Painting to commemorate a dear friendās Tangier travel last year.Ā
watercolor, colored pencil on paper, 5x7.5
www.hillaryking.com
noise dept.
PUT YOUR BEARD IN MY MOUTH
d e v o n

Kiana Khansmith
will byers stan first human second
i don't do bad sauce passes
Mike Driver

"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
DEAR READER

oozey mess
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
NASA

blake kathryn
styofa doing anything
Claire Keane

@theartofmadeline

seen from Netherlands

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@hillaking
Painting to commemorate a dear friendās Tangier travel last year.Ā
watercolor, colored pencil on paper, 5x7.5
www.hillaryking.com

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From a quick trip to Nome, Alaska this August. Picking berries is addicting; I clearly felt myĀ āgathererā instincts kicking in. Just one more patch.
Call for Ocean Art
Join us in celebrating the art in science and the science of art through collaborative works addressing the ocean sciences.
Learn More & Submit!
Accepting ocean sciences related work for From the Tide Pool to the Stars, an e-gallery and pop-up art show at the 2018 Ocean Sciences Meeting in Portland, Oregon!
WHO CAN PARTICIPATE? All submissions are welcome! Examples include: Scientific data visualizations, maps, short films, musical compositions, poetry, paintings, drawings, prints, artist-on-board logs, nature and visual journals, comics, photography, dance and mixed media. Learn More!
Plants on an island

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Using Technology to See & Draw Plankton
Day 13 at Sea | February 7th. 2017 | Itās Tuesday!
For the last few days, Iāve drawn & painted plankton using the same optical instruments as the scientists. The instruments have sci-fi sounding names: Flowcam, Cytobot, and Scope SZX16. These tools are the only way we can see phytoplankton because they are invisible to our human eye. We canāt see them because theyāre teeny tiny. Most of the ones Iāve drawn so far are around 10-20 microns. A strand of your hair is 100 microns thick. Like I said, teeny tiny.
These field sketches are my R & D (research and development) work as the Artist-at-Sea aboard RV Falkor. Every artist creates a work that will stay aboard the ship after the cruise is complete.
Gorgeous!
Poppy print, 2016
Summertime at Calypso: brilliant orange, red, white, and purple poppies speckle the terraced fields. Ā Over 70 varieties of flowers cap the ends of beds or spring up in the middle of rows, separating vegetable crops. Ā We call these little pocketsĀ āfarm blingā.Ā
The Socially Engaged Craft Collective is proud to feature and profile works of Socially Engaged Craft. This week, we bring you The Exquisite Uterus Project, submitted by Alison Gates. The Exquisiteā¦
That. Is a beautiful uterus.Ā
Tracks and textures
Bonfire trout
Lisa Lake, Delta Junction, AK

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Frost Flowers, like the puffy yarn ties of an ice quilt.
Ice crystals on the Tanana
So much texture on this guy. Ā RIP, crustaceans.Ā
Prairie Girls and Dip Pens
I met my first pen pals in during a summer camp at a living history site along the Minnesota River. We dressed in mid-1800s era cotten dresses, used quill pens and chalk boards in the school house, marbled paper, learned to use the drop spindle, made saltine crackers from scratch, and performed a number of other āfarm choresā with delight. Ā We took on the names Betsy, Tacy & Tib (thatās me), based on characters from the Maud Lovelace book series, and felt like we were living the dream. Ā I even used my allowance money to buy a quill dip pen and ink at the craft store chain, which I used to write blotchy letters to Betsy & Tacy until I reached high school. Ā
I kept up the ācharacterā of Tib/Thelma as a volunteer interpreter at that site until I was 18. Ā It was there that I learned to knit, spin, weave, dye, and enjoy chicken and dumpling soup. Ā I believed I was born in the wrong century, but now I realize I just enjoyed playing at a lifestyle where making was a necessity and lack of modern conveniences forced you to know your environment. Ā By no means do I want to idealize that time; itās only magical to PRETEND to be a female in the 1800s. Ā In reality, Iād be married with six children, have few rights, and work as a seamstress. Ā More likely, Iād be dead from disease or complicated childbirth. Ā Ā
That wave of memories came upon me yesterday when I my new quill dip pen a whirl for the first time in years. Ā I tried it out on a cartoon sketch Iāve been working on: Plates. Ā I hesitate to use the word ācartoonā, because Iāve always associated that term with āfunnyā. Ā This isnāt funny. Ā Well...maybe it is, but in a nervous laughter because this is ridiculous but also kind of sad sort of way.
Iāve never been drawn to using cartoons or storyboards before, but it just seemed a fitting format for the conversations Iāve been recording in my journal. Ā I like how flexible it is, allowing you to play with emphasis and complexity in tiny moments.Ā Ā
Learn how Artist in Residence Emily Schubert organizes and makes her studio productive at the Arrowmont School of Art & Craft in Gatlinburg, TN.
Sometimes an artistās studio is as intriguing as their work. Ā Ā
Ā My dear friend, Emily Schubert, was interviewed about her studio style at Arrowmont School of Art & Craft. Ā Color, Fabric, Cattywampus!

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Art Journal, June 2016
Splash & Foam