FAIRUZ IBRAHIM SABRY — intro. TAMSIN OLWEN LOVEDAY O'FRIEL — intro. CARNELIAN LARAMIE ST. GERMAIN — intro. ABILENE LOUETTA HENRY MERRICK — intro.
marionetted by james (they/them). mutli — muse for seekdevotion.

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FAIRUZ IBRAHIM SABRY — intro. TAMSIN OLWEN LOVEDAY O'FRIEL — intro. CARNELIAN LARAMIE ST. GERMAIN — intro. ABILENE LOUETTA HENRY MERRICK — intro.
marionetted by james (they/them). mutli — muse for seekdevotion.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ALISHA BOE via Instagram
i m;iss when u could touch a tv and feel its fur
Hafsanur Sancaktutan
in Ya çok seversen
praised and confused by grace lee, 2023, oil on linen, 8 × 9.75 inches

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i am someone who did not die when i should have died
ill never win an idgaf war love disarms me completely and im bleeding out
ALISHA BOE 2022, ph. Skye Bennike for Doen
( @devostarters ) diner 54.
PRECARIOUSLY staggering along, skates affixed firm against feet - carn's confidence both lifted up and in jeopardy due to their pre - shift smokies in back of trusty gedde brothers van - they eventually collapse into a free - sided booth, more stumble than intentional; intentional all the same. "christ," they breathe out - smiling all the same, adjusting themselves with the slight knocking of table, pushed forward towards the patron whose booth they've just taken storm of, "feel like i'm in a roller - derby right now - just, knocking people out, left and right. got a line - up in the bathroom, dutiful fucking, um - soldiers getting bandaged up. think i'd name myself carnivorous carneil - sounds better than carnivorous carnelian, too - wordy, i think, right?" pauses - if only to gulp down more air, eyes falling upon the other's drink. "you know - i live by this, um - motto, right - it's uh - sharing is caring, i'm - really big on it, and i'm also really fucking thirsty right no -"

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( @devostarters ) shrike point library.
HAVING abandoned their dutiful position at front desk - they'll forgive her, surely, for the misdeed - the trailing fragrance of a funeral home ( powdery and a little sweet - too much so, the kind that lays flat and parallel with indigestible grief ) betrays tamsin's whereabouts, three aisles away. her eyes swept upwards, frown firm upon her lips as chin points farther and farther up - books encased behind glass, iron key clasped between gloved fingers; can still feel the heat amassing, slow but sure - like a hand hovering over stove, waiting for the burn. the slightest sigh, still heavy in her chest, the only indication she isn't living statue - turns to the only other in the aisle, movement almost jarring, frown louder than before, "give me your shoulders." more demand, than request - key turned between fingers and pointing near - accusatory towards them.
( @devostarters ) oracle & oddysey.
HOPELESSLY bored - tragically so; cheek planted firm against countertop, two petrified eyeballs spinning 'round each other in a disconcerting beyblade battle - wound up by own fingers, fairuz is dying. absolutely, positively dying, dead not once, but twice - a tragic tale they'll be sure to retell once their spectral form takes hold beneath the moonlight. they hope it'll be beneath moonlight; shimmering like the pale pecs of a tragic, perpetually horny 109 years old vam - ding. body flies up, pushing self off of counter as the door opens; practically hauls self over, clambering to feet only to grasp at the patron's arm. "thank fuck - you want to buy my wares soo fucking badly -" not their wares - really doesn't know who even owns the joint, just plucked flier off of town bulletin board and made way. "- we just got in this cursed blade of llewy - fuck whoever - very chic, great talking piece -"
baz, ft. open | @devostarters
the waves are calm today, knocking his boat against the dock with a quiet tap-tap-tap. baz sits, legs dangling over the edge of the wooden surface and skimming the top of the water as he gazes out over the ocean's blue-green-grey surface. hands absentmindedly work a ball of twine into something serviceable as both a cat's cradle and a fishing net, as ears strain for the faint hum from far away. like the buzzing of wasps, or the shitty crt tv perched on the cd cabinet in his dilapidated weatherboard home. a promise — we will come home, when our feet tire of wandering, they say, though if they are anything like their grandfather that will not be for some time.
in the here-and-now, footsteps on the dock are nothing unusual, though their wearer is not whom he would expect. he turns, nonchalant, hands ever-moving, calls out with a laugh ( for what reason, he shall not say, the sea's ever-loyal secret-keeper ) , “ going for a swim ? ”
THE sea's never been a friend to tamsin - not a domain she cares to cross, no curiosity behind the ever - far horizon; the lull of boats bringing an ironic sickness to the pit of her stomach. still finds herself standing atop the dock, feet planted firm against the weathered wood, salt water seeping through their thin soles, tarnishing silk; never meant for walking. her arms cross, fickle look upon her face - nose crinkling in slighted distain as her eyes dash over the ocean, a pair of skipping stones. "no," tamsin states - plainly, short; never learned how to swim, never needed to - can't help but wonder if they too will be dragged down into the murky depths if she dares dip a toe. it makes her uneasy - scared, although her expression never betrays. "it's been quite some time, bartholomeu." a pause, gaze skimming boat deck before lifting herself atop one of the dock's pilings; short and stout, enough for a leg to cross over another. "i don't recall you being so... grey, last time." a hint of fondness, small curl of her lip as she smooths out skirt. "how do you feel about treasure maps, in all your aged wisdom?"
TALES OF ST. GERMAIN — CARNELIAN LARAMIE.
── ( jonathan daviss. nonbinary, they / them. ) recently seen flashing bathroom - goers their daily tarots while sat upon a crooked sink ( you're seeking an endless fortune ... in the form of a line the next stall over, that you'll share with me right? righ – ), wafts of smoke between each word at freezer bride's: enter CARNELIAN LARAMIE ST. GERMAIN. twenty six years old & a cancer, usually observed in well - worn band shirts, always cropped at navel – scandalizing! incentive! never done before! – moth - bitten holes affixed with charms; lucky trinkets and protective wards, home - sewn by a doting mother, the same that hang in the cuffs of cracking leather jackets and between the laces of steel - toed boots ; carn is a devotion local known within their circle as EFFULGENT + SEDULOUS, a perpetual hum of rock - n - roll victim by death on salted mouth. something of the OVERWROUGHT + QUIXOTIC follows, regardless … something to do with the belief that sharing IS caring – barney told us so. are you going to forsake barney? our one, true god? our sav – and a thumb - swept sniffle , perhaps ? strange, what a WITCH can get up to. they’ve been heard waxing lyrical about a dream they had recently, a strange tale of a god inside oneself; metallic tang against tongue as muscle stretch and split, making room for a new entity to take hold, to make home out of borrowed flesh – body a vessel, a calling, a devotion. pay no mind to fanciful star - gazing, though: rather, mind the tangible. focus on cassette tapes handed out for every emotion felt; every moment passed, every thought had ( imbued with good luck and protection, and the yearning that is two heads knocked together under one comically large headphone ) / starlight just within grasp, white - hot fingertips and a familiar buzz within one's chest; craning against dark sky, toes against treacherous ledge, crumbling dirt beneath – just a little longer, just a little closer – the world on tilts, rotating, spinning; falling / the soothing rock of a triple - decker boat, layers built upon layers – always a room, always a place – accommodating warmth, siren call a sweet lullaby, familiar – soothing . /
... mentioning themes of HAPPY FAMILIES, MANIPULATING STARS, DRUGS, and ANXIETY. proceed with care.
TALES OF O'FRIEL — TAMSIN OLWEN LOVEDAY.
── ( grace van dien. demi woman, she / they. ) recently seen sprawling across beer - soaked oak, hand clasped to ear in fitful whispers and sideway glances, the occasional cicada slipping past lip and taking flight at the whaler: enter TAMSIN OLWEN LOVEDAY O'FRIEL. twenty six years old & a libra, usually observed in gossamer lace, a ghost upon body; soft glow emitting from skin pulled sheer – pulsating veins and a flash of something golden, the teeth of a white rabbit drawn upon shoulders; sorry thumper, and goodby – ; love is a devotion local known within their circle as VULPINE + GNOMIC, a perpetual hum of twilight by bôa on salted mouth. something of the SEPULCHRAL + PESTILENT follows, regardless … something to do with one's very own side - quest, faux prophecies and dangers ahead; tales most befitting miscreants and visitors alike, one and the same – uncaring to lift another finger of their own , perhaps ? strange, what a FAERY can get up to. they’ve been heard waxing lyrical about a dream they had recently, a strange tale of a never - ending dance – how many eternities have we spent here together? – soles long worn to bone and dust; body nothing more but a husk of skin, exoskeletal; entertainment beneath a spider's growing web – but we're here together, aren't we? forever and ever . pay no mind to fanciful star - gazing, though: rather, mind the tangible. focus on bated breath against locks of hair, near - translucent fingers laid across shoulder – voice here, and there, nowhere – everywhere; you want to dive into this lake sooo bad, you want to swim all the way down and wrap around the seagrass and get stu– / ears impossibly long – all the better to hear you with, my dear – tufts of softened white gold, splintering from fine points, lily of the valleys dangling chain-like / and phantom wings in every passed mirror – gambling never a consequence until now; a mother's cruel laughter echoing from every budding flower, every cawing bird, every iron box clawed open in searing desperation . /
... mentioning themes of CONTROLLING MOTHERS, BODY HORROR, DEATH, GRIEF, DEPRESSION, and INSECTS, BUT LIKE GROSS. proceed with care.

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TALES OF SABRY — FAIRUZ IBRAHIM.
── ( tamino. genderqueer, he / they. ) recently seen trapezing across a lone stage, spotlights dancing off beaded sweat – audience a crowd of one, half - asleep or otherwise dead, spirit rising from still body in a chant; encore, encore! bravo! at verve: enter FAIRUZ IBRAHIM SABRY. twenty six years old & a scorpio, usually observed in tits out; slivers of chainmail barely concealing loving shark - bites alongside rib, fishnet your only true, loyal companion – starfish spurs against heeled boots; aquamarine could never ; fairuz is a devotion visitor known within their circle as MADCAP + GRANDIOSE, a perpetual hum of knife prty by deftones on salted mouth. something of the HUBRISTIC + CAVALIER follows, regardless … something to do with an incessant need to entertain and please, for oneself and for others, one complete theatrical act , perhaps ? strange, what a SIREN can get up to. they’ve been heard waxing lyrical about a dream they had recently, a strange tale of lightning against stark red sea; no tell of morning from night – only fools dare to cross the threshold; scaled body wrapped around splintering wood, ichor flowing from lip and chest – harpoon a stake upon self . pay no mind to fanciful star - gazing, though: rather, mind the tangible. focus on defense being a performance in itself, accusatory points towards a faceless jury and judge in the checkout line of a mini mart – i'm innocent, your honor! hear my pleas, hark my – cue one dragged away by smoothed heels, threats brimming lips / insatiable hunger and the habit of playing with ones food – thoughts bubbling mid - air, tom and jerry sequence of cat and mouse, mallet to head – cuckoos circling; almost as satisfying as the kill / and bone an accessory – so sustainable chic! – fish spine piercing cartilage, ribs lining lobe – cuffs of mysterious vertebrae, drilled and filed and – .
... mentioning themes of IMPLIED MAN - EATING, SLIGHT BODY HORROR, INJURY, DEATH, and RESURRECTION. proceed with care.