“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON

Internet Archive

John Frederick Kensett Eaton’s Neck, Long Island, Oil on canvas, 1872.

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Philosophikum II, Universität Gießen. Photo: Matthias Heiderich

Tile flooring at the Oceanário de Lisboa, an aquarium in Lisbon, Portugal

El Palmar, Entre Ríos, Argentina. 2021.

Yasushi Tanaka - Au bord du ruisseau (1923)

The Listening Room (1952) - Rene Magritte