I learn something new every day…
hello vonnie
occasionally subtle
PUT YOUR BEARD IN MY MOUTH
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Misplaced Lens Cap
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Sade Olutola
Today's Document

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YOU ARE THE REASON

roma★

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
Jules of Nature
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let's talk about Bridgerton tea, my ask is open
noise dept.

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@slobbering
I learn something new every day…

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Vulture in acrylic and ink
"i hope death is like being carried to your bedroom when you were a child & fell asleep on the couch during a family party. i hope you can hear the laughter from the next room"
Your body is the church where Nature asks to be reverenced.
Marquis de Sade

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Death and the Maiden, Niklaus Manuel Deutsch (1517)
In Niklaus Manuel Deutsch’s “Death and the Maiden,” the earthly desire of Death, who grasps and kisses the young woman, reveals the profound dichotomy between death and desire. The woman’s acceptance of Death as a lover underscores this tension, illustrating a complex relationship where mortality and sensuality intertwine. Deutsch’s meticulous rendering of the human form and the skeletal figure showcases his exceptional skill in anatomical depiction and his ability to evoke deep emotional resonance.
Created in the early 16th century, “Death and the Maiden” encapsulates the Renaissance fascination with humanism and the exploration of existential themes, particularly mortality. This period was characterized by a heightened awareness of death, fueled by recurrent plagues and the ever-present threat of disease. Through this theme, artists like Deutsch engaged viewers in a meditation on the fleeting nature of life and the inevitability of death, prompting reflection on moral and existential questions.
Gustave Doré - "The Inferno, Canto 5" (1861)
A storm without rest. The damned are swept through darkness, just as they were once carried by desire. Love turned into an endless, punishing wind.
Einar Jónsson, Verndarengillinn (Guardian Angel)
Portret żony / Wife portrait • Zdzisław Beksiński • 1956/1957
Persona • Ingmar Bergman • 1966
薔薇の葬列 (Funeral Parade of Roses) • Toshio Matsumoto • 1969
Rainbow Mirror • Prurient • 2017
Out Of The Earth You Came - Cardwell Higgins, 1930

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The Raven, 1883 (published 1884) By Gustave Doré (1832–1883) Harper & Brothers edition, New York, 1884 Steel engraving
In this plate Doré represents Death as a skeletal figure wrapped in heavy drapery, seated on a great sphere that rises from a bank of clouds. A scythe rests at its side, the blade curving toward the lower left, while the bony hands hold an object in the lap that reads as an hourglass. Below, a single raven crosses the clouded surface of the sphere, and the upper half of the image opens onto a dark sky scattered with stars. Everything is worked in strong tonal contrast, with the pale figure and the lit edge of the globe set against the surrounding blackness.
Queen Death Takes Bishop, Apollonia Saintclair, ink, 2025
Phenomena (1985) Dario Argento
Death and the Maiden, Denis Forkas, 2016
Acrylics on prepared paper

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Catacombe dei Cappuccini. Palermo, Sicily, Southern Italy.
Christopher Lee and Isla Blair - Taste the Blood of Dracula (1970)