There's this category of TTRPG where the seemingly only selling point besides maybe artwork is giving players permission to jerk off to their own moral purity as manifest from buying the TTRPG.
Candela Obscura is the strawman put forward in this post, but it’s a game that actually exists:
[This was partially written by @ashweather, another member of the A.N.I.M. team.]
Let me preface this by saying that I don’t think that the makers of Candela Obscura are morally evil, or that I think less of your moral worth if you’ve played or enjoyed this game. It’s just that, at best, the game has a really obnoxious and cowardly tone and at worst has a lot of shit in it that looks really bad if you think about it for more than 5 seconds.
If you think that tabletop RPGS are art (and we do), then they can be analyzed like art. They can have unfortunate implications or reflect unexamined reactionary politics. This post is going to be taking screenshots from both the quick start guide and the full rulebook to make this point - while the text between the two is broadly similar, the quickstart guide is more overtly finger-wagging and hostile, saying the quiet part out loud.
The thing about Candela Obscura is that it takes place in a fantasy 19th-century England/USA, but it really wants to pretend that it doesn’t. It wants the aesthetics of this setting and almost every trope that comes baked into it, but also wants to act like it’s above all that. It wants to have its cake and denounce it too. It’s so pants-shittingly terrified that it or the players might say or do something “problematic” that it loops back around to being incredibly offensive.
To take just a few examples, the text is absolutely riddled with this kind of sentiment:
(What the fuck do they think an “explorer” is? Also, I think I have some bad news about 19th century doctors.)
Okay. Look. A lot of this is gesturing at principles that are unobjectionable or even useful to keep in mind when writing a setting like this. Yes, it’s ideal to have a non-Eurocentric historical understanding of technology and culture. Yes, refugees are human beings with their own valuable skills and perspectives. Yes, if you uncritically write an expy of Victorian England or late 19th-century New England, you’re gonna end up with a bunch of insane stereotypes (especially Orientalist ones) that you probably shouldn’t just blithely put to the page without thinking about them. And yes, bigotry is a bad thing, obviously.
The problem is twofold: The first is that Candela Obscura feels the need to take a patronizing tone towards its own readers, as though they were incapable of engaging critically with the setting or subject matter on their own terms. The second is that despite all of this finger-wagging, Candela Obscura absolutely does not present a setting with any critical thinking put into its basic construction. (We checked, by the way. None of what we are about to present is supposed to be in-universe propaganda. If it is intended to be, this is not made clear at all in the text itself.)
The game takes place primarily in the city of Newfaire and its surrounding environs - the Fairelands. The Fairelands are prosperous and idyllic, and all but outright stated to be “the good guys.” All of the “problematic” aspects of the societies the game is emulating are either scrubbed without thinking about the implications of scrubbing them..
(Don’t worry guys there’s no colonialism here, this version of fantastical New York was settled on a Terra Nullius where nobody lived, right over the ruins of an ancient society with a mix of Egyptian and Mesoamerican coding who practiced strange and corruptive magicks. Remember, reader, this game wants you to go out of your way to avoid reproducing any harmful stereotypes from the era.)
..or are present without any historical or structural reasons for them to be present:
(Don’t worry guys, sex work is lawful, profitable, safe, and socially acceptable! Oh yeah all the sex work happens in shady, spooky-looking crime districts that cops monitor, filled with drug-filled dens of illegal vice, though. By the way, there is no brothel listed in this district’s points of interests, or any further discussion of what sex work in Newfaire is actually like.)
There are so many examples of this that we could spill a novel’s worth of digital ink talking about it. (We just don’t have time to get into, for instance, their adventure inspired by the “radium girls” where the primary victim of the dangerous substance in question is a customer who is already dead when the adventure starts and not the workers who make the products.) Honestly though, this paragraph says more than we could in a hundred pages:
Here we find out that we are reading a TTRPG setting that has the same understanding of bigotry as the movie Crash. No institutionalized bigotry, just “bad actors who hold terrible beliefs.” Just bad apples, with no personal history or cultural roots to their ideas, who presumably sprung out of the ground one day declaring themselves Republicans. Not only do these bad actors come from nowhere, they don’t go anywhere either. They don’t belong to any social movements, they don’t get organized, they don’t push for regressive political changes, and if they ever do, they certainly never succeed at those goals.
You see, despite these bad apples, the soil they grew from is pure. And you know something else about the idyllic, almost utopian Fairelands? They’re under assault.
That’s right! Hale (which the Fairelands is a part of) is under assault from the dastardly, corruptive forces of… uh, “Otherwhere.” (Yeah, do they all have hooked noses and recessed chins too?) That’s where all of the dirty foreigners invaders come from, who want to take away the prosperity of the Fairelands!
Oh, or maybe their whole culture were all coerced into doing it by an evil rock or something, which is definitely less xenophobic. But whatever, who cares what the reasons were. The Fairelands are under attack, and as the dominant power in the world, they need to defend themselves. Against the “colonists.” With nukes chain lightning.
(That last sentence continues on “tens of thousands..” You get the picture.) So, whew, glad that’s over! Otherwhere is still really dangerous, though. They might even be developing weapons of mass destruction of their own:
You know, if Candela Obscura were a person, I have a feeling I wouldn’t want to hear its thoughts on Israel.
You might be asking, where do the PCs fit in this? Well. The PCs are members of the in-universe organization Candela Obscura. They are an enormously powerful and widespread secret society of sometimes-cops sometimes-vigilantes who fight against the corruptive forces of magick to keep humanity safe. They keep dark secrets, “perform questionable acts in the name of the common good,” and operate entirely without oversight or responsibilities to anyone other than this organization. We are assured that this organization has the best interests of the regions they operate in and of all humanity in mind.
It’s actually fine - cool, even! - that PCs are secret police/CIA agents who engage in morally dubious acts for the purported common good. Newfaire’s society being deeply flawed is fine! The Fairelands as a political entity furthering an explicit narrative of being persecuted is fine! The problem is not that any of these elements exist, the problem is that Candela Obscura is utterly allergic to examining them. The text seemingly does not understand the setting it has presented at all.
The game wants to be anti-conservative, but the only kind of story it can produce is one of heroes who are ultimately aligned with the dominant power of the world, preserving the good and righteous status quo by fighting against corruptive, foreign, magical forces. “Gay transgender women of all races can be holy knights secret police fighting to protect the good kingdom democracy from the endless hordes of the evil dark race that has threatened its borders for a thousand in recent years!”
On a first read a while back, I said Candela Obscura’s gameplay mechanics make it sound like a game more meant to create “actual-play” shows than to be actually played. On examining the text more closely, that’s more true than I even realized at the time. The reason the game has all these bits about how not to be problematic - all of these instructions for avoiding engaging with the more controversial aspects of the setting - is because it’s not really intended as a game to be played in a private environment. It’s intended as brand guidelines for putting on an actual play show. If you google Candela Obscura, the IMBD page for the actual play series appears before the store page for the rulebook.
It seems like the game really doesn’t want you to play a character outside of your own culture. And sure, as stated earlier, it is a good idea not to have a mysticized idea of other cultures, or represent them in a callous way. For a private game played at home, though, this is not really something you need to dedicate pages accounting for. Nobody outside the table has to hear a poorly-done accent or contend with a less-than-perfectly researched religious portrayal - and if there is a pervasive issue with someone being bigoted or leaning on stereotypes at the table, frankly, that is a problem that is outside the scope of a TTRPG to address.
However, if you are an actor on a show, portraying people from different cultures comes with a whole different set of (much more justified) baggage. Candela Obscura’s approach to player attitudes on the setting makes so much more sense as brand guidelines than it does as a codification of how to play a game. "Don’t have actors appear in insensitive costumes on camera." "Don’t have actors say foreign words they don’t know how to pronounce on camera." "Remember not to have your white actor do a Romani 'fortune-telling' scene on camera." "Don’t show anything that could negatively affect the perception of the brand."
We’d like to end this by contrasting this attitude with Coyote & Crow, a game made by indigenous Americans, and one that is also actually meant to be played. Coyote & Crow invites all players to (respectfully, in good faith) create characters from indigenous cultures. The creators have challenged those who avoid their game on the basis that “they don’t want to be disrespectful by playing it” because that would involve portraying a Native character - in the end, who is that helping? That attitude results in potential players who remain just as ignorant of Native American cultures and - more importantly - don’t buy or support their game!
I have encountered this firsthand. I'm a massive history nerd, especially about pirates (among other things, but pirates are relevant to the story). I was hanging out in a system agnostic TTRPG server and Pirate Borg was mentioned so I talked about my idea for a historical fantasy campaign set around historical pirates and the Nassau Pirate's Republic. Started explaining some basic ideas, how it's basically about trying to keep this rogue nation together amid external hostility from England, France, and Spain and internal strife caused by a lack of trust and Edward Teach's descent into madness. Naturally this brings up Blackbeard and his crew, which contained several escaped slaves, and that the Queen Anne's revenge was a former slave ship. I immediately get the *several people are typing...* and am welcomed with several messages that Pirate Borg takes place in an alternate history where slavery never happened. I end up trying to have to defend myself, explaining the *true facts* that most pirates were escaped slaves, both native and black, and that a lot of pirate ships were captured slave ships because they had thicker hulls and could take more punishment in a fight. They were like "But you can have diverse crews and sturdy ships without bringing slavery into it." My response was "you *could*, but then you lose valuable historical context and systemic evils to fight against, I like running stories about making the world a better place." Some people understood that, but many of them *literally* shot back "But thinking about slavery makes me uncomfortable, so maybe just write it out of the setting?" That's when I shut up but I was just screaming in my head "YES, THE POINT IS IT SHOULD MAKE YOU FEEL UNCOMFORTABLE AND WANT TO CORRECT IT"
When it comes to worldbuilding advice, I do try to steer people away from the old flat tropes of making any singular people group "good", "bad", "more civil", or "primitive", or whatever. It's important that you, the writer of a fictional world, don't just rehash the same problems that have been present in the genre for decades and which are heavily tied to racism and other forms of bigotry. And no, just flipping the script on which group gets to be "good" and which group is now "evil" is not subversive and it does not solve the problem.
but also!!! attempting to write a shiny utopia of a world where all the inequality is just magically non-existent and everyone gets along without any issues will often get you the problems illustrated in this post. you still have to actually understand why the world is the way it is, and what it really takes to create peace and equality. People are people. there will always be some trouble between them. You can tackle that trouble in unique and interesting ways in your own fiction!
I've found in my own worldbuilding, that trying to just make things Fine And Good actually makes it a lot harder to build a coherent world with stories that feel alive and have believable conflicts. For example, the ttrpg setting described above here, where there is somehow a whole world of people who have fled to this perfect little utopia country where everyone is free of all bigotry ever... but also somehow there are still other people in the world beyond that are super mean and want to conquer the good country (for their resources. which... previously they seemed to be sharing just fine as a population built primarily of global refugees. why is it suddenly a problem that other people want their resources. is this the only place with bountiful resources? why? how? I don't want to make this post too much longer but man are my analytical gears spinning.)
tldr: turns out systemic problems are actually kind of better for worldbuilding than trying to just avoid being Problematic. If you do your research and actually understand why the real world is the way it is, you'll have an easier time building a fictional world that makes sense, with conflicts that are actually organic.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I do enjoy a good visual gag, and an old favorite of mine is “there is Math on a Board in the background that contextually makes no sense.” This broadly comes in 3 flavors I enjoy:
• the board is in front of a classroom, and the Math is waaay too advanced for whatever level of pupil these kids are supposed to be; like having the calculus integral in front of kindergartners, or relativistic physics in front of high schoolers.
• the board is in front of Criminals, who are Planning Something, and by all rights there ought to be no Math there to begin with. Like. You’re planning a Heist why do you have the Full Lagrangian on there. Are we taking a rocket to the bank.
• the characters are super-genius science fiction people. The Math is “Pi≈3.24” with an unlabeled pie chart.
Plymouth Rock, public perception: upon this rock, the Pilgrims first trod in their quest for religious freedom!!!!
Plymouth Rock, reality: 121 years after a boat carrying a bunch of people, some seeking financial opportunity and some trying to find a place to practice their Anxiety Nightmare Religion where nobody would object to their being deeply annoying all the time, landed in a very much occupied area and the passengers declared said area 100% Free For the Stealing, they were going to build a wharf when a 94-year-old leader of the Anxiety Nightmare Religion said "NO! my father who came over on a totally different boat three years after the first boat said that's where the first boat docked! you can't bury it under a wharf!"
and thus this random rock became A Big Damn Deal and was moved several times and broken repeatedly and now people drive hours to look at what's left of it, in a totally different place from where it started
"these researchers published a paper on something that literally any of us could have told you 🙄" ok well my supervisors wont let me write something in my thesis unless I can back it up with a citation so maybe it's a good thing that they're amplifying your voice to the scientific community in a way that prevents people from writing off your experiences as annecdotal evidence
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
In The Road to El Dorado there is only really one inexplicable thing within the plot. Miguel and Tulio plausibly bluff their way through or slip out of most situations. However, I’d never figured out why the volcano actually stops erupting when Tulio commands it.
The conclusion I finally came up with is that the actual gods were watching their big entrance go down, and thought “oh, this’ll be hilarious”
theres a lot of evidence throughout the movie to say that the armadillo (whose name is bibo) is a god.
they first find him in the jungle, where an armadillo has no business being
they find the entrance to the city, while being followed by him
he is present when the volcano starts to erupt (previous concept art also showed him in the background actually stopping the eruption)
miguel and tulio sucked ass at the ball game, so they used Bibo as a ball. He ricocheted himself all over the place and defied physics to get into the hoop every time
they come up with the flood plan to stop cortez when bibo pushed a glass over in front of them
my thing with Posts That Are Bad is that sometimes they're arguing in pursuit of a conclusion that's actually true and they could use actually true evidence to back it up. and then they just say a bunch of stuff they imagined instead. Why.
Division of labor in the home is one of the most important equity issues of our time. Yet at this rate it will be another 75 years before men do half the work.
The optimistic tale of the modern, involved dad has been greatly exaggerated. The amount of child care men performed rose throughout the 1980s and ’90s, but then began to level off without ever reaching parity. Mothers still shoulder 65 percent of child-care work. In academic journals, family researchers caution that the “culture of fatherhood” has changed more than fathers’ actual behavior.
Sociologists attribute the discrepancy between mothers’ expectations and reality to “a largely successful male resistance.” This resistance is not being led by socially conservative men, whose like-minded wives often explicitly agree to take the lead in the home. It is happening, instead, with relatively progressive couples, and it takes many women — who thought their partners had made a prenatal commitment to equal parenting — by surprise. Why are their partners failing to pitch in more?
The answer lies, in part, in the different ways that men and women typically experience unfairness. Inequality makes everyone feel bad. Studies have found that people who feel they’re getting away with something experience fear and self-reproach, while people who feel exploited are angry and resentful. And yet men are more comfortable than women with the first scenario and less tolerant than women of finding themselves with the short end of the stick. Parity is hard, and this discrepancy lays the groundwork for male resistance.
Though many men are in denial about it, their resistance communicates a feeling of entitlement to women’s labor. Men resist because it is in their “interest to do so,” write Scott Coltrane and Michele Adams, leaders in the field of family studies, in their book, “Gender and Families.” By passively refusing to take an equal role, men are reinforcing “a separation of spheres that underpins masculine ideals and perpetuates a gender order privileging men over women.”
While interviewing working parents for a book on parenthood, I spoke with one dad in Vermont who said: “The expectation among my male friends is still that they will have the life they had before having kids. My dad has never cooked a meal. I’ve strayed from that. But subconsciously, the thing that makes you motivationally step up and do something when you’re not being asked …” he trailed off, and then said: “I have justifications. It’s a cop-out.”
Take love out of the equation and focus on the workplace, and it’s clear how this plays out. Studies show that male employees sit back while their female co-workers perform the tasks that don’t lead to promotion. In a series of lab studies, the economists Lise Vesterlund, Linda Babcock and Maria Recalde and the organizational behaviorist Laurie Weingart found that in coed groups, women are 50 percent more likely than men to volunteer to take on work that no one else wants to do. But in all-male groups, the men volunteer just as readily.
In an interview with NPR, Dr. Vesterlund explained that the women do the work “because they’re expected to.” The men “come into the room, they see the women, they know how we play these games.”
We play the same games at home. I interviewed couples separately and found that the women were often angry, while many men didn’t seem to realize there was a problem.
The couples offered three explanations for this labor imbalance. The first was that women take over activities like bedtime, homework and laundry because men perform these tasks inadequately. But this isn’t “maternal gatekeeping,” the theory that men want to help but women disparage their capabilities and push them out. Instead these seem to be situations that necessitate the intervention of a reasonable adult.
A mother in California said: “It’s important to me that my sons are not falling asleep in class and that they’re not late for school. My husband does not share those priorities, so I do bedtime and school drop-off.”
The dad in Vermont explained: “I do laundry when I need it. When it comes to the kids’ laundry, I could be more proactive, but instead I operate on my time scale. So my wife does most of their laundry. Let me do it my way and I’m happy to do it, but if you’re going to tell me how to do it, go ahead and do it yourself.”
The second explanation involved forgetting or obliviousness. A mother in Illinois said: “My husband is a participatory and willing partner. He’s not traditional in terms of ‘I don’t change diapers.’ But his attention is limited.” She added, “I can’t trust him to do anything, to actually remember.”
A dad in San Francisco said that many of the tasks of parenting weren’t important enough to remember: “I just don’t think these things are worth attending to. A certain percentage of parental involvement that my wife does, I would see as valuable but unnecessary. A lot of disparity in our participation is that.”
Finally, some men blamed their wives’ personalities. A San Diego dad said his wife did more because she was so uptight. “She wakes up on a Saturday morning and has a list. I don’t keep lists. I think there’s a belief that if she’s not going to do it, then it won’t get done.” (His wife agreed that this was true, but emphasized that her belief was based on experience: “We fell into this easy pattern where he learned to be oblivious and I learned to resent him.”)
A father in Portland, Ore., confirmed that his wife takes on more but said: “It has to do with her personality. She always has to stay busy. No matter what day of the week it is, she has a need to be engaged, to be doing something.”
Many mothers told me they had tried to change this and had aired their grievances with their partners, only to watch as nothing changed. A mother in Queens said she spent three years trying to get her husband to do more before coming to terms with the fact that maybe it was never going to happen. “He notices the unfairness, but he just accepts it as something we have a disagreement about,” she said. “How much convincing of the other person can you do?”
All this comes at a cost to women’s well-being, as mothers forgo leisure time, professional ambitions and sleep. Wives who view their household responsibilities “as unjust are more likely to suffer from depression than those who do not,” one study says. When their children are young, employed women (but not men) take a hit to their health as well as to their earnings — and the latter never recovers. Child-care imbalances also tank relationship happiness, especially in the early years of parenthood.
Division of labor in the home is one of the most important gender-equity issues of our time. Yet at the current rate of change, MenCare, a group that promotes equal involvement in caregiving, estimates that it will be about 75 more years before men worldwide assume half of the unpaid work that domesticity requires.
If anything is going to change, men have to stop resisting. Gendered parenting is kept alive by the unacknowledged power bestowed upon men in a world that values their needs, comforts and desires more than women’s. It’s up to fathers to cop to this, rather than to cop out.
Ok these guys are terrible, I will give them that, but I think it is important to be real about the fact that most long term partnerships are going to have to change several times over their lifespans. Practically speaking, none of us have one marriage. AND, a lot of couples don’t figure out how to make that change and negotiate what the new partnership is going to be. You see them acknowledge that above.
My feminism is predicated on the idea that men are not irredeemably Other, and that means that this can be a fixable situation. My husband and I were in a similar situation a few years ago and really fixed it, I think, and I’m glad we did. If I have some tips about how you do it, they are:
Treat executive function like a task that takes up real time and really contributes. A pattern you see a lot of the time is only a woman in a straight relationship making lists, noticing things, keeping track of things. As another comment points out, that is exhausting. Personally, instead of trying to make my husband notice everything I did, it works for us to treat that noticing and planning like a major task. Because I do that, I do a lot less of everything else. I treat that like a real contribution and use it to silence the part of me that feels badly that I don’t ever do other things.
Be real about what your own strengths and weaknesses are, and don’t let your understanding of those strengths be surface level. I am bad at routines, I’m very good at planning, noticing, and setting systems up. My husband is terrible at noticing things, but better at doing stuff on a schedule no matter what. We lean WAY into that. It means he does all the laundry on a set schedule (we don’t rely on him noticing when it needs to be done, he does it every Sunday morning no matter what) and I make sure the kid has enough clothes for that schedule to work. He also does all dishes and kid lunches. I cook and plan meals, do things like reorganize a closet when it needs it, and keep track of the family calendar. That might sound uneven, but a lot more one-off stuff comes up than you think, and if you’re dividing the regular stuff equally but one person is also doing the ad hoc tasks, it won’t be equal at all.
I am also good at things that take some sitting around and getting through them (like bedtime or sitting with a sick child on my lap all afternoon). He is good at going and doing tasks. I do bedtime, he does grocery shopping and school drop off/pickup. Which one of you is better at being interrupted? At falling back asleep vs getting to sleep the first time? At tolerating crying? At sticking to a schedule? Figure out a hundred of these, and divide work accordingly.
When you divide tasks, divide them completely. Do some introspection about what you actually require from a task to be done adequately, and get comfortable being annoying about that. Let everything else go. It took me a while to not feel like some horrible nag (lots of gendered stuff there) for wanting my clothes to be laundered the way I wanted if I wasn’t doing it myself. I had to get over that (and he had to get okay with hearing that.) He was out of town last weekend, so laundry didn’t get done. This morning, I said “hey, I am reaching a critical underwear situation, can you do laundry tonight?” There’s space in this for him to ask me to spot him, but I’m not just doing it and getting resentful.
But there are also aspects of tasks that you can let go of. One of the few planning tasks that’s his is arranging summer camps. (This is an insane part of US parenting. Every household has to have a spreadsheet.) He does this completely. I don’t even know which camps our kid is in until he puts them on the shared calendar. Does he do this in a way I like? Absolutely he does not. Every year he books something in case or makes a mistake and has to cancel or find something at the last minute. I have to let that go if I want him to own this.
Each parent has an individual relationship with a child, you can’t funnel it all through one parent and expect it to work. Like in the original post, a dad says that he’ll do the laundry on his schedule, not one that’s dictated to him. If laundry is his job, that means that a child who’s angry there are no clean pants that fit *has to scream at him* and as the other parent, *you stay out of it.* That’s between them and has nothing to do with you.
Sometimes , to make that work, you have to bundle dependent responsibilities. If a lack of clean clothes leads to being late for school, have the same person do both of those. AND have him be the only person who goes to the meeting with the principal about how often they’re late. This is not actually between the two parents, this is a contract of care between a parent and child.
If your co-parent is actually so negligent that this will harm the child (not make you look bad or make a kid angry or inconvenienced or whatever, and you have to be real about this) you cannot pretend to co-parent with them.
You probably have to overcorrect. An equitable division of labor in a straight relationship probably feels like the man doing 60-75% of the work. Letting that happen will require a lot of self-work from most women.
Recognize that this is a life or death situation for a marriage. Like, as parents, this is the #1 most important thing to figure out, and if you don’t? You will be happier divorced. I think a lot of people, maybe mostly a lot of men, think this is something you can work around or wait out. I don’t think it is.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming