roma★
if i look back, i am lost
🩵 avery cochrane 🩵
PUT YOUR BEARD IN MY MOUTH
EXPECTATIONS
will byers stan first human second
untitled
oozey mess
❣ Chile in a Photography ❣
wallacepolsom
Show & Tell
titsay
ojovivo
Fai_Ryy
I'd rather be in outer space 🛸
ellievsbear
he wasn't even looking at me and he found me
Andulka
2025 on Tumblr: Trends That Defined the Year
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@highandhyphae
tag directory:
links to poetry collections, essays, etc
web weaving, comparatives
choice tags:
fav | phoenixing | bataillecore | werewolf manifesto, werewolves & transsexuality | you & i have begun to blur | love letters
many more tags below :^)
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“I am often in pain and I fear that it will get worse. I need to sharpen every possible weapon against it, but even more so against the fear, or the fear of fear, which is what is so debilitating. And I want to learn how to do that while there is still time for learning in some state before desperation. Desperation. Reckless through despair.”
— — Audre Lorde, from “A Burst of Light: Living with Cancer,” The Selected Works of Audre Lorde
there’s a cultural obsession with labelling all female authors as unintelligent or otherwise only capable of accidentally stumbling into brief moments of genius in their works that we need to start pushing back against
“I was always bothered when people say, ‘I cry to your music, it sounds like a diary, it sounds so personal,’” Mitski says. “Yes, it is personal. But that’s so gendered. There’s no feeling of, ‘Oh, maybe she’s a songwriter and she wrote this as a piece of art.’”
(source)
feel like it's related to the phenomenon mitski's discussing here - if women's art is only seen as unfiltered diaristic emotion then of course it can only ever be accidental genius, never created with intention and thought
Vaginismus themed web weaving
Captain Hook - Megan Thee Stallion /@/2StarYelp on Twitter / Get Out of My House - Kate Bush
the most fun a girl can have is finding parallels, noticing patterns, making connections, contemplating
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A selfish act
WE ARE NOT HAVING SEX
Gia 1998 x Tempest by Ethel Cain
christina's world by andrew wyeth, 1948 / foolsdoart recreates masterpieces / caught on camera: art alive 2017 / writing afterimage: show versus tell and the multimedia narrative / ethel cain in 'american teenager' music video / flair - bruno dayan 'cornfield' / by sebvidophoto on flicker / christina's world relived by laura corebello
Wyeth’s neighbor Anna Christina Olson inspired the composition, which is one of four paintings by Wyeth in which she appears. As a young girl, Olson developed a degenerative muscle condition—possibly polio—that left her unable to walk. She refused to use a wheelchair, preferring to crawl, as depicted here, using her arms to drag her lower body along. “The challenge to me,” Wyeth explained, “was to do justice to her extraordinary conquest of a life which most people would consider hopeless.”
moma.org
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Poacher’s Pride - Nicole Dollanganger
Every declaration of love is urgent because we are going to die
Naiad Girl - Penelope Scott
Emily Kraus, Each in the other what each has to give, 2026
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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wild horses living on the cliffs of the welsh gower
Georges Batailles, My Mother, Madame Edwarda, The Dead Man (tr. Austryn Wainhouse) // Vance Joy—Mess is Mine // Shee Liu, 'Kiss' // @/thediscretion on ig // @lucidloving, "Kingmaker" // Trista Mateer // Gene Gregorio, 'Downpour' // @flintcoded // Elliott Smith—Alphabet Town // Neil Hilborn, "A Place Where Someone Loves You"
