Happy Soundgarden day!!
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@heathermasonnum1fan
Happy Soundgarden day!!

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I absolutely love Musora, but especially these two videos. They show that a good song is good outside of genre or form. I just love these interpretations sm, itâs so refreshing to see such creativity and talent. If you have like 15 free minutes give at least one of these a watch, you wonât regret it.
Songs of the Week (4)
1. Hooker with a Penis (TOOL)
I know I already talked about Aenema on here (please donât come for me I donât know how to type out the AE character), but I really rediscovered it recently. In my opinion, this is TOOLâs best album, and Hooker with a Penis is definitely a highlight for me. I donât even feel like I have to say that musically itâs amazing, mostly because I donât think Iâve come across a single bad TOOL song, but Iâll mention it anyway because the chorus is absolutely stellar. What really drew me to this song, however, were the lyrics. Definitely some of their best work.
2. 4th of July (Soundgarden)
I donât know what it is about this song but Iâve been listening to it nonstop for the past week. And by nonstop I mean at least 4 times a day. Iâve never been a big fan of Soundgarden and Superunknown was the only album of theirs I was actually familiar with (because of Black Hole Sun and Spoonman only to be honest), and I never thought Iâd ever be this into any of their stuff, but this song did a complete 180 for me. I donât know what it is about it that makes it so addictive, but it literally takes me to another dimension. I donât know how to describe what I feel every time I listen to 4th of July, but I HIGHLY recommend it.
3. ĐĄŃка ĐŃĐąĐžĐ˛Ń (Antoha MC)
I donât usually recommend Russian music on here because this obviously isnât a Russian-speaking blog, but Iâll be making an exception for this one. The beat is absolutely heavenly, the vocals are a perfect fit, and the flow of this song is just insane overall. And yes, I know itâs a cover, but I would much rather listen to this version because the original, while not necessarily bad, is a kind of a confusing mix between reggae and 90s Russian pop (at least thatâs how I would put it). You donât need to know the language to enjoy this song, itâs absolutely magical either way.
4. Roads (Portishead)
I donât think Iâve spoken about my love for Portishead on here yet, so I feel like Roads will be a great place to start. Iâm going to be honest and admit that Dummy is the only record of theirs that I actively listen to but I feel like thatâs enough because thereâs nothing wrong with liking an artistâs most popular album because most of the time, itâs also their best one. Roads is beautiful all around, as is the entirety of Dummy, and as lately Iâm increasingly drawn to calmer music, this is currently a perfect fit for me.
5. Heaven or Las Vegas (Cocteau Twins)
I donât think Iâve spoken about Cocteau Twins yet either, so hereâs Heaven or Las Vegas. Personally, I believe itâs the best song off the album, but to each their own. Itâs such a summer song for me, and I listen to it whenever I want to be taken back to less stressful times. Itâs so kind and weightless, I absolutely love it. I wish I could go into the technicalities of what makes this song as glowing as it is, but Iâm not really a musician so Iâll just settle for saying that it overwhelms you in the best way possible; it feels like everything is happening all at once but it just makes the soul feel so light.
6. Reptilia (The Strokes)
Some will say the production sucks but I say itâs a creative decision. The mixing just adds to the ambience, which is amazing, so let it be. I like The Strokes quite a lot, but this song is just something else, itâs just so raw. Iâve already said that what I value most in music is genuineness, and Reptilia is nothing if not genuine. You can say that itâs simple musically, but in this case I, quite frankly, donât care. The chorus is out of this world and the vocals in it are so beautifully fitting it makes me want to cry. This song also has one of my all time favourite lines on it (âthe room is one fire as sheâs fixing her hairâ) so I will not be taking any criticism.
7. Aenema (TOOL)
Iâm closing this week off with the best song off of Aenema. Itâs just great, I donât know what else to say. The repetition of âlearn to swim,â the drumming, the flow from section to section, the palpable frustration, the tension buildup throughout the song, the vocal work, god itâs all just perfect. Songs that are this well-balanced and flow this organically are very hard to come by, and Iâm endlessly happy I had the opportunity to come by it and the album altogether. This is one of those songs that is literally life-changing, crush-your-soul-and-take-you-to-another-dimension kind of deal. Absolute standout of this week.
This video is literally a piece of art.
I rarely connect with something on such an intense level, but in this case I can confidently say that I agree with like 99% of the things that were said.
Iâm going to be honest here and admit that I was never really interested in The Beatles; that is not to say that I hate their music, itâs just that I donât actively go out of my way to listen to it. I was also never really into the whole Yoko controversy, mostly because I felt like I didnât know enough about the whole situation to take part in the discourse or to make my own claims. However, this video still really did it for me, mostly because while it does talk (in depth) about the intricacies of the breakup and assassination, it focuses mostly on the twisted narrative of âthe evil woman that manipulated and destroyed the genius of a sensitive and accomplished man.â I never really thought about how often we fall for it as a society or how popular it really is in todayâs pop culture.
I absolutely loved the segment about Kurt Cobain and the âCourtney killed himâ conspiracy, as well as how passionate the author is about defending women in the industry by calling out those that villainise them without idealising these women in the process. I guess what Iâm trying to say is that the overall argument is very cohesive and balanced and doesnât let it sway too much in one direction.
I wholeheartedly recommend anyone with 2 hours to spare to give this a watch. Even I with my fried attention span was able to enjoy it, and I also just think that itâs beautifully made.
Songs of the Week (3)
1. Junkhead (Alice in Chains)
This was definitely an Alice in Chains week for me. Seasonal depression or whatever people choose to call it had me playing Dirt on repeat, and Junkhead is such an obvious standout (for me personally) that I just had to include it here. This song is so confident in what it wants to be that every listen feels different and itâs impossible to get tired of. Lyrical content and context aside, itâs a positive and enjoyable listen every single time.
2. Fist (Deftones)
Since Adrenalineâs 29th anniversary was a couple weeks ago and I forgot to make a post about it, Iâm honoring it here. Besides, it was about time I added a Deftones song to one of these; just because thereâs less of them in my daily rotation doesnât mean I love the band any less. Fist is technically a hidden track, meaning that many forget about it when talking about Adrenaline, which I think is incredibly unfair. Fist is absolutely bewitching, a beautiful track that doesnât really fit with the rest of the album, but itâs such a gorgeous addition that I could never have the heart to critique it.
3. Mic Check (Rage Against the Machine)
Is it obvious that I love the Battle of Los Angeles yet? I love how inventive this song is, what is done with the guitar and the vocal effects. Itâs a little too out there to play in the car or public places, but god is it beautiful. One of the best tracks off the album.
4. Riders On The Storm (The Doors)
Iâm switching it up a little this week. I donât know what it is, maybe itâs the weather, but for some reason this song easily made it into my daily rotation. I donât listen to The Doors much so this feels like a very welcome change. Itâs so charming and confident and beautiful that sometimes I put it on just to calm myself down.
5. I Know Something (Alice in Chains)
I fucking love Facelift and this song is one of the main reasons why. I adore the bass on this one and the way it blends with Jerry Cantrellâs guitar is insane. Itâs weirdly positive and upbeat for this album and Alice in Chains in general but in the best way possible; it brings a kind of funkness (is that even a word) to their work I really appreciate. An overall amazing listen, so captivating.
6. Jimmy Recard (Drapht)
This song was introduced to me by my stepdad and itâs actually one of the biggest reasons I love it so much. Music is one of our main bonding points and itâs just always so beautiful to have people you love give you a glimpse of their music taste (especially if the taste is stellar). I tend to gravitate towards music thatâs a little different from Drapht, which only makes songs like these all the more interesting to me. Absolute banger.
7. Sober (TOOL)
Sober is this weekâs TOOL song because apparently I need to have one on every single one of these. If Iâm being completely honest, I havenât checked out any other tracks from Undertow, but if Sober is anything to go by this album fucking rocks. As always, the lyrics are amazing, the vocals are as intense as can be, the atmosphere is transcendental, and the passion is out of this world. I have such a deep appreciation for this track because letâs be honest, thereâs nothing like TOOL out there and this is an integral part of their origins.

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HELP IM LOSING MY SHIT WITH SOME OF THESE
Songs of the Week (2)
1. Bullet in the Head (Rage Against the Machine)
Iâm honestly such a sucker for anything RATM-related, but this song is definitely in my top 3 this week. The band is so good at coming up with short but insanely effective slogans (is that what you call it?); like âthey say jump, you say how high,â for example. Zack de la Rocha is one of the most powerful frontmen of all time, which becomes especially obvious in Bullet in the Head. This song really does give me chills.
2. Schism (TOOL)
Almost half a year later, and Iâm still on Lateralus. I canât seem to let this album go, itâs just so transcendentally beautiful I have to give it another listen. And then another. And another. I get that Schism is probably the most well-known song off this album, but Iâm so tired of the ridiculous narrative that you canât enjoy the popular songs because it makes you a âfake fanâ or whatever. Schism is amazing no matter which way you choose to look at it.
3. Die, Die My Darling (The Misfits)
I was originally introduced to The Misfits when I was about 10 by my dad with Dig Up Her Bones, but didnât think much of the song or of the band until last week. Not only do they have a very solid discography, but Die, Die My Darling is such a catchy and heartfelt track that I felt it was necessary to include it this week. Apart from the mixing, which is a little strange at times, this song absolutely slaps.
4. Bleed the Freak (Alice in Chains)
Kind of an obvious favorite from Facelift, but a favorite nonetheless. I rediscovered it this week after completely overplaying it in August, but Bleed the Freak is such a genuine masterpiece that I just canât seem to leave it alone. I donât know what they put in this song but I am unashamedly obsessed with it (again).
5. Lullaby (The Cure)
Yet another banger from Disintegration. I swear Iâll make a separate post on this album someday, but for now Iâll have to make do with speaking about separate tracks only. Lullaby is so sincere and charming it makes me want to cry, even if at first glance thereâs nothing to really cry about. Yes, itâs simple, but when has simplicity ever stopped a song from being good?
6. Testify (Rage Against the Machine)
God how I love The Battle of Los Angeles. This song is an absolute beauty, both in terms of being innovative with its music and giving you food for thought. As Iâve said before, Iâll bite at anything genuine or passionate, so you can imagine how much authentic happiness songs like Testify bring me.
7. Firestarter (The Prodigy)
Another band I was introduced to by my dad. Iâve been listening to The Prodigy quite a bit this past month because I missed a chance to go their concert in August, so really itâs no surprise that one of their songs ends up on here. Firestarter is mind-numbing, but in the best way possible; just like most of their music, this song carries the kind of energy you canât find with any other artist. Itâs gorgeous.
this is amazing GIVE THIS GUY A MIC RIGHT NOW
Kinda crazy how this was filmed 37 years ago and this is still exactly what weâre going through, except itâs so much worse now. I donât want to be a downer, thereâs still a lot of great music being made out there for sure, itâs just that it sometimes feels like all I hear is heavily processed, formulaic songwriting that makes me either irritated or pessimistic. Havenât seen anyone else articulate what Iâve been feeling lately so clearly, so have this.
Songs of the Week (1)
1. Bodies (Sex Pistols)
Really got into Sex Pistols this week, canât get this song out of my head. Questionable messaging aside, this song is brilliant. I rarely find myself able to separate the music from the lyrics, so being able to enjoy this so much is a big deal for me. Indescribable energy.
2. Whale & Wasp (Alice in Chains)
The Jar of Flies EP is a goldmine that just never stops giving. I donât know what Jerry Cantrell did to make his guitar sound like an actual whale, but this song really takes me places. Breathtakingly beautiful.
3. Disintegration (The Cure)
One of the best songs off this album. Iâve wanted to make a separate post on Disintegration (the album, not the song) for a long time now, just because itâs one of those rare records that I consider to be genuinely flawless. Cried to this song multiple times, I just donât know how to put into words what it makes me feel.
4. Estranged (Guns N Roses)
I feel like this is an obvious one but out of their entire discography, Estranged is definitely one of my favourites. Absolutely adore Slashâs solos in this one, especially the fact that at some point the guitar becomes a second voice on equal standing with Axlâs vocals. Heartbreaking. Could cry to this for hours, no joke.
5. Guerrilla Radio (Rage Against the Machine)
One of my favourites off of The Battle of Los Angeles. Had the whole album on repeat a lot recently, but this song especially is a godsend. Thereâs something so special about finding music that you can really call yours, that really fits you. Guerrilla Radio is definitely one of those for me.
6. Problems (Sex Pistols)
I donât know what it is with me and Sex Pistols this week but I feel like Problems is another song that translates their energy best. Itâs provocative and dirty, Iâm absolutely in love with it. Anything sporting raw emotion or genuine sentiment is an instant yes for me.
7. Halloween in Heaven (Type O Negative)
The first Type O Negative song in my playlist ever, mostly because I never really liked them much if Iâm being honest, but the female vocals somewhere around the middle of the song really won me over. Iâll check out some more stuff from Dead Again, weâll see where it goes.
I think Iâm gonna start a little rubric with âsongs of the weekâ or something along those lines. Iâve been loving some artists a lot lately and need an outlet to share my favourites.
So starting this week, every Sunday Iâll be making a little post with 7 of my most listened to songs of that week. Hopefully I wonât abandon it and maybe some people will even find new tracks theyâll like.
Idk if itâs a good idea but I guess weâll see.

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if it wasnât obvious that I fucking love bassists yet, here are cliff burton and jason newsted because I believe they deserve so much more recognition than they get. even though I am admittedly not the biggest fan of metallica (I donât hate them dw, their music and actions just arenât always my thing), I can recognise the fucking powerhouses that both cliff and jason were as part of the band.
first of all, like half of the members wouldnât know basic music theory and chord progressions if it wasnât for cliff. if Iâm not mistaken, he had to teach lars and james what sixteenth notes were. that was how bad things were. like this guy literally MADE metallica, they would legitimately be lost without him.
not to mention cliffâs fantastic work on bass and just insane abundance of musical talent. I personally consider him to be the best musician in metallica, period. rip cliff I fucking love you.
and jason newsted, despite receiving a less than warm welcome after joining the band, managed to build a reputation as one of metallicaâs greatest live performers and the unarguable soul of the band. again, fucking love this dude, wish his potential wasnât crushed and he was allowed to express creatively. what they did to his sound on justice is upsetting to this day.
love these guys.
I FUCKING LOVE CHI IN LIVE PERFORMANCES
credit to @bm2brad on tiktok
Wes Borland was such a blessing to Limp Bizkit. Iâm not saying Fred Durst being such a character didnât play a role in their success (I still absolutely despise him as a vocalist and lyricist though), but literally the only redeeming qualities about their music (at least to me) are Borlandâs riffs and talent. The only reason Rollin or Break Stuff were such big hits was because he has the ability to play guitar in a way that makes you jump up from your seat and go insane.
All Iâm saying is that thereâs a reason Results May Vary sucked so bad.
Deftones albums, best to worst (my opinion):
1. Saturday Night Wrist
2. White Pony
3. Diamond Eyes
4. Around the Fur
5. Deftones
6. Koi No Yokan
7. Ohms
8. Adrenaline
9. Gore
I genuinely love all of them and hold a strong belief that Deftones never made a bad album, but some I am attached to less than others.
HAPPY BIRTHDAY SLASH YOU SLUTTY MF!!!
I would talk about how amazing he is as a guitarist and his impact on music but that would take too long. Literally love him to death. Thatâs all I have to say.

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OH MY GOOOD I ALMOST FORGOT HAPPY BELATED BIRTHDAY TO ONE OF THE BEST DEBUTS OF ALL TIME!
Appetite for Destruction, released on July 21st 1987, is what I would personally consider a perfect debut for a band such as GNR. From the lifechanging opening of Welcome to the Jungle to the concluding chord of Rocket Queen, this album is EXACTLY what it wants to be: itâs mean, itâs dirty, itâs unpredictable, and itâs completely unapologetic. While I personally donât think any of their other material is interesting enough to dissect, I find Appetite to be engaging enough to literally grab you by the balls and keep you listening, singing, dancing, screaming, and doing whatever else this monster of an album pushes you to do. While the musical side of this record is obviously quite primitive and doesnât reach for any new or groundbreaking heights, itâs still effective as fuck (seriously though, try to put on Itâs So Easy and stay in one place). The energy it brings is unlike any other, itâs so beautifully and uniquely messy that I struggle to find the words to describe how much I love it. I wish I had a vocabulary wide enough to explain what I find so bewitching about the 80s-LA-SexDrugsAndRockNRoll vibe it creates but oh well. Happy birthday/anniversary Appetite!!
FUCK YOU I WONT DO WHAT YOU TELL ME