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Koloman Moser Spring c. 1913

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Nisus and Euryalus. 1827.

Jean Baptiste Roman. French 1792-1827. Louvre Paris.

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“Published and edited by homosexual men and assembled by a largely queer staff, Films and Filming’s producers deliberately coded the magazine for men like themselves. Throughout its life, Films and Filming’s articles on censorship of homosexual themes in film, references to sexually ambiguous male actors like Rock Hudson and Dirk Bogarde, humour, sexual innuendo and homoerotic photo spreads all reinforced for many that Films and Filming was queer.”

Justin Bengry, ‘Films and Filming: The Making of a Queer Marketplace in Pre-decriminalization Britain’

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Eugène Jansson (Swedish, 1862-1915), Munklaverspelaren [Harmonica Player]. Oil on canvas, 144 x 92 cm.

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Everything’s okay? What’s okay? Nothing’s okay. It never was and it never will be. Not ‘till we’re out. You get that? Out. Burt Lancaster as Joe Collins in Brute Force (1947) dir. Jules Dassin

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