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῾ ∬ 24 SHE!HER . 𝆬 PINTEREST 𓋜⠀
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if i look back, i am lost
Keni
I'd rather be in outer space 🛸
ojovivo
wallacepolsom

bliss lane

KIROKAZE
Stranger Things
🪼

Product Placement
RMH
Misplaced Lens Cap
we're not kids anymore.
noise dept.
let's talk about Bridgerton tea, my ask is open
sheepfilms
TVSTRANGERTHINGS

PR's Tumblrdome
todays bird

seen from Malaysia

seen from Vietnam
seen from United States

seen from Malaysia
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seen from Türkiye

seen from Singapore

seen from Malaysia
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seen from Russia
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@hexpectations
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῾ ∬ 24 SHE!HER . 𝆬 PINTEREST 𓋜⠀
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happy 40 years of top gun everybody
been making ocs so long it just like happens to me now. fully just had a guy appear in my head during spanish im not even choosing to do this anymore its choosing me
LEWIS PULLMAN as Cameron Cassmore in Remarkably Bright Creatures (2026)
ROMAN HOLIDAY 1953 | dir. William Wyler

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FORBIDDEN FRUITS (2026) dir. Meredith Alloway
Erratic manoeuvre detected.
✦ PROJECT HAIL MARY by andy weir —in the style of a 70s sci-fi novel.
LEWIS PULLMAN as CAMERON CASSMORE REMARKABLY BRIGHT CREATURES (2026) dir. Olivia Newman
snoopy of the day

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I'm obsessed with this new collection of Abodi transylvania!! Photographed by Szilveszter Makó another huge new obsession mine.
Porco Rosso | 紅の豚 (1992) dir. Hayao Miyazaki
stills of lewis pullman as rhett abbott in the tv series 'outer range' (2022)
MANON FRIGHT SONG, 2025
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie

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Rafe Cameron’s mannerisms
"sex scenes have no narrative purpose" is such a funny take on so many levels. people will really believe that the whole human experience is valuable to portray artistically except sex, which of course has never held emotional weight or significance for anybody
"what's the purpose of sex scenes in media??" well you see sometimes people have sex. sometimes it can be important even
yeah ok but i dont wanna watch straight sex scene number 1231234837582 in the middle of some movie thats clearly not fucking high art or anything, like please, tell me how the sex scene made jason X a deeper movie ill wait
you genuinely think that "the sex scene in Jason X, the movie about jason from Friday the 13th killing people in space, is bad" is a rebuttal to this point? like genuinely? genuinely? like you think that's the kind of sex scene I was talking about in the original post? you think when I'm talking about the artistic merit of sex scenes in movies you think I'm talking about the bit with the dominatrix in Jason X (2001) dir. James Isaac, the movie where Jason from Friday the 13th gets put in cryosleep and wakes up in the future on a spaceship where he starts killing people in outer space? you genuinely think this is the kind of movie and scene I'm referring to when I'm arguing for the potential artistic value of a type of scene? Jason X? Jason X? the one with Jason on a spaceship? you think that "well Jason X, the movie about Jason on a spaceship killing people in space, is bad" is a rebuttal to my point? Jason X? Jason X? J