Movie Reviews - Supergirl / Peter Asher: Everywhere Man
This week I got to review a documentary and a narrative film:
Supergirl
Kara Zor-El, the cousin of Superman, is such a unique character in the DC Universe. Not a direct sibling but close enough to have the same superpowers and warrant her own comic books. In 1984, only a year after Superman III, they released the first Supergirl movie with Helen Slater in the title role. I saw it in the movie theater as I grew up a big fan of Superman. That first movie was, well.... okay I guess. It had its moments but didnât set the world on fire the way they had hoped with Richard Donnerâs first Superman. Then she made an appearance in 2023âs The Flash. The character was brought into last yearâs Superman with Milly Alcock playing her. Now Alcock is taking the lead in Supergirl, opening this week.
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Logline: When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El, aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice. Director Craig Gillespie (who has directed some good and bad movies, but the best being I, Tonya) enters the DC Universe with Superman director James Gunn producing.
my friend Mike and I at the advance screening
There's a lot of things about this movie that are derivative of other movies. Plot-wise it reminded me a lot of an interplanet True Grit. The villains and action are reminiscent of Mad Max and Guardians of the Galaxy. What impressed me a ton about last year's Superman is that they completely skipped the origin story and dropped the character into the modern day. In terms of a stand alone movie for Supergirl, who previously showed up as a young party girl with super powers, this movie tries to have it both ways: it is dropping Supergirl into an action-packed story, but it's also featuring flashbacks of her backstory. And yes, Superman (David Corenswet) makes a cameo or two checking in on her. Alcock does her best to make this character more than just a cliche. Much of the characters reminded me a ton of Mad Max villains and Jason Mamoa's character Lobo was borrowing more from shock rocker King Diamond. Overall the action is what more or less saves this movie. Bottom line: It is good, but not great. Having said that I feel like this is the Supergirl movie they need to get out of the way so that the next one (or one after) will be the really great Supergirl movie we haven't gotten yet.
For info on Supergirl
3 out of 5 stars
Peter Asher: Everywhere Man
By now there is actually a subgenre within the music documentary genre, which is the rock and roll zelig who has had something to do with loads of popular musicians over history and even if you didn't know them you know the works they had to do with. Such is the case with the recent festival hit Peter Asher: Everywhere Man, which has recently been released theatrically. I wasn't too familiar with him other than his being a part of Peter and Gordon and his affiliation with The Beatles. Asher's sister actress Jane dated Sir Paul McCartney from 1963 to 1968 and Asher's Brit pop duo Peter and Gordon did some Lennon-McCartney compositions, he became an A&R rep for The Beatles' Apple Records label, he ran the gallery that Yoko Ono had and exhibit at where John Lennon met her for the first time, and he later became a very notable music producer. This doc includes a stage show, where Asher is literally telling his own story.
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Directed by Daniel Geller and Dayna Goldfine, who previously directed Hallelujah: Leonard Cohen, a Journey, a Song (read my review here), this goes deep into the subject of Peter Asher. He is onstage telling his own story with pics, anecdotes and laughs, seen reuniting with old friends and collaborators, and being interviewed himself. Interviewees include Steve Martin, Eric Idle, Patty Boyd, Carole King, Linda Ronstadt, James Taylor and numerous others. During a montage of Peter and Gordon in the early 60s of various TV appearances, there's a quick clip of Arnie "Woo Woo" Ginsburg (who I interviewed for my documentary Life on the V: The Story of V66) introducing them too.
Bottom line: as a Beatle fanatic, I ate up portions of this doc and it was kind of cool to see how he intersected with so many aspects of pop culture. It was a little longer than it needed to be and it definitely bordered on hagiography. But it was cool to learn about this rock and roll zelig!
For info on Peter Asher: Everywhere Man
3.5 out of 5 stars















