CIA 1x08 Orbital
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TVSTRANGERTHINGS
Sade Olutola


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Noah Kahan

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Stranger Things

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The Stonewall Inn
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@hbybabit3m3
CIA 1x08 Orbital

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whump is such a strange thing for me. ‘oh im having trouble shouldering the burdens of daily life, let me play scenes in my head of someone getting the shit kicked out of them (fictionally), that’ll make me feel better’ and it DOES
I HAVE SCIENCE FOR THIS. because I got curious one day and went digging.
I was trying to figure out if anyone’s studied why people like angsty stories and hurt/comfort type of fiction so much (it’s me, I’m people).
It seems to come down to
We feel the same intensity of sadness when talking about a tragic story from our own life as when watching a tragic piece of media, but we feel way more anxiety along with it when relating our own story. So it’s a way to feel sadness without as much anxiety. https://www.verywellmind.com/why-do-we-like-sad-stories-5224078
Catharsis (access, release, and process feelings with less personal risk/stress)
Endorphin release (pretty big endorphin release with sad/tragic media! Even increases pain tolerance afterwards. Maybe I am just self medicating my chronic pain) https://www.theguardian.com/science/2016/sep/21/watching-a-sad-films-boosts-endorphin-levels-in-your-brain-psychologists-say
Identification with characters for identity exploration and building resilience (didnt quite say resilience but i think that’s what the trait identification study’s extrapolation comes down to as well) https://www.verywellmind.com/the-effect-of-stories-on-your-brain-5118221
Increased appreciation for one’s own life/relationships (less common)
And also, fandom is therapeutic and relational: https://www.vox.com/22297792/fandom-escape-grief-psychology-complicated-lynn-zubernis-interview
It also occurred to me that this hits a lot of Judith Herman’s stages in her trauma recovery model!
1a. Healing relationship: Visceral identification leads to a sense of relationship with characters and vicarious experience of their relationships.
1b. Safety and stabilization: The alibi of fiction creates some safety, as does a more controlled environment in which to expose yourself to the contents of fiction (content warnings and expectation management of tags etc helps with this too).
2. Remembrance and mourning: Stories with trauma/angst exploration, whether or not there’s comfort/recovery involved, can be an aspect of rememberance and mourning especially if they resonate / reflect one’s own traumas (which are often relational), allowing mourning-by-proxy which again creates some safe distance to make it more bearable/less intense, especially since it doesnt have the anxiety level of engaging directly with your own trauma story so it’s less likely to lead to dissociation (impossible to process while dissociated).
3a. Reconnection with community: Maybe the least applicable, though I’d argue that fandom holds some of this.
3b. Connection with like others: The similarity of characters, and connecting with others in fandom who also relate to those characters and their experiences, is absolutely connection with like others.
Whumpers who casually manhandle the whumpees, as if doing so is completely natural. They don't even think twice about it. Whumpee is trying to crawl away? Oh, just grab them by the ankle and pull them back. Whumpee's head is pointed in a suspicious direction, as if looking for an escape? Pull them by the hair so their eyes are forced away. Trying to yell for help? Put them in a chokehold, without so much as a change in expression.
Just little things that reinforce the power dynamics and show how helpless Whumpee truly is. For them, it's Hell on Earth. For Whumper, it's Tuesday.
Your friends’ lives hang in the balance and you’re gonna take your cues off a punch-up artist instead of me?
Still one of Eliot’s SEXIEST scenes. Anyone who disagrees can fight me tbh.
One of his BEST scenes. Shows how smart he is.

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I like that Ezra is particularly good with animals. I never considered that different force users would have strengths with different aspects of the force, but it makes sense. And honestly if I think about it, I should’ve picked it up from different characters.
Ahsoka is very acrobatic, which I always assumed was just part of her species, but so many of her stunts were obviously assisted by the force.
Anakin seemed to be very good at instinctual snap decisions.
Yoda could connect with the force on a very deep, truly spiritual level.
Luke was better at, for lack of a better term, letting the force guide him. Reading the cues it gave him, following whether it made logical sense or not.
Leia was basically an empath. Excellent at reading people, and knowing when to meet, exceed, or defy people’s expectations.
I wish I remembered Mace Windu’s moments more, but I feel like he was a particularly good duelist/saber wielder?
It’s also hard for me to pin down Obi-Wan since there’s so much of him in the saga. Same for Kanan’s thing, but because I’ve seen less of him, and to be fair his training was cut short by 66.
Star Wars is not very consistent on what the force is or how it works, but if it moves through every living thing, it does make sense that living things would find wildly diverse ways to harness it.
Very specific thing I find attractive. When you’re bantering or even arguing with someone and they’re being sassy and say something like “no” but don’t fully use their mouth to form the sound and have their lips kinda open… imma bite that so hard!!!!
You know what I love? Momentary modesty. Let me explain.
A girl in a crop top holding the seam down as she stretches? Give me more.
A man placing a pillow over himself in need? Imma climb him like a tree.
A girl wearing short shorts deliciously and then pulling the bottoms down as she stands. God I’m feral.
A man having his shirt off then putting it back on because there are new people in the vicinity. Imma tear that shirt off with my teeth.
Gimme gimme more.
Ah, yes. The Dark Trinity of humanity. The beautiful, the smart, and the achieved.
laugh so hard when people say padmé lived a sheltered life. padmé:
went on refugee missions when she was single digits old
lost the people she saved
entered the youth legislative system and became queen at 14 post which her planet came under seige
at 14, she came face to face with the harshest realities of the galaxy, and learned the hollowness of the republic governing it
grew up on a mid-rim world which was ignored by the senate when it was being threatened by the trade federation, and yet—
against all odds, she made alliances at 14 years old that saved her planet, inspiring loyalty through her actions to the point that her planet wanted to change the constitution to extend her reign. but she denied because at a young age, she recognised that popular rule is not democracy
she worked relentlessly in a system that was increasingly failing the galaxy, worked for the people, and opposed acts that would lead to war, to the point she became a threat inviting multiple assassination attempts; she lived everyday knowing she could die
was one of the creators of the rebellion and led the delegation of 2000
refused to join her husband—by then darth vader—on the darkside even after loving him fiercely.
she is the archetype representing democracy and liberty in the star wars saga, one that the galaxy lost but who was restored through the actions of her children.
compare this to another character, obi-wan, who:
grew up on the republic capital where anything and everything was accessible
grew up in an order supported directly by the government
learned under the tutelage of a wise master, and learned his first loss at the age of 25
but somehow this is not a privileged and sheltered life?

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Ah, yes. The Holy Trinity of humanity. The beaten, the broken, and the damned.
you can't have your hitter as your mastermind in a heist/con situation. the mastermind's job is to have a plan, and the hitter's job is to make sure everyone gets out alive. these are separate and exclusive roles. the hitter cannot have any emotional stake in the plan. their job is to make sure everyone gets out alive even if it means saying 'fuck it' to the plan and ruining everything. a hitter cannot be thinking about the plan basically ever at all because they need to be counting exits and obstacles between those exits and where every member of the team is at all times. they cannot be distracted by the plan because they need to be fully focused on how to get everyone out if it all goes wrong.
this is why eliot spencer never even considers wanting the role of mastermind after nate, and lets parker and hardison throw their hats in that ring as many times as they want without competing for it. it's why he never runs a job. his job is to get them out alive.
Oh, to be loved loudly. Oh, to be loved visibly. Oh, to be loved completely. Oh, to be loved entirely. Oh, to be loved eternally. Oh, to be loved with every fiber of their being. Oh, to be loved to the ends of the earth. Oh, to be loved at all.
Oh, to be loved.
Rolling my eyes so far back in my head that I can see myself losing brain cells in real time.

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Everything on repeat 🔁🤍