Lisa âLeft Eyeâ Lopes photographed by Marc Baptiste for FHM Magazine (2001).

oozey mess
Today's Document
DEAR READER
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occasionally subtle
Jules of Nature

shark vs the universe
i don't do bad sauce passes
wallacepolsom
almost home
YOU ARE THE REASON
todays bird

pixel skylines
Monterey Bay Aquarium
noise dept.

if i look back, i am lost

@theartofmadeline
Sweet Seals For You, Always
2025 on Tumblr: Trends That Defined the Year

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@hellomousie
Lisa âLeft Eyeâ Lopes photographed by Marc Baptiste for FHM Magazine (2001).

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JABARI & MEADOW Entergalactic (2022), dir. Fletcher Moules
PSA (Official Teaser) SZA
Tazza All Day Bistro & Wine Bar, Athens, Greece

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Welcome to October đđˇâ¨đ ig: kieraplease x ig: brihallofficial
From the eighteenth-century poetry of Phillis Wheatley to the Black Arts Movement of the 1960s, Black artists in America have long grappled with the place of Africa in their lives and art: What is Africa to the Black artist for whom transatlantic slavery profoundly altered a cultural connection to the continent? In A Sidelong Glance, John Edmonds extends this question, refracting it through a photographic practice that centers African art, highlighting its position as a complex site of identity, power, and artistic ingenuity. The exhibition comprises a three-part series featuring portraits and still lifes of Central and West African sculptures and masks drawn from private and public collections, including the artistâs own, as seen in Anatolli & Collection, 2019.Â
This month weâll be exploring this aspect of Edmondsâs practice through select works from his first solo museum exhibition, on view @brooklynmuseum through August 8.
John Edmonds (American, born 1989). Anatolli & Collection, 2019. Digital silver gelatin print. Courtesy the artist and Company Gallery.Â
HAPPY BLACK HISTORY MONTH!âđ˝âđžâđż
AllenmoreWorks

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Instagram post by asherald (Amy Sherald, the painter of this portrait of First Lady Michelle Obama):
Feeling all the feels. đ When I look at this picture I think back to my first field trip in elementary school to a museum. I had only seen paintings in encyclopedias up to that point in my life. There was a show up of work by painter @thebobartlett whose work still inspires me to this day. There was a painting of a black man standing in front of a house. I donât remember a lot about my childhood, but I do have a few emotional memories etched into my mind forever and seeing that painting of a man that looked like he could be my father stopped me dead in my tracks. This was my first time seeing real paintings that werenât in a book and also werenât painted in another century. I didnât realize that none of them had me in them until I saw that painting of Boâs. I knew I wanted to be an artist already, but seeing that painting made me realize that I could. What dreams may come? #representationmatters
Jeremy Lipking, âJamiliahâ, detail To See the whole painting click on the link.
Taste of Blue by Gank Pansuay

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ok so
everyone knows about this meme, right?
but does anyone else know the woman who made the food? no? time to educate!
This is âMother Maryâ, the owner of Blackberryâs mother.
She made all the cakes for the restaurant while it was open. Chef Gordon Ramsay tried her red velvet cake, and spoke this meme-able line:
He then called Mary over, complimented her food, and gave her a peck on the cheek.
Look how happy she was to hear that!!!
anyways, I hope she has been able to continue her love for baking since the restaurant closed down.
I remember this episode & how happy I felt. I hope sheâs doing so great.
Christmas with the Addams Family by Charles Addams