpret, what ive done is slap down some strokes w/ colour jitter on a low-opacity normal layer over the top of the skin layer)
render it out once youve got the colours down if you want it to look more burn-y
Hi Fili! I am enchanted by your clothing designs and loved the advice on your helmet tutorial. Forgive me if someone’s asked this before but it seems your designs have quite a bit of historical basis to them- are there any books/sources you recommend for historical clothing research and inspiration?
this book is a rly good resource, u can find it for free online but i simply cannot show you where edit: for clothes the solution is simpler and you just gotta go and find some fashion plates
Some character practice of my DnD oc Koalemos! I didn’t shade it because shading is suffering
some composition notes i guess

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I love aquatic plants
🌗 i am creation both h̸͕̰́̔̽̒ã̴̞̯͆͆̌̚ư̵̧̺̗̜̦̜͎̓́́́̒́͝n̶̰̦͎̠͈̰̿͒́̌̈̍͆̿̄ṭ̵̡̡͈̳̱͖͓́̄͛̅͝ͅe̵̞̓͆͗̍̐̐̀̚͝d̷̢͉̠̄͊̂́̅ and h̶̥̹̲̫͆̆ở̸̢̤̗̪̙̭̣̀̎̉̽̋͛̈́͘l̷͓̗̹͓͂ý̶̡̡̛̫̹̼̘̬̦͙͆
made in glory 🌓