[unknowable]

But also, and this is really important to keep in mind regarding bigotry that still causes in many ways larger problems, that the structural problems are not actually fixed.

If you go to any computer lab or public library, the mice will be on the right side of the computer. Sometimes they can be moved. Sometimes they can't. Many computer mice are curved to only fit in right hands.

It is impossible to find lefthanded scissors without going to a specialty store, because most scissor makers don't even make them. And it's not just a matter of grip; the slicing side of the blades is obscured if you use righty scissors in your left hand, so your cut is off.

All those signing pads with the little chained styluses? Almost always on the right side, often not even long enough to stretch to the left. Makes signing for lefties extremely difficult.

I caused actual muscular problems in college having to twist around in order to write at right-handed desks in college when there weren't enough lefty desks--and there never were. Some classrooms didn't even have a single one.

I could go on.

I would say that recreating the characterisation, mood and general vibes of an existing work of fiction is in fact a skill in and of itself that's acquired via practice. A common compliment delivered to fanfiction writers is how well they have captured the spirit of the original work. Inexperienced fanfiction writers fail to do this.

When creating an original character you can, ultimately, say anything about them and now it's canon bcos you created them and you said so. conversely, well, if you are covering a well known song and start playing the wrong notes people will notice immediately.

In addition: a lot of fanfiction, IMO, is in actuality a form of metafictional literary analysis. a story where two characters sit down and talk about their feelings about a canonical event? literary analysis, which is of course a skill. Sometimes fanfiction is bad bcos the writer is not good at interpreting texts.

Vice is clingy during the daytime. The second I lay down, it's Malice's turn to need constant attention and a relentless supply of forehead kisses.

As a former music teacher, I can also say that "learn the fundamentals first" is the death knell for a vast percentage of beginners, especially adult learners.

I've run into this with drawing several times, where some well-meaning artist has lectured me on needing to study anatomy properly or not use shortcuts like CSP brushes. And oh, believe me, I know. I know exactly how to learn an artistic discipline in a structured way. I just...don't want to!

The thing is, I'm not aiming to be a professional artist. I want to draw my gay little anime guys. I would undoubtedly improve at art much faster if I approached every gay little anime guy drawing as a study exercise. But I would also have quit drawing a decade ago if I couldn't just let myself enjoy drawing imperfect fucked-up little guys with whatever shortcuts I needed to body myself across the finish line.

With my adult piano students, my approach was always "What's your goal?" If their goal was to learn exactly one Elton John songbook to play at parties, then...that's what we did. We'd put tape on the keys to label the notes, and just fuckin go for it. Learning exactly one Elton John songbook is a good and noble musical goal, full stop.

Some of my students needed and enjoyed a more structured approach to learning; if they wanted to be able to play classical music, then yes, scales were going to have to enter the equation at some point. And yet others would learn the Elton John songbook, catch their white whale, and realize they wanted to explore more of the ocean. The scales were still there for them to learn!

Often the choice isn't between "learn art well" and "learn art imperfectly" - the choice is between "learn art imperfectly" and "don't do art at all." To which I say, learn imperfectly! Or, what the hell, don't 'learn' art. Just do, and enjoy the doing of it.

It's an ecosystem guys, we need all of it

so, in other words,

tags via @procrastinatorproject

So while it’s true that the Enterprise is not as big as people think, that goes double for the Falcon!

A good way of thinking about the relative size is by using a bridge comparison:

The Enterprise bridge has space for 11 people to work, as well as a significant amount of space between stations to move around comfortably:

[Bridge illustration by Tobias Weinmann via here]

And the whole thing fits in the nipple thing up on top of the saucer:

Meanwhile the Falcon (beloved weed bus) has a cockpit that seats 4, with only 2 main operational stations, and zero floor space:

And since Serenity was mentioned too…

Serenity has a bridge more comparable to La Sirena - with 2 stations at the front and quite a bit of floor space.

And for those interested in a visual comparison:

(Boeing 747 for scale as well as the Delta Flyer because Why Not)

To which every other civillisation immediately calls bullshit, because “Yo, what the fuck bro, your ‘lightly armed science vessel’ can go to toe-to-toe with our top of the line warships!”

The largest dam removal in U.S. history. So successful that the salmon that haven’t run freely in the river for literally over a century came back the next year. Not steady progress over a decade as expected, the very next salmon run they came home. No one alive saw salmon in that river outside the hatcheries kept by native’s tribes and the Department of Fish And Wildlife scientists desperately trying to save them. One of the activists who helped bring the suit spoke of their dying grandmother making them promise to bring the fish home, and they didn’t know how that was possible, but they spent decades doing it.

The legal basis for successfully suing the power company who owned the dams was Indigenous treaty rights to eat the fish. Eating the fish was the one thing in a century that succeeded in being a clear and legally binding right that superseded the desires of white capital and industry. I have been going to the public interest environmental law conference off and on for 20 years where a lot of organizing for Undam The Klamath happened. I’ve heard updates about every legal tact they tried as they happened, and they tried everything.

There are healthy, thriving salmon, trout, and lamprey in a rewilding and recovering Klamath River right now as a direct result of Indigenous people eating them. Of their legally binding right to eat them. They sure as fuck care more about those fish than any white vegan ever could. They are salmon people that the Creator sent Salmon to feed, while charging the People with protecting and stewarding them. It’s not possible to learn about salmon and trout in the Pacific Northwest without learning this, and it’s unambiguously racist to dismiss this symbiotic relationship.

The white vegans are trying to get all hunting and fishing banned in Oregon, and that’s quite possibly the single most catastrophic thing that could be done to the animals here because we killed off all the major predators of creatures like deer and without anything hunting them their numbers will explode, eat all the vegetation, destroy the ecosystem, and then die along with everything else in that failing ecosystem. Controlled hunting of deer is vitally necessary for the deer to survive. This is something Native people know, but patronizing racist savior-complex white people refuse to listen to.

I have a whole collection of Oregon’s Public Broadcasting’s documentaries about Klamath River or the larger story of fish and people in the region. If you watch nothing else, watch Klamath Dams Are Coming Out, First Salmon Ceremony, After The Dams, and First Decent (Native made). It could not be clearer that the salmon are being protected and nourished by the people who eat them, and that stewardship is a massive part of their creation myths. But it contradicts political vegan dogma so they don’t listen.

Vermont Conversation: Surviving and escaping the Twelve Tribes cult - VTDigger https://share.google/LSdBGNLYzhWtnwu8p