Conclave (2024) dir. Edward Berger

â
"I'm Dorothy Gale from Kansas"

Cosmic Funnies
Jules of Nature

Product Placement

oozey mess
he wasn't even looking at me and he found me
Three Goblin Art
h
$LAYYYTER
ojovivo

Kaledo Art

Andulka
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Peter Solarz
taylor price
tumblr dot com
will byers stan first human second
RMH

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@greenribbon
Conclave (2024) dir. Edward Berger

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INTERVIEW WITH THE VAMPIRE 2.02 âş Do You Know What It Means to Be Loved by Death
INTERVIEW WITH THE VAMPIRE | Season 3, Episode 1
Amaka Umeh as DEE PHARMA
THE VAMPIRE LESTAT | 3.01 "DETROIT"
I'm giving the paps my pussycat with no idea I would be in a fang fight less than an hour later.
LESTAT + his cunty corset top

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i think he's handling things really well.
what is this genre of photos called
The twirl is lethal.
this format is fucking horrifying
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
#'this is present in the text' is often a good first step #but those second and third ones (naming it; describing its function) are vital (via @elucubrare)

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have you ever suddenly + involuntarily lost consciousness
yes (fainted)
yes (head trauma)
yes (substance-induced)
yes (lack of oxygen)
yes (blood loss)
yes (multiple)
no
drug addicts deserve housing, food, water, and healthcare btw
he never enters the horror story he wouldnât dignify a horror story with his participation so he stays in the adventure story til the very end
HAPPY PRIDE! đ WHAT WE DO IN THE SHADOWS | S4E05

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Let's ambush mama! đź